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The collection consists of two typescripts from between 1939 and 1941: "Historia de la Literatura Hispano-Americana" and "Literatura Cubana" written by Dr. Raimundo Lazo for courses he taught at the Cooperative Estudiantil "E. J. Varona" in Havana, Cuba.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

R. A. Seymour was a Wing Commander from the Royal Air Force. The collection contains photographs and memoirs Seymour's training at the Pan American Training Academy at the University of Miami during World War II.

Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."

The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.

The papers document professional activities of Norberto Fuentes, a writer and journalist born in Havana who was a close friend of Fidel Castro, and consequently had privileged knowledge of the Cuban secret service during some of the most difficult years of the Cuban Revolution. After spending many years alongside Castro, Fuentes tried to escape the island, was detained and eventually released. He now lives in the United States. Bulk of the materials in this collection display the knowledge Fuentes has about Castro, especially it is evident in the manuscript of The Autobiography of Fidel Castro. The materials also have wealth of information on drug, money laundering, and robberies perpetrated by Cuban agents or coordinated by Cuba.

The papers consist of floppy disks with family photographs, with material about condemned, material about narcotráfico and revolutionary forces. The papers also include cassettes, VHS tapes, CD-ROMs, a manuscript of a book "En la boca del diablo," manuscripts and typescripts of anti-Castro essays, correspondence, notes for "Dulces Guerreros Cubanos," a manuscript and research notes for "El ultimo tren blindado," typescript and research for "Narcotráfico y Tareas Revolucionarias," a manuscript of "La Autobiografía de Fidel Castro," clippings and print-outs of Roberto Fuentes' official web page.

The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The papers document activities of Miguel Olba Benito in a capacity of an Executive Secretary of Human Rights Cuban Commission.  The materials include correspondence, clippings, documents, memorabilia, magazines and typescripts of writings on topics of the treatment of political prisoners in Cuba, presence of the Soviet military in Cuba and the atrocities of the communist regime in Cuba.

Evelyn Wilde Mayerson was an associate professor of English at the University of Miami and the director of its English composition program. She was also a published novelist and playwright. Her papers consists primarily of typescripts, galleys and research files.

The papers document activities of Matías Montes-Huidobro in a capacity of a critic, playwright and a professor of the Department of European Languages of the University of Hawaii. The materials include typescripts of Montes-Huidobro's play "Exilio," and of his essay, "Claves Significativas de la Literatura Cubana Siglos XVII, XVIII y XIX," as well as, clippings, booklets with writings by Montes-Huidobro and Theatre programs.

The Papers consist primarily of  typescripts, correspondence, photographs, diaries, scrapbooks, clippings and other primary source materials documenting the life and career of Marjory Stoneman Douglas.

The collection consists of research and financial papers for Lobo's film "Perú,"  as well as correspondence and financial statements of her company Arawak.  Materials also include clippings, theatre programs, manuscripts of screenplays, drawings of costumes, a few maps, copies of engravings and invitations.

The collection contains scrapbook pages related to the Cuban Telephone Company, including a document, clipping and photographs; one document titled "Resolución No. 105" by the Empresa Nacional Telefónica "13 de Marzo," signed by Carlos Tejera Paz, 1964; and one issue of Unidad, the bulletin from Federación de Trabajadores Telefónicos de Cuba en el Exilio, Año XXXV, Nos. 419/423, Agosto/Diciembre 1997.

The Lou E. W. Miller Papers contains a University of Miami thesis written by Lou E. W. Miller titled "Florida in Fiction," written under the sponsorship of William Hudson Rogers.

Liam O'Flaherty (1896 – 1984) was an Irish novelist and short story writer and a major figure in the Irish Renaissance. The Liam O'Flaherty Papers contains one unpublished and undated 7-page typescript by O'Flaherty titled "Morals." The typescript contains hand-written corrections and marginalia. The typescript comes in a hardcover folder titled "Liam O'Flaherty Typescript of The Moralist (Unpublished)."

Lewis was professor of English at the University of Miami from March 1934 to August 1941. This collection consists of manuscript poems by authors Edward Davidson, Eunice Tietjins, and Genevieve Taggard, as well as lecture notes by Jesse Stuart for his February 21, 1941 speech to the Winter Institute of Literature at the University of Miami.

Manuscripts, typescripts, galley proofs, research files, books, and correspondence related to the literary career of Les Standiford.

The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.

The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.

The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.

The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.

Dr. L. A. Hodson was a Miami ophthamologist who had a strong interest in zoology. Dr. Hodson, a friend of professor of zoology and University of Miami president Jay F. Pearson, ventured on a number of trips to the Bahamas (a few times with Pearson) where he discovered a number of new species and collected hard to find species. These he donated to the University of Miami.

The L. A. Hodson collection contains clippings about these expeditions; correspondence; much of which concerns the securing of his visit, the donation, and an exhibit on the Cat Turtle that was set up at Tufts College Medical School; a photograph of Hodson taken by Pearson, and two typescripts: "The Discovery of the Cat Turtle," and "Notes on the Discovery and Biology of Two Bahaman Fresh-water Turtles of the Genus Pseudemys," the latter of which was co-written by Pearson.