The posters in this collection were created by students for a project answering the question "What is Queer?" The project was part of Dr. Steve Butterman's Queer Studies class at the University of Miami. The posters in the collection present a variety of visual and textual representation of the students' interpretations of what it means to be queer, ranging in focus from familial concerns and sexual health/HIV to media representation, politics, and fashion. Many of the posters discuss the history of the use of the term "queer" and question the idea of a single definition of queer.
The University of Miami Board of Trustees I.O.F. records contains minutes; charters; ledgers; agendas; and financial, legislative, and administrative documents.
The collection contains bylaws written by the Library Faculty Council of the University of Miami Libraries, correspondence, and meeting minutes. Only the authorized personnel by the University Archives can access the documents.
The Gelcys de Céspedes Vidal Papers are the personal documents of Cuban exile dentist Dra. Gelcys de Céspedes Vidal. They contain correspondence with other dentists, documents from the Association of Cuban Dentists in Exile, and educational documents relating to Dr. Vidal's training from both Cuba and the United States.
The bulk of this collection consists of photographs taken and developed by W.R. Peters between 1942 and 1955 while working for Pan Am. It also includes: a Miami and Latin American Division pilot and cabin service personnel directory, a pilot seniority list, a grievance conciliation and agreement list, and some photographs that were not taken by Mr. Peters that were acquired at antique stores.
The collection candidly depicts the working lives of Pan Am flight attendants and pilots, including excellent images of insignia, aircraft, and architecture. Photographs not by Peters include images taken during the 747SP “New Horizons” speed record breaking around the world flight in 1977, the Orange Bowl Parade, and flight attendant class photos from the 36th Street flight academy.
This collection consists of the papers of Althea “Gerry” Lister from 1935 to 1997. It contains: biographical information pertaining to Lister’s 45 year career at Pan American World Airways; “Along Air Avenues,” an unpublished manuscript that provides a detailed account of Pan Am’s maintenance and safety operations; a list of survey and inaugural flights created by Lister; a list of McCoy print purchasers and prices created by Lister; and a chronology of Pan Am’s aircraft fleet created by Lister. The papers include certificates, correspondence, photographs, and press clippings.
The Cristina Saralegui Collection contains articles and materials related to TV personality Cristina Saralegui and her eponymous show on Univision. These include newspaper clippings, correspondence, advertisements, press releases, reviews, booklets, and invitations.
The Agrupación Abdala collection contains materials and posters documenting the Cuban student activist group Agrupación Abdala (also known as Agrupación Estudiantil Abdala). The group was founded on January 28, 1968, as a student organization committed to fight communism and to gain the release of Cuban political prisoners.
The posters commemorate special events held by Abdala, as well as the Congresses they sponsored. The information found on the verso of each poster was provided by Edgar Garrastaza and Jaime Guiú, members of Abdala. Other materials include correspondence, conference proceedings, scripts and outlines for radio and television communications, pamphlets, and organizational statutes and by-laws.
The collection consists of popular consumer magazines of the United States, such as Life, The Saturday Evening Post, and Cosmopolitan, which contain articles on the University of Miami.
The Roberto Torres papers contains scrapbooks covering the performing and recording career of Cuban musician Roberto Torres (1940-) in the United States. The scrapbooks contain photographs, newspaper clippings on his tours, shows, and musical releases, programs from his live events, and other memorabilia.
The Helen Maynard Ireland Papers contain the personal writings of Helen Ireland, the wife of Gordon Ireland, a lawyer who worked for the Cuban Sugar Cane Company in the 1920s-1930s.
The collection contains various manuscripts about the couple's life in Cuba, travels through Moron province, and Helen's interactions with Rosalia Abreau, a researcher working with primates in Cuba.
The Alvaro de Villa Collection contains writings and personal papers of Alvaro de Villa, mostly related to his work as a novelist, screenwriter, and writer for the 1970s American bilingual sitcom, ¿Qué pasa, U.S.A.? It includes episode scripts, drafts, news articles on de Villa and the show, manuscripts of other novels and projects, audiovisual materials, and personal papers.
A collection of papers, photographs, scrapbooks, ephemera and other objects that document various cultural scenes in Miami from the 1980s to the present, with an emphasis on the art, nightclub and drag subcultures.
The Florida Menu collection is comprised of both vintage and contemporary menus originating from restaurants all around Florida, which depict a unique part of Florida's culinary, agricultural, and commercial history. Origins of these menus currently include Miami, Miami Beach, Bradenton, Brandon, Coral Gables, Key West, Pembroke Pines, Ft. Lauderdale, Tampa, Hallandale, Kissimmee, and Jacksonville. New menus will be added periodically to the collection as they are acquired.
The Smith and Streeter Tourism Ephemera Collection (CHC5448) contains collectable memorabilia. There are ticket stubs, travel brochures, information and events from businesses that were obtained by Smith and Streeter during their travels. There is also a form chart, passenger list, and luggage tag from their cruise together.
The Florinda Álzaga Collection contains manuscripts, articles and audiovisual materials relating to the academic work of Cuban essayist Florinda Álzaga.
The collection contains article manuscripts, clippings and 39 cassettes featuring lectures given by professor Florinda Álzaga at Barry University. The lectures deal with Spanish literature; women in literature and Gertrudis Gómez de Avellaneda.
Drawings and caricatures of literary, music, and television figures. Features portraits of people who were involved with the Key West Literary Seminar, Lit Live, Books & Books, Miami Dade Collage, Nova Singers, University of Miami, BCC Audit South, or the Miami Book Fair International.
This collection also includes some poetry and prose by Marlyne Marzi Kaplan.
"An archive containing material around the 1980s all-girl "punk-polka" band, Das Furlines, from New York. The lineup included Wendy Wild, Liz Luv, Holly Hemlock, Deb O'Nair (also of the Fuzztones), and Rachel Amodeo. Dubbed as an 'all-female quintet from N.Y.C. that derives their sound from a frothy blend of polka, bohemia, psychedelia, and dementia.' They released their debut album, Das Furlines Go Hog Wild, in 1985 on their own label, Palooka Records. During this time, they were also featured on Entertainment tonight and Andy Warhol's 15 Minutes.
Das Furlines garnered a reputation for sexually charged shows and their second album, The Angry Years, released in 1988 was 'an erotic concept album inspired by the self-help book Women Who Love Too Much.' They claimed to be 'healthier than slam dancing, sexier than a surf party, quicker than Schopenhauer.' The archive features professional photo shoot contact sheet and four 8"x10" prints showing the women of the band posed presumably for cover art and publicity images. One of these photos has women posing with Frank Zappa. A smaller 5"x7" photo shows a close up of an androgynous woman in sunglasses singing. Also included is a zine entitiled "Das Furlines Cookbook" and includes "Das Furlines Data Sheers" with information about each member as well as recipes for the food and drink that each woman liked. One of the flyers advertises a Das Furlines show at the legendart punk venue, CBGBs, where they played alongside Vernon Reid's Living Colour, Rod & Cones, and the Wild Stares. In an article featured on a flyer maquette Wild says 'most of the time we wear these elaborate headdresses that we made with Viking horns on them, of a bunch of snakes like a Medusa crown, so we have our arts and crafts side to the band. And we wear a lot of fur and frilly Alpine beerhall maid type of things, like braids in our hair and that.' She continues, 'it's a real yuk 'em up kind of show, you know, like drinking down steins of beer and polkaing onstage. It's really flipped-out garage polka music... the grandparents will love it, the kids will scream, and the teens will go berserk.' The band disbanded in 1988 but reunited in 1996 as a benefit for Wendy Wild's medical bills during her battle with breast cancer which she ultimately lost later that year." -Between the Covers Rare Books
