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This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.

This collection contains typed manuscripts, drafts, poems, periodicals, publications, correspondence, news clippings, photographs, slides, negatives, VHS tapes, audiocassette tapes, CDs and other archival materials from the local South Floridian poet, Jeffrey Knapp (1949-2011). Also included in the collection are photographs and research materials on the South Floridian artist, Betti Bernay (also known as Betty Godlfarb; 1926-2010).

This collection contains a collection of writings and research from local historian, playwright, director, and teacher, Sandra Riley, and poet, teacher, and musician, Peggy C. Hall. The materials currently include manuscripts, research notes, journals, interviews, drafts, playscripts, ephemera, poetry, and other materials pertaining to their life's work and writings.

A local poet who grew up in Manhattan and resided in Miami Beach, Florida for the latter years of her life, Judith Anne Berke (Sep 9, 1931 - Jul 24, 2013) wrote and published several works that embody the spirit of Florida, its unique history and its people. She attended Smith College in her youth and began writing when she was 49 years of age then published her first book in 1989. Outside of writing, she studied painting at l'Academie de la Grande Chaumiere in Paris and was a skilled sculptor. She also studied acting, designed puppets, and sang in the Opera Guild of Greater Miami, demonstrating a huge breadth of talent that spanned many disciplines.

Her papers include her manuscripts, drafts, and poems either in notebooks or in typescripts. Also included are some of her scrapbooks and a sculpted bust.

Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.

Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.

The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.

The papers document professional activities of Carolina Garzón.  She taught mathematics in Elementary School and Social Studies in High School in Cuba since 1926.  In her capacity as a teacher, she collaborated on a book discussing the development of new programs in the Cuban Schools.  Garzón also worked as a Social Worker in Cuba in the 1950s, Miami and Tallahassee and as a supervisor of Pedro Pan program. 

The materials consist of those documenting Garzón's work as a teacher, and those reflecting her work as a social worker. They include correspondence, manuscripts of scholarly essays, social histories of Garzón's clients, a typescript of an essay "A Psychoanalyst's Observation During A Totalitarian Take-Over" by Dr. Gabriel Casuso Assistant Professor of Psychiatry at the Medical School of the University of Miami, which discusses Fidel Castro's revolution from Psychoanalytic perspective, bibliography of materials for Florida State University School of Social Work, a pamphlet on the destruction of private school system in Cuba, a published thesis titled "A Study of the Adjustment of Thirty Four Boys in Exile," photographs, a student card from Florida State University, clippings, miniatures of religious paintings and memorabilia.

The collection documents the activities of Carmen Alea Paz relating to her literary career. It includes clippings of three published poems written by Carmen Alea Paz, manuscript of Jose Marti about the Cuban flag, articles, programs regarding Los Angeles Cultural festival and memorabilia.

31 page typed manuscript dated 05/04/2005, "Traditional Architecture and Sustainabilty" by Jose Baganha.

The papers document activities of Gustavo Gutiérrez y Sánchez, a prominent Cuban exile.  In Cuba (before Castro) he was Secretary of Economy.  He left Cuba in 1959, when Fidel Castro seized power, and went to Argentina, Mexico and finally to Miami where he died in August 1959.  The materials include a typescript of "Exile" with original letters, photographs and documents compiled by Montalvo, a typescript of "Gromyko No Recibio Saludo" ( Un Error de la Associated Press) also compiled by Montalvo,  Official Records of the Third Session of the General Assembly of the United Nations, Part II from 1949, and a pamphlet authored by Montalvo.

The Angel Gaztelu Papers contain poetry collected by Father Angel Gaztelu and articles written by him.

The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.

The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.

The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.

The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The papers consist of the manuscripts of Cuban songs written by Juan Valdés Terán in Cuban prison where he was held as a political prisoner for many years, correspondence, clippings, memorabilia and photographs.

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

The papers include correspondence with important Cuban, Spanish and Latin American writers, photographs, manuscripts, programs, pamphlets with printed poems and programs.  The writers discuss exile experience, existential topics and the solitude of a poet.

The papers document professional activities of Calixto Masó, Professor Emeritus at the Northeastern Illinois State College and Ex-Professor of the Faculty of Philosophy and Letters at the University of Havana. Materials include manuscripts and typescripts of writings on topics of Hispanic and Spanish culture, literature and history. Materials also consist of clippings, pamphlets, notes and correspondence.

Book proof draft with handwritten notes and taped additions for a small part of the 2000 edition of the book "Charter of the New Urbanism" by Congress of the New Urbanism

This collection consists of documents, books, and other materials written and collected by Cuban poet and writer Eugenio Florit. Materials include personal correspondence, along with professional correspondence pertaining to his work as a writer, translator, and professor at both Columbia University and Middlebury College.  It also includes published and unpublished works by Florit, clippings of newspaper articles by and about Florit, and research notes.  Travel is a recurring theme in Florit’s work, and this is visible in the abundant slides he has of his travels, and the travel diaries he kept. Mementos such as photographs, cassettes, awards, diplomas and memorabilia also make up a portion of the collection.

The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.

Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."

Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.

The materials consist of research papers and tapes used by Marta Pérez to write her Ph.D. thesis: "The Varela Centers: An Immigrant Education Entry Program."  Pérez uses for her dissertation documents found in two Varela Centers in Miami, which offered education to the students coming from Guantánamo Base.  The documents include correspondence, financial records, research notes, reports, students' school work and photographs.

Collection consists of correspondence, clippings of articles by Luque Escalona, manuscripts of " Lorenzo y el cordero del diablo," of unpublished book by Luque Escalona titled "Yo, el mejor de todos," of essays: "La enfermedad visual del fidelismo," "Las iniciales del fidelismo" and "Paleontología política," as well as, a manuscript of his first novel titled "Los Funerales de Hector" and written in Cuba and presented at the contest, Casa de las Americas, in 1969. The materials also include a manuscript of the short story titled "Aquel no era mi día" which was published in "Antología de cuentos de cubanos de la diáspora," as well as, manuscripts of the following unpublished short stories: "Les crimenes de la calle M, "Una lección de odio," "El Macho," "Los últimos caidos," "Largo y tortuoso camino and "Entre cuatro paredes." A manuscript of the first article that Escalona wrote in exile and a miniature of his novel "Los Niños y el Tigre: Política y revolución en Cuba" published by Freedom House in New York are also included.

This collection contains correspondence, manuscript drafts, notebooks, drawings, sketchbooks, photographs, planners, journals, college notebooks, and other ephemera from Gloria Grasmuck's notable life and career as an artist, writer, and translator.

Manuscripts, typescripts, galley proofs, research files, books, and correspondence related to the literary career of Les Standiford.

The James F. O'Boyle Papers contains two manuscripts, one titled "The Coke Twins" and dated 1985, and other titled "Black Night, Black Dawn" and dated 1995.

The papers consist of published and unpublished works by and about Varela Zequeira, noted Cuban physician and literary author of the late 19th and early 20th centuries. The collection also includes some materials of his granddaughter Beatriz Varela’s, primarily pertaining to her research for the biography she authored about Varela Zequeira.

The Ralph Rewes papers consist of unpublished manuscripts of books written by Ralph Rewes, Cuban exile living in Hialeah, Florida. The manuscripts include "'America' Misunderstood", "The Opinionated Memoirs of a Cuban Youth" and "El Diario de Frank Rodríguez - Mi Primer Día.

This collection brings together a variety of historical documents that are topically related to Latin America, including manuscripts, correspondence, and illustrations. The documents range from 1420 to 1994 in date, and originate from Mexico, New Granada, Panama, Peru, Colombia, Ecuador, and other parts of Latin America.

The papers document professional activities of Raquel Fundora as a poet and a president of the Miami chapter of the Circle of the Pan-American Culture.  Fundora's poems express nostalgia for Cuba.  The materials also document the activities of the Circle of the Pan-American Culture, which was founded in 1963.  It reunites professors, writers, poets and persons interested in culture.  Materials include manuscripts of Fundora's poetry, correspondence, scrapbooks, clippings, photographs, programs, certificates, diplomas, memorabilia, typescripts of conference essays and audio tapes.

The papers document professional activities of Dr. Jorge Aguayo, who was the founder of the School of Library Science at the University of Havana.  He came to the United States in 1960 and was the director of the Columbus Memorial Library at the Organization of American States until his retirement in 1973.  The materials include correspondence, publications and clippings of articles written by Jorge Aguayo, as well as, an unpublished manuscript book written by Jorge Aguayo about his father and titled: "A Memoir of Alfredo M. Aguayo."  The manuscript documents the career of Alfredo M. Aguayo, who was a reformer of the educational system from elementary school to universities, in Cuba, at the beginning of the Republican period, and who elevated the rank of the School  of Education at the University of Havana to graduate School of Education, as well as, wrote many books on education.

Jesse Wooley was a professional photographer from New York who visited Florida in 1896. Wooley used his trip to create a stereopticon or lantern-slide lecture about Florida. Several of these lantern slides were colored.

The Eugene Provenzo Collection contains a manuscript by Provenzo and William E. Brown titled "From Ice to Snow to Flowers and Fruit: Jesse Wooley's 1896 Tour of Florida." The manuscript by Provenzo and Brown aimed to reproduce this lantern-slide lecture with the original lecture notes, as well as to provide a historical analysis of lantern slide lectures and a biographical essay on Jesse Wooley. The collection also contains correspondence regarding the manuscript, duplicate pages of the manuscript, research documents and notebooks, photographs and photographic slides taken of the surviving lantern slides, clippings, articles, and other documents.

The Isaac Bashevis Singer Collection consists predominantly of correspondence written to Singer during the years 1978 to 1982. The correspondence is divided topically into the following categories: agent correspondence, autograph and photograph requests, fan mail, financial papers, Hebrew and Yiddish correspondence, legal affairs, miscellaneous, "new writer" requests (letters from authors asking Singer to read their work), personal, protocol, publicity, publisher and producer correspondence, requests for information, requests for money, and requests for interviews or speaking engagements.

Also included are manuscripts by Singer, periodicals, brochures, photocopies, and clippings with content from or about Singer, and writings by other authors.

The collection consists of research and financial papers for Lobo's film "Perú,"  as well as correspondence and financial statements of her company Arawak.  Materials also include clippings, theatre programs, manuscripts of screenplays, drawings of costumes, a few maps, copies of engravings and invitations.

The papers document professional activities of Andrés Nóbregas, theater director and playwright staging his plays in New York Theater of The Americas and at the Hispanic Theater Festival in Miami. He also wrote for television. The bulk of material includes manuscripts of plays and libretti either written or directed or acted by Andrés Nóbregas. Materials also include some invitations and clippings regarding Hispanic Heritage Week.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

The papers document activities of Dr. Ricardo Bofill Pagés in capacity of the President of Cuban Committee for Human Rights.  The materials include papers written about Bofill's work, clippings of Bofill's writings about human rights and reports.

The Luis Felipe Mencía papers contain correspondence, clippings about medicine and hospitals, as well as the Cuban Medical Conventions in Exile etc., one illustration of the Hospital Mercedes in Cuba, a roster and invitations to various events of the Cuban Society of Surgery, and pamphlets about surgery in Cuba.  It also contains historical issues of periodical publications related to medicine in Cuba and Cuban physicians.  The most important materials of this collection are a lecture offered by Mencía at the special session of the Ninth International Cuban Medical Association Congress, Miami, 1987, and the manuscript of Dr. Mencía's book: Recuerdos de la Cirugía en Cuba,  published in Miami in 1990.  In this collection we also find a photocopy of one speech by Dr. D. González Marmol.

The papers document activities of Eugenio Castillo who was a lawyer and a Consul of Cuba before 1959.  He was associated with the following places: Cuba, London, New York, Paris and Baltimore.  The materials include correspondence with prominent Cuban figures including José Raul Capablanca, who was a Cuban chess player and a world chess champion from 1921 to 1927, Luis Machado and others, as well as, PelDrak Cuba Copper Products Corporation data and photographs, invitations, clippings, official papers signed by a president of the Republic of Cuba and memorabilia.

The Humberto Piñera Llera papers contains the personal papers of Humberto Piñera Llera, Cuban philosopher, essayist, literary critic and educator. Documents in the collection include correspondence, manuscripts of articles written by Piñera for Diario de las Américasand other periodicals, along with newspaper and magazine clippings of articles on literature, philosophy and Cuba. The collection also contains manuscripts of his conference speeches, class lectures and syllabi and outlines of courses taught by him from 1961 to 1986. The working papers for two of his major works, Idea, sentimiento y sendibilidad de José Martíand Sastre y su idea de la libertad, can be found in the collection, along with original manuscripts of books authored by others. A section of the collection houses papers relating to Piñera’s brother, playright Virgilio Piñera Llera (1912-1979). A series of diplomas, commendations and certificates of merit awarded to Humberto Piñera round out the collection.