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The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The abolition of enslavement in Cuba took place gradually over the course of several years. In 1880, the Spanish colonial government instituted a system called patronato, loosely translated as "apprenticeship." Most of the workings of the enslavement system were preserved, but patrocinados, as former enslaved people came to be known, received a minimal set of legal rights and were to be paid a token wage. The transition to the patronato system was overseen by a provincial network of government agencies called Juntas de Patronato. The Junta Provincial de Patronato de Matanzas was created in 1880 when the Law of Patronato was passed. As a central body, it processed claims and cases from a series of local juntas throughout the province of Matanzas. The records in this collection contain official documents, correspondence between local juntas and the main junta, and tables reporting names or numbers of patrocinados. The collection also documents the cases of individual patrocinados who were trying to obtain their freedom through the provisions of the new law.

All of the materials in this collection have been digitized and are available through the University of Miami Digital Collections.

The papers consist of popular musical selections from Dominican Republic, including Fantasia by Manuel Emilio Garcia G. This score was based on works by various Dominican composers, and the principal theme came from the song "Maiba" by Diogenes Silva. The materials include four tapes, a manuscript of a score "Selecciones Populares Dominicanas" in 26 parts, Quartet for various instruments, a manuscript of a score titled "Marcha Triunfal" in 22 parts, and a manuscript of a score of Giselle Marie Vals.

The papers consist of the manuscripts of Cuban songs written by Juan Valdés Terán in Cuban prison where he was held as a political prisoner for many years, correspondence, clippings, memorabilia and photographs.

This collection contains a short manuscript and 83 letters written predominantly by Boris Shabliovsky. The earliest letters were written in Warsaw, Poland, and the later ones in Havana, Cuba. Many of the letters are addressed to a Goldie Shapiro in Boston.

The Roberto Gacio Papers contain personal papers of Cuban actor, professor and theater critic Roberto Gacio (b. 1941), including theater ephemera, photos, a thesis, and other manuscripts.

The Jorge Castellanos Papers contain personal papers from the exiled Cuban professor and author Jorge Castellanos (1915-2011). The collection contains research notes, book manuscripts and copies of published works authored by Jorge Castellanos related to his research and writings.

The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá.  His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The records document the treatment of political prisoners by the communist regime within Cuban prisons.  The materials consist of 3 CDs: "Presidio Isla de Pinos." (Compiled by Raúl Pérez-Coloma) on February 10, 2010; "La Montaña. Canciones de lucha y esperanzas," by political prisoner, Manuel Villanueva.  Graphic design by Alejandro Deoliveira. Miami 2007; "La Verdadera República de Cuba" by Dr. Andrés Cao Mendiguren, 2009.  The first CD  contains names of more than 10,000 Cuban political  prisoners, case numbers and the place where they were imprisoned. The materials also include manuscripts of letters written in Cuban political prisons in small letter, typescript of "La etica en el camino de revolucion," and post cards created by political prisoners in prison.

The papers document professional activities of Carolina Garzón.  She taught mathematics in Elementary School and Social Studies in High School in Cuba since 1926.  In her capacity as a teacher, she collaborated on a book discussing the development of new programs in the Cuban Schools.  Garzón also worked as a Social Worker in Cuba in the 1950s, Miami and Tallahassee and as a supervisor of Pedro Pan program. 

The materials consist of those documenting Garzón's work as a teacher, and those reflecting her work as a social worker. They include correspondence, manuscripts of scholarly essays, social histories of Garzón's clients, a typescript of an essay "A Psychoanalyst's Observation During A Totalitarian Take-Over" by Dr. Gabriel Casuso Assistant Professor of Psychiatry at the Medical School of the University of Miami, which discusses Fidel Castro's revolution from Psychoanalytic perspective, bibliography of materials for Florida State University School of Social Work, a pamphlet on the destruction of private school system in Cuba, a published thesis titled "A Study of the Adjustment of Thirty Four Boys in Exile," photographs, a student card from Florida State University, clippings, miniatures of religious paintings and memorabilia.

The papers document professional activities of Andrés Nóbregas, theater director and playwright staging his plays in New York Theater of The Americas and at the Hispanic Theater Festival in Miami. He also wrote for television. The bulk of material includes manuscripts of plays and libretti either written or directed or acted by Andrés Nóbregas. Materials also include some invitations and clippings regarding Hispanic Heritage Week.

Nicolás Guillén Papers cover a particular time and place in the life of one of Cuba's finest 20th century poet.  They all deal with a trip he made to Uruguay in the late 1940s.  There are two manuscript writing styles.  The smaller tighter script is probably Guillén's.  The looser more open script matches his signature but could be someone else's.  It is possible that this second script is a dictation or copying of a Guillén work.  Materials include correspondence, clippings and photographs.  Some documents are signed by Guillén and others are not signed.

The papers include correspondence with important Cuban, Spanish and Latin American writers, photographs, manuscripts, programs, pamphlets with printed poems and programs.  The writers discuss exile experience, existential topics and the solitude of a poet.

The collection documents the activities of Carmen Alea Paz relating to her literary career. It includes clippings of three published poems written by Carmen Alea Paz, manuscript of Jose Marti about the Cuban flag, articles, programs regarding Los Angeles Cultural festival and memorabilia.

The Angel Gaztelu Papers contain poetry collected by Father Angel Gaztelu and articles written by him.

The papers consist of the original manuscript of the short stories and poetry published under a title, A Refugee in America and written by Gustavo Duran.