Designers

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Abraham H. Goodman papers

  • ASM0705
  • Collection
  • 1928-2008

Abraham H. Goodman was the Chief Designer at W.S. Tyler Co., and specialized in ornamental bronze work, which was featured in several buildings all around the United States, including Cleveland's Terminal Tower. He was noted for his unique and lavish elevator fronts, many of the designs of which are included in this collection. Also included are photographs, correspondence, memos, records, illustrations, and other graphic materials and 3D objects, created and collected by both him and his granddaughter, Amy Goodhart.

Sans titre

Randy Barceló Collection

  • CHC0454
  • Collection
  • n.d., 1970-2007

The Randy Barceló Collection consists primarily of oversize costume and set designs by Cuban-born designer Randy Barceló. The collection also includes costume plots, drawings and sketches, posters and postcards, videotapes, photographs and slides, and two scripts written by Barceló.

Sans titre

Designer collection

  • ASM0136
  • Collection

This collection contains information about and writings of designers from fashion design as well as interior design. Included is the typescript of "Nobody's Fault but My Own, Unlimited", a memoir of Dora Sarin's memoirs of her Post-World War II New York fashion business, and 14 pieces of correspondence from interior designer David Hicks as well as 12 pieces of press clippings about Hicks, his work and family. The collection also contains ephemera from Suzanne Caygill's life, including six color swatches, a personal notebook, lecture hand-outs, and one booklet entitled "Everyone is talking about Suzanne."

James Merrick Smith and Hal F. B. Birchfield collection

  • ASM0280
  • Collection
  • 1948-2019

The James Merrick Smith and Hal F. B. Birchfield collection contains images, letters, news articles, DVDs and a CDs highlighting the stellar lives, careers and involvement of James Merrick Smith and Hal Birchfield in their personal, professional and civic activities.

With his vision of design becoming much more than the up-market selling of merchandise, James Merrick Smith set about the machinery of change that would make interior design a legitimate and accredited profession.   This progression would require the development of education, testing, administration and implementation and then onward to governmental accreditation. James Merrick Smith was the person that not only had the vision but the guts and the charisma and good fortune to find others to help fulfill this dream of professionalization of the field of interior design. Life partner Hal Birchfield would also be a part of this much involved process. And among other facets of their lives was the matter of the highly respected professional work the office of James Merrick Smith and Hal Birchfield achieved, setting high professional standards for interior design excellence.

Sans titre