Identity elements
Name and location of repository
Level of description
Collection
Title
Ramón S. Sabat Panart Collection
Date(s)
Extent
10 Boxes
Name of creator
Biographical history
Ramón S. Sabat was born in San Fernando de Camarones in the early 1900s. At an early age he started showing his musical inclinations. He studied music with José Rivero Rodríguez and learned to play the clarinet, the saxophone, the flute, and the piano. In 1919, Ramón moved to the United States to study music. While in the United States, Ramón enlisted in the U.S. Army and worked in one of the Army’s bands.
After Ramón served in the U.S. Army, he attended New York University and graduated with a degree in engineering. Mr. Sabat worked in different music labels and started various business ventures until 1944, when he opened the first record factory in Cuba called Panart and released its first recording, “Dry Leaf,” by Carlos Alas del Casino. Panart had a tough time getting started due to RCA Victor’s dominant position in the record market and the relatively new character of the record technology at the time in Cuba. However, Sabat’s business abilities and musical vision made Panart a successful label. By 1957, Ramón had been able to expand his label and had sold around one million records worldwide. Panart helped spread Cuban music throughout the world.
As the Cuban revolution began, Ramón’s wife, Julia, sent copies of master tapes to New York. She was able to save about eighty percent of Panart’s catalog. Ramón did not want to leave his record company, so he sent his two daughters and wife to the United States. Julia then devised a scheme to get Ramón out of Cuba and into the United States. In 1961, Castro’s regime took over Panart. Julia and Ramón then settled in Miami. Julia started a record factory in Hialeah with Ramón’s brother Galo. Though the record label was not as successful as Panart, the music produced was a source of nostalgia for the Cuban refugees and was a reminder of the good times before Cuba fell into communist hands. Ramón passed away from a heart aneurysm on March 15, 1986.
Ramón S. Sabat was born in San Fernando de Camarones in the early 1900s. At an early age he started showing his musical inclinations. He studied music with José Rivero Rodríguez and learned to play the clarinet, saxophone, flute, and piano. In 1919, Sabat moved to the United States to study music. While in the United States, he enlisted in the U.S. Army and worked in one of the Army’s bands.
After Sabat completed his military service, he attended New York University and graduated with a degree in engineering. Mr. Sabat worked at different music labels and started various business ventures until 1944, when he opened the first record factory in Cuba called Panart and released its first recording, “Dry Leaf” by Carlos Alas del Casino. Panart had a tough time getting started due to RCA Victor’s dominant position in the recording market and the relatively new status of recording technology at the time. However, Sabat’s business abilities and musical vision made Panart a successful label. By 1957, he had been able to expand his label and had sold around a million records worldwide. Panart helped spread Cuban music throughout the world.
As the Cuban revolution began, Sabat's wife Julia sent copies of master tapes to New York. She was able to save about eighty percent of Panart’s catalogue. Sabat did not want to leave his record company, so he sent his two daughters and wife to the United States. Julia then devised a scheme to get Sabat out of Cuba and into the United States. In 1961, Castro’s regime took over Panart. Julia and Ramón then settled in Miami. Julia started a record factory in Hialeah with Ramón’s brother Galo. Though the record label was not as successful as Panart, the music produced brought on a sense of nostalgia for Cuban refugees and was a reminder of the good times before Cuba fell into communist hands. Ramón Sabat passed away from a heart aneurysm on March 15, 1986.
Content and structure elements
Scope and content
This collection documents the activities of Panart, a pioneering Cuban record label created by Ramón S. Sabat (1902-1986) in the 1940s. Panart sold millions of records worldwide and, according to Mr. Sabat, it was generally responsible for the extensive circulation of Cuban music around the world. The bulk of this collection consists of sound recordings in different formats: various phonograph record types, audiocassettes, reel to reel tapes and eight-track stereo tapes. In 1961, the Cuban government took over Panart's holdings in Cuba. Mr. Sabat and his family settled in the U.S. during the early 1960s, and they created a company in Miami that continued to distribute Panart recordings until the 1980s.
System of arrangement
Conditions of access and use elements
Conditions governing access
This collection is open for research.
Physical access
Technical access
Some audio visual materials are restricted due to preservation and mechanical limitations.
Conditions governing reproduction
Preferred citation: Ramón S. Sabat Panart Collection, Cuban Heritage Collection, University of Miami Libraries, Coral Gables, FL.
Languages of the material
- English
- Spanish
Scripts of the material
Language and script notes
Finding aids
Generated finding aid
Acquisition and appraisal elements
Custodial history
Immediate source of acquisition
Gifts of Julia R. Sabat, 1990, 2001, and 2003.
Appraisal, destruction and scheduling information
Accruals
Related materials elements
Existence and location of originals
Existence and location of copies
Related archival materials
Related descriptions
Notes element
General note
Other Information:
Rights Statement: The text of this webpage is available for modification and reuse under the terms of the Creative Commons Attribution-ShareAlike 3.0 Unported License and the GNU Free Documentation License (unversioned, with no invariant sections, front-cover texts, or back-cover texts).
Specialized notes
Alternative identifier(s)
Description control element
Rules or conventions
Sources used
Archivist's note
Collection-level record by Pablo Gil, 2014. Revised by Amanda Moreno, June 2017. Updated by Rebeca Gonzalez, May 2021.