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The Randy Liebermann Collection contains five photo albums and one scrapbook of Pan American World Airways materials. The materials primarily concern the Latin American Division, but also airplane models and company policy at large. The Scrapbook contains newsletters, pamphlets, clippings, certificates, letters, envelopes, stickers, postcards, stamps, and other materials.

The Charles T. Simpson collection contains photographs, account statements, letters, minutes, contracts, typescripts, articles, certificates, membership cards, manuscripts, notes, photocopies, and a plant specimen, which document the lengthy botanical and zoological career of the early 20th century naturalist.

The E. G. Barnhill Collection contains negatives of Florida homes and birds, as well as glass plate negatives of Florida scenes. The collection also contains hand-colored postcards by Barnhill depicting Florida scenes (ca. 1910s-1930s), early Florida ephemera,  several biographical pages and scrapbooks put together by Barnhill with many resourceful historical clippings from the early half of the 20th century on pirates, Native Americans, archaeological exploits, early technology, and treasure hunting.

Michael J. Maxwell was an architectural consultant whose firm, Michael Maxwell Associates, Inc., consulted the city of Opa-locka in the mid-80s on appraisal and restoration matters. This culminated in a Master Plan for the Restoration of Historic Opa-Locka City Hall, and a Nomination Proposal of several historical sites in Opa-Locka to the National Register of Historic Places. These two documents, as well as the planning materials, are held in the Michael J. Maxwell collection.

The collection also contains other Opa-locka related materials. Included are 1926-1927 Opa-locka price lists, a 1953 charter, copies of the Opa-locka Times from 1926 and 1927, letters including a 1926 letter petitioning for the establishment of a Post Office at Opa-locka, a history of Opa-locka brochure and preparation materials for the brochure, and other items.

The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.

The Louinès Louinis Haitian Dance Theatre collection contains photographs, pamphlets, programs, ephemera, audio-visual materials (VHS and DVDs), clippings, correspondence, and other archival materials documenting the history of the theater and its founder, Louinès Louinis.

The Mildred Merrick collection consists of administrative documents, organization reports, ephemera, correspondence, postcards, travel photos, audio tapes, and other items collected by Mrs. Merrick, who was a former reference and acquisition librarian at the University of Miami Libraries.

The Robert Huff collection contains exhibit catalogs, postcards, flyers, gallery guides, other ephemera documenting South Florida artists and art-related events in Miami, and materials from the Gloria Luria Gallery, the National Gallery of Sciences, the Gallery of 24, and the Miami Book Fair. The collection also includes materials documenting South Florida sculpture and sculptors, along with many items relating to the work of South-Florida artist Robert Huff and an oversized Rauschenberg Tropic cover, signed "Bob."

The collection documents Georgina Shelton's involvement in Lyceum and Lawn Tennis Club, Havana, Cuba are the most important ones in this collection. Materials also include articles about and by Hilda Perera, postcards of Mexico from 1920, programs from John J. Koubek Memorial Center, clippings, correspondence and newspaper from 1876.

This collection includes materials collected by the Cuban-born art dealer and historian José Martínez-Cañas. It includes letters of the Cuban painter Fidelio Ponce (1895-1949); a letter written by General Calixto García and probably addressed to General Mario García Menocal during the independence war in Cuba ;and two postcards signed by Alfredo Zayas and Manuel Sanguily. The collection also contains texts and other materials related to the violin as an object and its history in Cuba. The Martínez Cañas family previously owned the 1715 Lipinski Stradivarius and the 1712 Hrimlay Stradivarius violins, among others.

The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.

Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.

The Isaac Bashevis Singer Collection consists predominantly of correspondence written to Singer during the years 1978 to 1982. The correspondence is divided topically into the following categories: agent correspondence, autograph and photograph requests, fan mail, financial papers, Hebrew and Yiddish correspondence, legal affairs, miscellaneous, "new writer" requests (letters from authors asking Singer to read their work), personal, protocol, publicity, publisher and producer correspondence, requests for information, requests for money, and requests for interviews or speaking engagements.

Also included are manuscripts by Singer, periodicals, brochures, photocopies, and clippings with content from or about Singer, and writings by other authors.

Samuel Hirsch was a theater professor, producer, and theorist who produced a number of plays in the Miami area. The collection consists of many photographs, clippings, programs, and correspondence of various plays that Hirsch produced from the 1940s to 1960s. The collection also contains a scrapbook with clippings, cards, and programs regarding the Musicomedy Series of theater productions directed by Hirsch, which was held in Miami in 1957. Included is an issue of the English Leaflet, Winter 1964, Vol. LXIII, No. 4 which contains an article by Samuel Hirsch titled "The Theatre of the Absurd," and an audiotape titled "Prof Samuel Hirsch, 'Some Thoughts on the Theatre of the Absurd,' the English Lunch Club, 3/14/1964."

Dr. Granville Fisher was the head of the Psychology department at the University of Miami, and an independent artist. He founded the Granville Galleries on Ponce de Leon and Bird Road in 1959. The Granville Fisher Collection contains materials documenting his work as a psychologist and as an artist. The collection holds two scrapbooks as well as periodicals, pamphlets, programs, certificates, awards, letters, postcards, photographs, negatives, clippings, and one illustration with poetry dedicated to his son.