George Abbott (June 25, 1887 – January 31, 1995) was a famous and well-renowned playwright, producer, and director who worked out of New York City for most of his life until he retired and passed away in Miami Beach, Florida. Over the course of his career on Broadway, he received many awards and accolades for his work, including several Tony Awards, the Pulitzer Prize for Drama (1960), and the Drama Desk Award for Outstanding Director (1983). To celebrate his vast contributions to the world of theater, George Abbott also had both a theater building, which was unfortunately demolished in 1970, and a street in New York Times Square, George Abbott Way, named after him.
His papers feature photographs, playscripts, playbills, financial documents, official records, music sheets, and other materials associated with his life and work on Broadway.
The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.
Richard A. Kahn was a lawyer and economist who taught
economics and business law courses, published numerous articles and held a variety of positions in the United States government. The Richard A. Kahn Papers, arranged in three series, contain correspondence, newspaper clippings, book manuscripts, copies of published articles, and marketing research. Much of the content of this collection concerns his work with various fishery institutions, such as the U.S. Branch of Commercial Fisheries and the Gulf and Caribbean Fisheries Institute.
Author Laura Kalpakian, described by some critics as one of the "most unheralded, brightest talents" in the country, has published several novels and short story collections, novellas, short stories, essays and interviews for magazines and newspapers including Cosmopolitan, Good Housekeeping, McCall's, Los Angeles Times, Miami Herald, and Hawaii Review.
The Laura Kalpakian Papers contain manuscripts and drafts of stories, novels, and speeches. Correspondence relates to the creation and publication of several works. Writings are arranged in chronological order within three series: Novels, Short Stories and Other Writings, and Short Story Collections.
The Jean P. Lesperance Papers consist of correspondence, articles, book manuscripts, and newspaper clippings relating to the merging field of management studies. Lesperance joined the University of Miami faculty in 1947and taught management courses. He later served as the director of the Time and Motion Study Laboratory.
The M.S. Mishler Collection consists of two account books of Mr. M.S. Mishler and one account book of the Little River Mutual Telephone Co. of Little River, Florida. Mr. Mishler and his family moved in 1899 from Chicago to Little River, an area south of Opa-Locka and east of Hialeah in Miami-Dade County. The account books also contain notes and clippings regarding South Florida weather and the hurricane of 1926.
These papers document Inés Segura Bustamante's (1919-2002) multiple professional, political and artistic activities. She was a clinical psychologist, member of Directorio Estudiantil, writer, painter, composer and lyricist. Segura Bustamante worked as a professor of psychology at the University of Havana. She left Cuba after the Communist Revolution and she continued her work as a psychologist and writer in the U.S, where she authored several books. Segura Bustamante studied music and piano and wrote a significant amount of songs. She also studied painting and some of her pictorial works are held in the Lowe Art Museum in Miami.
The bulk of the papers consists of manuscripts of musical scores, song lyrics and writings on children's psychological development. The materials also include clippings, typescripts and photographs of the "Directorio Estudiantil Universitario 1930," clippings and reports of "Junta Patriótica Cubana," correspondence, clippings of articles on Cuba and Cuban exiles, articles by Segura Bustamante and about her, manuscripts of her poems, a copy of "Bohemia," books annotated by Segura Bustamante, a manuscript of "Cuba Siglo XX y la generación de 1930" and a manuscript of a book on child's psychology.
The Natalia Aróstegui Bolognini Collection contains poems, articles, extracts and off-prints, and music scores by important early/mid 20th century Cuban composers. Music scores include autographed manuscript music scores by Gonzalo Roig, an important Cuban musician of the mid-twentieth century; autographed music scores by Ernesto Lecuona, one of the most important and internationally known Cuban musicians of the 20th century; and sheet music by Jorge Anckermann, Eusebio Delfín, Gisela Hernández González, José Marin Varona, Jorge Mauri, and Ernestina Lecuona, Ernesto Lecuona's sister.
This collection also contains manuscript poems by Dulce María Loynaz del Castillo, a renowned Cuban poet and the 1992 recipient of the Cervantes Award of Literature; and documentation about Dr. Gonzalo E. Aróstegui y del Castillo, Aróstegui's father.
The Joseph Auslander and Audrey Wurdemann Collection consists predominantly of correspondence, programs, and scripts relating to their involvement with the CBS radio program Housewives' Protective League. The Housewives' Protectice League, airing from 1948 to 1962, was a daily CBS radio feature which explored a variety of issues from childrearing and health to fidelity and marriage troubles. The letters are either from publishers confirming the Auslander's permission to review or discuss their books on air, or from CBS executives discussing their scripts. Included also are several scripts not by Auslander or Wurdemann, and an untitled typescript. Finally, the collection contains a leasing agreement from the Auslanders for a house in New York City. several periodicals, 15 research notebooks, and 28 photographs (with French inscriptions) depicting trench warfare in Belgium during World War I.
The Julian Corrington Papers contain teaching and academic files concerning the University of Miami in addition to materials on scientific research and literature. Class records and course materials, dated 1944-63, include syllabi, memos, lecture notes, book lists, lists of research topics, correspondence with students and student recommendations. Other correspondence and memos, relating to the Biology Department discuss such topics as the curriculum, course requirements, faculty meetings and building plans. University of Miami "faculty notices," and "university memoranda" cover announcements of library news, information on education, and the Science Department. The records also contain publications such as "Self Portrait of a University," and a program from the 1962 dedication of the Otto G. Richter Library. Correspondence with faculty of other universities discusses the merits of general introductory science courses versus more specialized instruction.
Several files contain manuscripts and correspondence dealing with publications. Other files include materials on the electron microscope and include photographs taken through the microscope, reprints of articles and news clippings relating to the microscope. "Field Check Lists," dated 1917-21, and field trip reports record observations on the sea coast at Georgetown University. Photographs document trips led by Corrington. Reprints and publications on various scientific topics as well as and bulletins, newsletters, and programs from various scientific and scholarly organizations are included in files. Additional files of particular interest contain newspaper clippings and literature from various organizations on eugenics, genetics and the teaching of evolution. Corrington collected these materials, dated 1920-44, for inclusion in class lectures.
The Virginia Spencer Carr Collection contains correspondence, research notes, interviews (transcripts and audio tapes), photographs, manuscript drafts of publications and other materials compiled and created by Virginia Spencer Carr in the course of her research and writing of John Dos Passos: A Life. John Dos Passos, a noted American literary figure of the "lost generation," published a number of important works, including the trilogy U.S.A.
Among important materials in the collection are the personal reminisces of family members, colleagues and contemporary figures of Dos Passos (notably, letters by Simone de Beauvoir, William F. Buckley, William Slater Brown, Frances Scott Fitzgerald, and family members of both Ernest Hemingway and John Steinbeck are included). The collection also includes extensive research files on the life and publications of Dos Passos and family members.
The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).
A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.
Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.
The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.
The James A. Michener Papers consist of correspondence, notes, research materials and drafts of manuscripts created and compiled by best-selling author James A. Michener (1907-1997) in the course of his work on the novel Caribbean (1989).
Correspondence and memoranda found within the files provides information concerning the intellectual preparation required to compose an historical novel that spans more than four hundred years. Michener chose to preserve the results of his research and editorial efforts "... so that aspiring writers can see what work lies ahead for them if they finally succeed. Stated better, what work they will have to do if they want to succeed." Exchanges with editorial staff members throughout the stages of manuscript preparation, and the concurrent suggestions, recommendations and revisions to the manuscript noted on various "copies" of the manuscript illuminate the internal aspects of the modern publishing industry.
The author includes notes and correspondence concerning the logistical, financial and personal decisions that influence the creative process. The pervasive degree of experimentation, discovery and change inherent in the process of creative writing appears throughout the stages of this manuscript. The very title of the novel, Caribbean, is a reflection of this evolutionary process, for the author first conceived on calling the volume Lost in the Sun.
The Joan Sturhahn Papers contains a typescript with corrections of her 1976 work Carvalho, Artist-Photographer-Adventurer-Patriot: Portrait of a Forgotten American. This typescript, however, is titled "Solomon Nunes Carvalho, Recorder of History with Brush and Lens, 19th Century American Scene."
Also included is a note from Sturhahn to Dr. Charlton Tebeau that accompanied the typescript sent to him.
The Arthur Freed screenplay collection consists of 37 screenplays of both unfinished and completed film productions set to be produced by Arthur Freed during his tenure at the Metro-Goldwyn-Mayer (MGM) Studios. Among others are included screenplays for Girl Crazy and Paris to New York.
Also included are several interoffice MGM notes and letters.
The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.
