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The Vicente Pardo Castelló papers contain correspondence, honors, and awards of Cuban physician Dr. Vicente Pardo Castelló.

The papers document professional activities of Tomás R. Yanes, an ophthalmologist and a founder of Cuba's Liga Contra la Ceguera (League Against Blindness). Materials include clippings, correspondence, a copy of a book with annotations and photographs.

The papers consist of correspondence including two letters of Tomás Estrada Palma, the first president of the Republic of Cuba and one letter of Generalísimo Máximo Gómez. The materials also include a photograph of the Shrine of Our Lady of Charity in El Cobre, Oriente and a photograph of "El Salto del Hanabanilla", which are placed with Cuban Photograph Collection, as well as, clippings, an album with drawings and poetry, Don Miguel Alberti's family tree, genealogy documents and the drawings of coats of arms.

The papers document activities of Rosendo de Aguilera relating to his military and financial career. The documents also reflect activities of Delfin de Aguilera relating to his military career. Materials include correspondence to and from Rosendo de Aguilera mostly regarding the creation of World Central Bank, military records and photographs. Materials also consist of correspondence, clippings and photographs reflecting Delfin de Aguilera’s military career.

The papers document professional activities of Raquel Fundora as a poet and a president of the Miami chapter of the Circle of the Pan-American Culture.  Fundora's poems express nostalgia for Cuba.  The materials also document the activities of the Circle of the Pan-American Culture, which was founded in 1963.  It reunites professors, writers, poets and persons interested in culture.  Materials include manuscripts of Fundora's poetry, correspondence, scrapbooks, clippings, photographs, programs, certificates, diplomas, memorabilia, typescripts of conference essays and audio tapes.

Pedro Monge Rafuls is a playwright and the founder of the Ollantay Center for the Arts in Queens, New York and Ollantay Theater Magazine.  His papers include records of the Ollantay Center for the Arts in Queens, New York along with a collection of ephemera documenting Hispanic and primarily Cuban theater, literary, and other arts in the area.

The papers document activities of Orlando Bosch in capacity of President of Partido Protagonista del Pueblo (P.P.P.) and a writer, as well as activities of P.P.P. The materials include correspondence, documents, newspaper articles, two books published by Orlando Bosch, El grito del Escambray: su historia inedita, and 40 años de lucha y 40 años de razon with some annotations, two copies of a book by Adriana Bosch, "Orlando Bosch: el hombre que yo conozco," one print reproduction of a painting, one oleo of a "framboyan" and others of Martí and the Cuban flag.

The records document activities of Ofelia Menocal in capacity of a Secretary of International Relations of the Federación Mundial de Ex-presos Políticos Cubanos en Europa, as well as, the activities of the Federación. The materials include correspondence, documents, clippings, publications, photographs of Lincoln Evicelo Brito, the Canal de Vento, the Salto del Hanabanilla project and one copy of La Configuracion del exilio cubano en España, by Roberto Soto Santana.

The Norman Díaz Papers include typescripts, clippings, and correspondence regarding the 1961 Bay of Pigs Invasion and Cuban exile organizations of the early 1960s, including Consejo Revolucionario de Cuba, Brigade 2506, and Frente Revolucionario Cubano.

Nicolás Guillén Papers cover a particular time and place in the life of one of Cuba's finest 20th century poet.  They all deal with a trip he made to Uruguay in the late 1940s.  There are two manuscript writing styles.  The smaller tighter script is probably Guillén's.  The looser more open script matches his signature but could be someone else's.  It is possible that this second script is a dictation or copying of a Guillén work.  Materials include correspondence, clippings and photographs.  Some documents are signed by Guillén and others are not signed.

The Martha Frayde Barraqué Papers consist of letters from the Cuban painter Wifredo Lam (1902-1982) to Frayde dating between 1962 and 1966.  The collection also includes a group photograph of Lam and Frayde in Mexico in 1957.

The papers consist primarily of facsimilies and copies of documents relating to colonial Cuba.

The Manuel Rionda papers reflect activities of a sugar baron, Manuel Rionda, Spanish-born master of two important Cuban sugar mills and chair of the major U.S. sugar brokerage firm of Czarnikow-Rionda. Rionda was a businessman associated with Cuba, New York and Santo Domingo. The majority of materials include bills of ladings Rionda used to conduct his shipping business between New York and Cuba and Santo Domingo. Correspondence and other official documents are also included in this collection.

The Luis Felipe Mencía papers contain correspondence, clippings about medicine and hospitals, as well as the Cuban Medical Conventions in Exile etc., one illustration of the Hospital Mercedes in Cuba, a roster and invitations to various events of the Cuban Society of Surgery, and pamphlets about surgery in Cuba.  It also contains historical issues of periodical publications related to medicine in Cuba and Cuban physicians.  The most important materials of this collection are a lecture offered by Mencía at the special session of the Ninth International Cuban Medical Association Congress, Miami, 1987, and the manuscript of Dr. Mencía's book: Recuerdos de la Cirugía en Cuba,  published in Miami in 1990.  In this collection we also find a photocopy of one speech by Dr. D. González Marmol.

The papers consist of the manuscripts of Cuban songs written by Juan Valdés Terán in Cuban prison where he was held as a political prisoner for many years, correspondence, clippings, memorabilia and photographs.