Ramón S. Sabat Panart Collection

Zone d'identification

Nom et localisation du dépôt

Niveau de description

Collection

Titre

Ramón S. Sabat Panart Collection

Date(s)

Importance matérielle

10 Boxes

Nom du producteur

Notice biographique

Ramón S. Sabat was born in San Fernando de Camarones in the early 1900s. At an early age he started showing his musical inclinations. He studied music with José Rivero Rodríguez and learned to play the clarinet, the saxophone, the flute, and the piano. In 1919, Ramón moved to the United States to study music. While in the United States, Ramón enlisted in the U.S. Army and worked in one of the Army’s bands.

After Ramón served in the U.S. Army, he attended New York University and graduated with a degree in engineering. Mr. Sabat worked in different music labels and started various business ventures until 1944, when he opened the first record factory in Cuba called Panart and released its first recording, “Dry Leaf,” by Carlos Alas del Casino. Panart had a tough time getting started due to RCA Victor’s dominant position in the record market and the relatively new character of the record technology at the time in Cuba. However, Sabat’s business abilities and musical vision made Panart a successful label. By 1957, Ramón had been able to expand his label and had sold around one million records worldwide. Panart helped spread Cuban music throughout the world.

As the Cuban revolution began, Ramón’s wife, Julia, sent copies of master tapes to New York. She was able to save about eighty percent of Panart’s catalog. Ramón did not want to leave his record company, so he sent his two daughters and wife to the United States. Julia then devised a scheme to get Ramón out of Cuba and into the United States. In 1961, Castro’s regime took over Panart. Julia and Ramón then settled in Miami. Julia started a record factory in Hialeah with Ramón’s brother Galo. Though the record label was not as successful as Panart, the music produced was a source of nostalgia for the Cuban refugees and was a reminder of the good times before Cuba fell into communist hands. Ramón passed away from a heart aneurysm on March 15, 1986.

Ramón S. Sabat was born in San Fernando de Camarones in the early 1900s. At an early age he started showing his musical inclinations. He studied music with José Rivero Rodríguez and learned to play the clarinet, saxophone, flute, and piano. In 1919, Sabat moved to the United States to study music. While in the United States, he enlisted in the U.S. Army and worked in one of the Army’s bands.

After Sabat completed his military service, he attended New York University and graduated with a degree in engineering. Mr. Sabat worked at different music labels and started various business ventures until 1944, when he opened the first record factory in Cuba called Panart and released its first recording, “Dry Leaf” by Carlos Alas del Casino. Panart had a tough time getting started due to RCA Victor’s dominant position in the recording market and the relatively new status of recording technology at the time. However, Sabat’s business abilities and musical vision made Panart a successful label. By 1957, he had been able to expand his label and had sold around a million records worldwide. Panart helped spread Cuban music throughout the world.

As the Cuban revolution began, Sabat's wife Julia sent copies of master tapes to New York. She was able to save about eighty percent of Panart’s catalogue. Sabat did not want to leave his record company, so he sent his two daughters and wife to the United States. Julia then devised a scheme to get Sabat out of Cuba and into the United States. In 1961, Castro’s regime took over Panart. Julia and Ramón then settled in Miami. Julia started a record factory in Hialeah with Ramón’s brother Galo. Though the record label was not as successful as Panart, the music produced brought on a sense of nostalgia for Cuban refugees and was a reminder of the good times before Cuba fell into communist hands. Ramón Sabat passed away from a heart aneurysm on March 15, 1986.

Zone du contenu et de la structure

Portée et contenu

This collection documents the activities of Panart, a pioneering Cuban record label created by Ramón S. Sabat (1902-1986) in the 1940s. Panart sold millions of records worldwide and, according to Mr. Sabat, it was generally responsible for the extensive circulation of Cuban music around the world. The bulk of this collection consists of sound recordings in different formats: various phonograph record types, audiocassettes, reel to reel tapes and eight-track stereo tapes. In 1961, the Cuban government took over Panart's holdings in Cuba. Mr. Sabat and his family settled in the U.S. during the early 1960s, and they created a company in Miami that continued to distribute Panart recordings until the 1980s.

Mode de classement

Zone des conditions d'accès et d'utilisation

Conditions d'accès

This collection is open for research.

Accès physique

Accès technique

Some audio visual materials are restricted due to preservation and mechanical limitations.

Conditions de reproduction

Preferred citation: Ramón S. Sabat Panart Collection, Cuban Heritage Collection, University of Miami Libraries, Coral Gables, FL.

Langue des documents

  • anglais
  • espagnol

Écriture des documents

Notes de langue et graphie

Instruments de recherche

Générer l'instrument de recherche

Éléments d'acquisition et d'évaluation

Historique de la conservation

Source immédiate d'acquisition

Gifts of Julia R. Sabat, 1990, 2001, and 2003.

Évaluation, élimination et calendrier de conservation

Accroissements

Sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Sources complémentaires

Descriptions associées

Élément de notes

Note générale

Other Information:

Rights Statement: The text of this webpage is available for modification and reuse under the terms of the Creative Commons Attribution-ShareAlike 3.0 Unported License and the GNU Free Documentation License (unversioned, with no invariant sections, front-cover texts, or back-cover texts).

Notes spécialisées

Identifiant(s) alternatif(s)

Zone du contrôle de la description

Règles ou conventions

Sources utilisées

Note de l'archiviste

Collection-level record by Pablo Gil, 2014. Revised by Amanda Moreno, June 2017. Updated by Rebeca Gonzalez, May 2021.

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