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The John W. Bennett collection contains two audiocassettes titled "Alistair Cook speaks of H. L. Mencken from the tape of Mrs. R. R. Bennett, 6/15/80" and "Conversation - H. L. Mencken and Dr. Donald Kirkley. June 30, 1948," two newspaper clippings on H. L. Mencken, and a photocopy of a book titled "Roosevelt and the Republic" by John W. Bennett.

Professor Gregory Bush (History Department) and the Institute for Public History (IPH) have recorded a series of interviews around the issue of public spaces in South Florida. Participants, who are representative of the diverse cultural milieu of the region, reflect and provide insights on migration, gentrification, the history of individual neighborhoods, housing, and community services.

These voices help to articulate the ongoing discourse on public space as it applies to South Florida’s History of development. The recordings and accompanying transcripts of the oral history collection document the unique experiences of the region’s inhabitants. In addition, the collection serves as a repository of primary source materials for students, faculty and the general public.

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."

Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.

The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

This collection contains six stereographs (stereo-view photographs) of the construction of the Panama Canal dated 1912-1913, and three cassette tapes of news commentary regarding the 1977 Panama Canal Treaty between Panama and the United States of America.

This collection contains audio cassettes and sound reels with transcripts of interviews of South Florida personalities by Polly Redford for her book The Billion-Dollar Sandbar: A Biography of Miami Beach (1970).

This collection consists of archival materials acquired that relate back to Marjory Stoneman Douglas, the well known environmentalist who was a major force in the fight to preserve the Everglades.

The Coconut Grove Playhouse records contain playbills, promotional/marketing material, posters, press releases, news clippings, financial files, grant files, personnel files, show and production files, play scripts, and audio-visual materials (photographs, CDs, vinyl records, floppy disks, VHS, film reels, betacam tapes, audiocassette tapes) pertaining to the theater's operation from the 1970s to its closing in 2006.

The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.

A collection of papers, photographs, scrapbooks, ephemera and other objects that document various cultural scenes in Miami from the 1980s to the present, with an emphasis on the art, nightclub and drag subcultures.

This collection contains photograph albums and audio-visual materials documenting the various events Jan Mapou had taken part in and organized for Sosyete Koukouy (The Fireflies Society) and Libreri Mapou.

Dr. P. A. Phillips was a history professor at the University of Miami.

The P. A. Phillips Collection contains materials from three of his history courses - two undergraduate and one graduate - where students were asked to interview a World War II veteran and compose an oral history report based on that interview. The materials include essays, transcripts, audio recordings, and videocassettes.

The William Calhoun “Bill” Baggs Papers includes thirty-one boxes of correspondence, memoranda, clippings, photographs, diaries and other materials relating to the professional career of Baggs, a newspaper journalist, editor, and political commentator from the 1940s until his death in 1969. As a columnist and editor for the Miami Daily News, Baggs developed relationships with many prominent figures. The Baggs Papers, arranged in six series, totals thirteen cubic feet of materials. In addition to incoming correspondence, the files include hundreds of carbon copies of outgoing correspondence from Baggs to a variety of local, regional, state, national, and international politicians, journalists, and others.

Formed in 1959, World Wings International is an association of former Pan Am flight attendants that now dedicates itself to charitable activities. This collection includes the administrative records of the organization as well as scrapbooks, photographs, membership and annual meetings files, correspondence and financial records.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.

Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.

The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.

The Plymouth Congregational Church records contains historical records created and maintained by the church from around the 1910s through 2010s. The collection contains (but is not limited to) church records on baptisms, weddings, and funerals; architectural drawings of the building and grounds (including the Little Schoolhouse); church bulletins; educational materials; organizational records, including minister files, records maintained by church organizations (eg. Music Committee, Women's Fellowship Circles), and information on governance; ephemera related to events; press clippings; scrapbooks, photographs; and sermons and memorial tapes.

Audiocassette tapes and microcassette tapes of oral histories from Pan American World Airways flight attendants and associated transcripts.

Sweat Records began as a local independent music store in Miami in 2005, conceived by DJ and club promoter, Lauren (Lolo) Reskin, and by former WVUM DJ and public defense attorney, Sara Yousuf. It served as not only a record store but a public event space and coffee shop, catering to the eclectic music scene in South Florida. The store was forced to temporarily relocate to the back of Churchill's pub in 2005 after the destruction caused from Hurricane Wilma and eventually moved to its new permanent location near Little Haiti. Sara Yousuf also left her role as co-owner to pursue a full-time career as a public defense attorney in 2006 and was replaced by Jason Jimenez who came onboard as Lolo's new partner in 2007. Sweat Records continues to this day to offer a wide variety of performances and events, featuring both budding local artists and veteran rock bands, and to contribute heavily to Miami's thriving music culture.

The Sweat Records collection contains archival material documenting the history of the record store, including newspaper articles, magazines, ephemera, pamphlets, company records, administrative files, personal papers from Lolo Reskin, and audio-visual material. Items are arranged categorically by series and material type.

This collection contains drawings, sketches, photographs, research materials, clippings, audio-visual materials (CDs and audiocassette tapes), periodicals, ephemera, and other archival materials created and collected by the noted Miami and New York artist Naomi Fisher (1976-).

This growing collection consists of cassettes, vinyl records, and documents pertaining to the Miami underground music community. The music in this collection was assembled by the WVUM staff and mostly dates to the 1990s.

Collection consists of author files, press photos and other photographs, organizational records, financial records, audio recordings, video recordings, and promotional materials.

Author files (8 cubic feet): manila folders containing materials related to authors who appeared or were considered as panelists.

Press photos (1 cubic foot): biographical material, handwritten and typewritten correspondence.

Photographs: candid photos of KWLS authors and attendees; some studio/posed portraits.

Organizational records (6 cubic feet): 3-ring binders containing board agendas, minutes, related correspondence, and press clippings. Financial records (3 cubic feet) tax and accounting records, grant records.

Audio recordings: approximately 75 unique audio cassettes, 20 unique DAT (digital audio tape) recordings; 100+ unique CD (compact disc) recordings 1999-2008; 85 GB unique audio stored on digital drives, 2009-2014.

Video recordings: 7 VHS cassettes.

Ephemera and other promotional materials: posters, programs, postcards, and publications.

Books received with the donation will be cataloged separately.

The records contain legal cases, research files, correspondence, audio-visual materials (VHS, CD-ROM, audiocassettes, microcassettes), and trial notes from the Miami Community Justice Project. Topics covered include development for low income housing, gentrification, public housing, and privately run detention centers. In particular, the materials discuss the Scott Homes/Hope VI housing revitalization plan and the Reese v. Miami-Dade County court case; the Sawyer's Walk (Overtown) and Crosswinds (Overtown) redevelopment projects; the Manuel et al. v. city of Lake Worth court case; and the Miami Workers Centers Transit HUB. Other organizations mentioned in the files include Power U Center for Social Change and Florida Immigrant Coalition (FLIC).

Collection consists of correspondence, various iterations of Gottlieb-Roberts' art work (from drafts to finals), photographs (including slides and Polaroids), promotional materials, video cassettes (VHS, U-Matic, L-750) of performances, press, and more, from the 1970s through the 1990s.

AV materials, Includes photos, slides, VHS, floppy discs, and audio cassettes

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).

This collection contains articles, screenplays, research notes, drafts, and other writings by John Underwood, as well as research files, audiovisual materials, and clippings. His research topics included former Florida State Senator George A. Smathers, sports, Disney, and South Florida. His collection also contains correspondence, his personal files, photograph albums, scrapbooks, his University of Miami files, and ephemera.

This collection contains typed manuscripts, drafts, poems, periodicals, publications, correspondence, news clippings, photographs, slides, negatives, VHS tapes, audiocassette tapes, CDs and other archival materials from the local South Floridian poet, Jeffrey Knapp (1949-2011). Also included in the collection are photographs and research materials on the South Floridian artist, Betti Bernay (also known as Betty Godlfarb; 1926-2010).

The Paul Williams Book Collection consists of books written by Paul Williams as well as various cassettes and magazines.

This collection contains an array of materials that document the history and legacy of the University of Miami Department of Intercollegiate Athletics. Contained within are photographs, audio-visual materials, publications, news and magazine clippings, sports statistics, contracts, questionnaires, and topical files.

This collection contains materials regarding University of Miami Women's Equity initiatives. Materials housed within the collection include the following: news articles, correspondence, bibliographies, curriculums, reports, evaluations, brochures, guides, newsletters, programs, inventories, surveys, publications, and audio-visual materials (audiocassettes, beta max tapes, reel-to-reel tapes).

The Antonio Arias Papers consists of circular letters, proclamations, statements, press releases, and other correspondence sent to Antonio Arias during the 1960s and 1970s by Cuban exile organizations. Some of these groups were paramilitary organizations engaged in subversive activities, such as Comandos Omega 7 and Joven Cuba Nacionalista. The collection also includes a copy of "Acta final de los diálogos celebrados entre el gobierno de la República de Cuba y personalidades representativas de la comunidad cubana en el exterior - los días 20 y 21 de noviembre y 8 de diciembre de 1978."

These materials were received and collected by Antonio "Cuco" Arias while a radio journalist at WFAB La Fabulosa, a Spanish-language radio station in Miami, Florida. Mr. Arias worked at various radio stations and went on to serve as an executive producer for television with Univisión, the Spanish-language media company.

The papers consist of popular musical selections from Dominican Republic, including Fantasia by Manuel Emilio Garcia G. This score was based on works by various Dominican composers, and the principal theme came from the song "Maiba" by Diogenes Silva. The materials include four tapes, a manuscript of a score "Selecciones Populares Dominicanas" in 26 parts, Quartet for various instruments, a manuscript of a score titled "Marcha Triunfal" in 22 parts, and a manuscript of a score of Giselle Marie Vals.

The materials consist of research papers and tapes used by Marta Pérez to write her Ph.D. thesis: "The Varela Centers: An Immigrant Education Entry Program."  Pérez uses for her dissertation documents found in two Varela Centers in Miami, which offered education to the students coming from Guantánamo Base.  The documents include correspondence, financial records, research notes, reports, students' school work and photographs.

The Fort Chaffee Collection brings together two sources of materials relating to Cubans who arrived in the U.S. during the 1980 Mariel Boatlift and were detained at refugee camps at Fort Chaffee, Arkansas.

Barbara Lawson was director of the Cuban-Haitian Task Force from 1980 to 1981, and she donated reports, correspondence, memoranda, artwork by Cuban refugees, and recordings of news interviews she gave during her tenure with the Task Force. These materials document the operations and policies of Fort Chaffee from 1980 to 1981, discussing, among other topics, security issues in Fort Chaffee and difficulties in placing entrants who were considered not suitable for sponsorship. Lawson donated additional materials in 2018, including correspondence, postcards, newspaper clippings, greeting cards with artwork by Cubans held in Fort Chaffee, and press and Army Public Information photographs related to the Boatlift.

Gastón A. Fernández donated the research materials he collected and used for his book The Mariel Exodus Twenty Years Later: A Study on the Politics of Stigma and a Research Bibliography (Miami: Ediciones Universal, 2002).  These materials consists primarily of photocopies of reports and interagency correspondence of the various U.S. government agencies responsible for the processing and settlement of Mariel refugees and for administering Fort Chaffee and other camps.  The Fernández donation also includes photographs by the U.S. Army and snapshots of refugee activities at Fort Chaffee. The photocopied documents seem to have been obtained by Fernández primarily from the Jimmy Carter Presidential Library, although they are not clearly identified as such.

Issues of La Vida Nueva, a newsletter published by the Cubans detained at Fort Chaffee with the support of the 1st Psychological Operations Battalion of the U.S. Army, and Crossroads, a newspaper published for Fort Chaffee personnel were transferred to the CHC Exile Journals collection.

The collection contains audiovisual recordings in VHS and cassette format of television and radio appearances and performances by Cuban comedian Pablo Garí, also known as "El Pible."

The Jill Flanders-Crosby papers contain photographs, cassettes, DV tapes, and DVDs related to Flanders-Crosby's fieldwork related to Afro-Cuban religious dance practices.

The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.