Carlos Badías Collection

Identity elements

Name and location of repository

Beschrijvingsniveau

Collectie

Titel

Carlos Badías Collection

Datum(s)

  • 1930-2011 (Vervaardig)

Omvang

12 Boxes

Naam van de archiefvormer

(1910-2011)

Biografie

In 1910, Carlos Badías was born in Havana, Cuba. In the early 1930s he began his career with stage performance and was well received by audiences and critics alike. He performed in his first film La serpiente roja, the first Cuban movie with sound in 1937. Between 1937 and 1950, Badías also experienced a spike in popularity for acting in radio programs. He voiced a wide range of radio serials, including the widely listened radio soap opera El Derecho de Nacer (1948). He met Cuban actress Eva Vázquez when working at the Havana radio station Radio Ideas Pasos in 1938. They married in 1939, in what was called the wedding of the year. They were together for 45 years and had a daughter named Maria and a son named Carlos Alberto, who went on to become an actor.
One of the highlights of Badias career was playing Don Juan in the play Don Juan Tenorio, a role her performed for years by popular demand. With the advent of television in 1950 he began acting in some of the most popular soap operas of the time, such as Tensión and Senda prohibida, and hosting popular variety shows. Despite the roles he was taking on in this new format, he continued to work on radio and in movies in both Cuba and Mexico. He was chosen three times as president of the Cuban Association of Actors. During his terms as president of this association he negotiated to improve the salaries and benefits of workers in the performing arts with media and adverting companies. In the 50s he became involved in politics. He recieneved the nomination for Councilor of Havana by the Partido Auténtico (PRC). A few years later he was elected by a majority of votes to the Chamber of Commerce for the province of Havana
In 1959, when Castro’s revolution took over Cuba, Badías publicly opposed the communist regime and was imprisoned as a result. There he received injuries that made him unable to walk properly for the rest of his life. His family was also banned from working. Badías’ son, Carlos Alberto, fled the country, followed by his wife, Eva, and daughter, Maria. Badias however was not allowed to leave Cuba. In 1970, Mario Moreno “Cantiflas” intervened with help from the Mexican ambassador to Cuba and Badias was able to settle in Mexico. Later, he joined his family in Miami, FL. He died of cardiac arrest in Miami in 2011.

Content and structure elements

Bereik en inhoud

Ordeningstelsel

Conditions of access and use elements

Voorwaarden voor raadpleging

This collection is open for research.

Physical access

Items from this collection are housed in the Cuban Heritage Collection located in the Roberto C. Goizueta Pavilion on the second floor of the Otto G. Richter Library at the University of Miami.

Technical access

Voorwaarden voor reproductie

Requests to publish or display materials from this collection require written permission from the rights owner. Please contact chc@miami.edu for more information.

Preferred citation: Carlos Badías Collection, Cuban Heritage Collection, University of Miami Libraries, Coral Gables, Florida.

Languages of the material

  • Engels
  • Spaans

Scripts of the material

Taal en schrift aantekeningen

Toegangen

Minimal collection-level record by Juan A. Villanueva, May 2020.

Acquisition and appraisal elements

Geschiedenis beheer

Directe bron van verwerving

Appraisal, destruction and scheduling information

Aanvullingen

Related materials elements

Bestaan en verblifplaats van originelen

Bestaan en verblijfplaats van kopieën

Related archival materials

Related descriptions

Notes element

Specialized notes

Alternative identifier(s)

Description control element

Regels of conventies

Describing Archives: A Content Standard (DACS)

Sources used

Aantekeningen van de archivaris

Juan A. Villanueva, May 2020.

Trefwoorden

Onderwerp trefwoord

Geografische trefwoorden

Naam ontsluitingsterm

Genre access points

Voorwaarden voor raadpleging en gebruik

Related subjects

Related people and organizations

Related genres

Related places