This collection provides records of the commencement ceremonies held by all the schools and departments of the University of Miami since 1927. It consists of UM Commencement Programs in print (1927-2014), UM Commencement Recordings (2003-2014), UM Commencement Photographs (2002-2009), UM Commencement Hard Drives, and UM Commencement Scripts (2003-2009) transferred from the University of Miami's Office of Commencement.
The Coconut Grove Playhouse records contain playbills, promotional/marketing material, posters, press releases, news clippings, financial files, grant files, personnel files, show and production files, play scripts, and audio-visual materials (photographs, CDs, vinyl records, floppy disks, VHS, film reels, betacam tapes, audiocassette tapes) pertaining to the theater's operation from the 1970s to its closing in 2006.
The Plymouth Congregational Church records contains historical records created and maintained by the church from around the 1910s through 2010s. The collection contains (but is not limited to) church records on baptisms, weddings, and funerals; architectural drawings of the building and grounds (including the Little Schoolhouse); church bulletins; educational materials; organizational records, including minister files, records maintained by church organizations (eg. Music Committee, Women's Fellowship Circles), and information on governance; ephemera related to events; press clippings; scrapbooks, photographs; and sermons and memorial tapes.
This collection contains audio-visual materials (mostly VHS) and associated digital files related to the Caribbean Writers Summer Institute, which was hosted by the University of Miami English Department and held for five weeks during the summer in Miami, Florida from 1991 through 1996. Each year the program arranged public readings and interviews at a variety of locations in Miami. The presentations were videotaped, and in 2002 the University of Miami Libraries, in collaboration with the Department of English, converted the tapes to web-based streaming media so that a wider audience might have the opportunity to enjoy the literary variety and cultural richness expressed in the writings of the participants. The recordings were reconverted to current archival preservation and presentation standards in 2017. In 2023, Professor Emerita Sandra Paquet donated CWSI conference programs, records of CWSI planning activities, history, and tributes to authors such as George Lamming. The new digitized materials add contextual information to the current Caribbean Writers Summer Institute video recordings that are part of the UM Libraries Digital Collections.
This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).
The records contain legal cases, research files, correspondence, audio-visual materials (VHS, CD-ROM, audiocassettes, microcassettes), and trial notes from the Miami Community Justice Project. Topics covered include development for low income housing, gentrification, public housing, and privately run detention centers. In particular, the materials discuss the Scott Homes/Hope VI housing revitalization plan and the Reese v. Miami-Dade County court case; the Sawyer's Walk (Overtown) and Crosswinds (Overtown) redevelopment projects; the Manuel et al. v. city of Lake Worth court case; and the Miami Workers Centers Transit HUB. Other organizations mentioned in the files include Power U Center for Social Change and Florida Immigrant Coalition (FLIC).
Professor Gregory Bush (History Department) and the Institute for Public History (IPH) have recorded a series of interviews around the issue of public spaces in South Florida. Participants, who are representative of the diverse cultural milieu of the region, reflect and provide insights on migration, gentrification, the history of individual neighborhoods, housing, and community services.
These voices help to articulate the ongoing discourse on public space as it applies to South Florida’s History of development. The recordings and accompanying transcripts of the oral history collection document the unique experiences of the region’s inhabitants. In addition, the collection serves as a repository of primary source materials for students, faculty and the general public.
In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.
In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.
This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.
The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.
A collection of papers, photographs, scrapbooks, ephemera and other objects that document various cultural scenes in Miami from the 1980s to the present, with an emphasis on the art, nightclub and drag subcultures.
The Bob Simms collection documents the life and activities of Robert H. Simms in the black communities in Coconut Grove and Miami and reflects his work with the Community Relations Board and the Defense Race Relations Institute. The collection also contains campaign materials from Leah Simms, the first African American female judge in the state of Florida, and the "Glory in the Grove" photographs of people and events at the George Washington Carver elementary and high schools in Coconut Grove before desegregation. A final component of the collection includes photographs, correspondence and clippings of General "Chappie" James and his family. General James was the first four star African American General and married Dorothy Watkins.
This collection contains pamphlets, political tracts, brochures, assorted publications, newsletters, and audio-visual material pertaining to corruption and political and social destabilization in Latin America.
The Jill Flanders-Crosby papers contain photographs, cassettes, DV tapes, and DVDs related to Flanders-Crosby's fieldwork related to Afro-Cuban religious dance practices.
The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.
The collection contains audiovisual recordings in VHS and cassette format of television and radio appearances and performances by Cuban comedian Pablo Garí, also known as "El Pible."
The Documenting Diversity and Democracy in Brazil collection consists video recordings from sessions at the Documenting Diversity and Democracy in Brazil symposium, held virtually at University of Miami from April 12-13, 2021.
This symposium was created thanks to a grant sponsored by University of Miami Libraries as part of the CREATE Grant Fall 2019 grant Cycle Awards. The symposium was established to highlight the unique and richly-textured Leila Míccolis Brazilian Alternative Press collection. The event featured keynote presentations by João Silvério Trevisan (Brazilian LGBT activist, journalist, and novelist), Dr. Leila Míccolis (Lawyer, activist, and writer) and Sonia Guajajara (Brazilian environmental and indigenous activist and politician), alongside invited papers of scholars who had worked with the Collection to showcase intersectionalities and (dis)connections between burgeoning social and political movements in Brazil from the military dictatorship (1964–1985) to the present day, as well as works focusing on human rights, social justice, and cross-fertilization of historical and sociopolitical trajectories that shed more light on recovering the voices of marginalized Brazilians.
Dr. Peggy A. Phillips was a history professor at the University of Miami. Her collection contains materials from three of her history courses, two undergraduate and one graduate, where students were asked to interview a World War II veteran and compose an oral history report based on that interview. The materials include essays, transcripts, audio recordings, and videocassettes.
Dr. Robert M. Levine (1941-2003) was the Gabelli Senior Scholar in the Arts and Sciences, Director of Latin American Studies, and professor of history at the University of Miami. Throughout his career, Dr. Levine exhibited a strong interest in Brazilian cultural and political history, Jewish Diasporas in Latin America, Cuban history, and Latin American history in general. His papers, donated to the University of Miami, reflect all of these interests in the form of video cassettes, periodicals, clippings, photographs, photocopies, notebooks, microfilm, microfiche, articles, and other materials.
Included in the collection are photocopies of a collection of records from the Jewish community of Curaçao in the 18th century; production materials and photographs pertaining to Dr. Levine's "Hotel Cuba" documentary on the Jewish Diaspora in Cuba; a dozen reels of microfilms of Brazilian newspapers from the 1930s; notes, photographs, and documentation from Dr. Levine's research on the Vargas period in Brazil; and two large, hand-drawn maps indicating Jewish establishments in the major commercial district of Old Havana during the pre-1959 period.
Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.
Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.
The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.
This collection contains a box of reproductions of photographs that were mounted on foam-core boards, used in an exhibit in honor of the University of Miami's Sixtieth Anniversary celebration which took place in 1985. This collection also contains retrospective oral histories, interviews, clips, and short-form films related to the University's Sixtieth Anniversary.
This collection contains photographs, video recordings, university publications, and press clippings of University of Miami's schools, departments, programs, and events, created by the University Communications during the 1980s through the 2000s.
