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The papers document professional activities of Virginia Hern as a fiction writer and a journalist in Cuba and Miami. The materials include a manuscript of her novel, El Otro, scrapbooks with clippings of her articles published in Cuba and in Miami, in El Miami Herald and El Nuevo Herald, photographs and memorabilia.

The Theater Scripts Collection primarily includes typescripts of plays authored by Cuban writers, active either in Cuba or in the diaspora from 1927 to the present.

The papers consist of correspondence including two letters of Tomás Estrada Palma, the first president of the Republic of Cuba and one letter of Generalísimo Máximo Gómez. The materials also include a photograph of the Shrine of Our Lady of Charity in El Cobre, Oriente and a photograph of "El Salto del Hanabanilla", which are placed with Cuban Photograph Collection, as well as, clippings, an album with drawings and poetry, Don Miguel Alberti's family tree, genealogy documents and the drawings of coats of arms.

The materials consist of correspondence, photographs, interviews, statistics, and pamphlets about Catholic education in Cuba collected in research for the book "About Catholic Education in Cuba, 1582-1961."

The papers consist of articles by Soren Triff published in various  publications, manuscripts of several of his works, articles by Cuban independent journalists, clippings of international press from and about Cuba and audio cassettes of interviews.

Collection consists of correspondence, clippings of articles by Luque Escalona, manuscripts of " Lorenzo y el cordero del diablo," of unpublished book by Luque Escalona titled "Yo, el mejor de todos," of essays: "La enfermedad visual del fidelismo," "Las iniciales del fidelismo" and "Paleontología política," as well as, a manuscript of his first novel titled "Los Funerales de Hector" and written in Cuba and presented at the contest, Casa de las Americas, in 1969. The materials also include a manuscript of the short story titled "Aquel no era mi día" which was published in "Antología de cuentos de cubanos de la diáspora," as well as, manuscripts of the following unpublished short stories: "Les crimenes de la calle M, "Una lección de odio," "El Macho," "Los últimos caidos," "Largo y tortuoso camino and "Entre cuatro paredes." A manuscript of the first article that Escalona wrote in exile and a miniature of his novel "Los Niños y el Tigre: Política y revolución en Cuba" published by Freedom House in New York are also included.

The collection consists of two typescripts from between 1939 and 1941: "Historia de la Literatura Hispano-Americana" and "Literatura Cubana" written by Dr. Raimundo Lazo for courses he taught at the Cooperative Estudiantil "E. J. Varona" in Havana, Cuba.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The papers document professional activities of Norberto Fuentes, a writer and journalist born in Havana who was a close friend of Fidel Castro, and consequently had privileged knowledge of the Cuban secret service during some of the most difficult years of the Cuban Revolution. After spending many years alongside Castro, Fuentes tried to escape the island, was detained and eventually released. He now lives in the United States. Bulk of the materials in this collection display the knowledge Fuentes has about Castro, especially it is evident in the manuscript of The Autobiography of Fidel Castro. The materials also have wealth of information on drug, money laundering, and robberies perpetrated by Cuban agents or coordinated by Cuba.

The papers consist of floppy disks with family photographs, with material about condemned, material about narcotráfico and revolutionary forces. The papers also include cassettes, VHS tapes, CD-ROMs, a manuscript of a book "En la boca del diablo," manuscripts and typescripts of anti-Castro essays, correspondence, notes for "Dulces Guerreros Cubanos," a manuscript and research notes for "El ultimo tren blindado," typescript and research for "Narcotráfico y Tareas Revolucionarias," a manuscript of "La Autobiografía de Fidel Castro," clippings and print-outs of Roberto Fuentes' official web page.

The papers document activities of Miguel Olba Benito in a capacity of an Executive Secretary of Human Rights Cuban Commission.  The materials include correspondence, clippings, documents, memorabilia, magazines and typescripts of writings on topics of the treatment of political prisoners in Cuba, presence of the Soviet military in Cuba and the atrocities of the communist regime in Cuba.

The papers document activities of Matías Montes-Huidobro in a capacity of a critic, playwright and a professor of the Department of European Languages of the University of Hawaii. The materials include typescripts of Montes-Huidobro's play "Exilio," and of his essay, "Claves Significativas de la Literatura Cubana Siglos XVII, XVIII y XIX," as well as, clippings, booklets with writings by Montes-Huidobro and Theatre programs.

The collection consists of research and financial papers for Lobo's film "Perú,"  as well as correspondence and financial statements of her company Arawak.  Materials also include clippings, theatre programs, manuscripts of screenplays, drawings of costumes, a few maps, copies of engravings and invitations.

The collection contains scrapbook pages related to the Cuban Telephone Company, including a document, clipping and photographs; one document titled "Resolución No. 105" by the Empresa Nacional Telefónica "13 de Marzo," signed by Carlos Tejera Paz, 1964; and one issue of Unidad, the bulletin from Federación de Trabajadores Telefónicos de Cuba en el Exilio, Año XXXV, Nos. 419/423, Agosto/Diciembre 1997.

The papers document activities of J. M. Portuondo in capacity of a professor of Internal Medicine at the University of Havana, a writer and a faculty member of the University of Miami School of Medicine.  The materials include books, pamphlets, periodicals, clippings, circular letters, typescripts of anti-communist writings by Portuondo, reports, a poem by Portuondo, speeches by him, copies of his medical diplomas, a historical map of Havana, and photostats of a photograph and of a letter from José Martí to José Portuondo.

These papers document Inés Segura Bustamante's (1919-2002) multiple professional, political and artistic activities. She was a clinical psychologist, member of Directorio Estudiantil, writer, painter, composer and lyricist. Segura Bustamante worked as a professor of psychology at the University of Havana. She left Cuba after the Communist Revolution and she continued her work as a psychologist and writer in the U.S, where she authored several books. Segura Bustamante studied music and piano and wrote a significant amount of songs. She also studied painting and some of her pictorial works are held in the Lowe Art Museum in Miami.

The bulk of the papers consists of manuscripts of musical scores, song lyrics and writings on children's psychological development. The materials also include clippings, typescripts and photographs of the "Directorio Estudiantil Universitario 1930," clippings and reports of "Junta Patriótica Cubana," correspondence, clippings of articles on Cuba and Cuban exiles, articles by Segura Bustamante and about her, manuscripts of her poems, a copy of "Bohemia," books annotated by Segura Bustamante, a manuscript of "Cuba Siglo XX y la generación de 1930" and a manuscript of a book on child's psychology.

The collection consists of correspondence from a Cuban writer, Anita Arroyo to Julia Rodríguez Tomeu, letters from Cuban intellectuals, which were part of a personal archive of Dr. Néstor Carbonell, who was an Ambassador of Cuba in Buenos Aires, typescript of a play and short story by Rodríguez-Tomeu.

The papers document Helio Nardo's activities as a writer. The bulk of materials includes correspondence to Nardo from Cuban prominent exiled figures. The materials also consist of extracts from some published articles, and clippings. Some letters discuss the topics of Castro's regime in Cuba and political situation in Chile.

The papers include correspondence mostly regarding homage to Lydia Cabrera, photographs of Giulio Blanc with Lydia Cabrera and a typescript of a poem by Virgilio Piñera.