This collection contains periodicals, memorabilia, correspondence, ephemera, promotional materials, event programs, booklets, reports, photographs, scrapbooks, music sheets, realia, vinyl records, and other materials documenting South Florida history. Most of the materials pertain in particular to Miami Beach and notable figures to its history, such as Hy Gardner, Paul M. Bruun, Albert Pick, and former Miami Beach mayors Kenneth Oka and Herbert Frink. The collection also features photographs and materials from past beauty pageants held in Miami Beach.
The American Association of University Women records contains the records of the Florida Division from the years 1928 to 1991, in the form of minutes, reports, correspondence, press releases, charters, scrapbooks, and other documentation.
This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.
Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.
Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.
Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.
Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.
The Harold Bauer Papers consist primarily of correspondence between the University of Miami School of Music and Bauer regarding his master piano classes. The letters are primarily between Bauer and Bertha Foster, Dean of the School of Music until 1944, and Joseph Tarpley, School of Music Secretary from 1944 to 1951 and Assistant Dean until 1967. Correspondence files also include memoranda amongst University administration regarding Bauer's classes as well as with prospective students.
The collection also contains a few photographs, concert programs, and clippings.
The Dr. John Bitter collection contains materials documenting Bitter's career as a conductor and composer. The collection includes sheet music for several compositions by Bitter, as well as publications about the Frost School of Music at the University of Miami and a 1953 photograph of the University of Miami Orchestra at the Miami Beach Auditorium. Also included are numerous programs from the 1940s-1960s, including ones from the UM Symphony Orchestra, the Greater Miami Philharmonic, and the Berlin Philharmonic.
The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.
The Julian Corrington Papers contain teaching and academic files concerning the University of Miami in addition to materials on scientific research and literature. Class records and course materials, dated 1944-63, include syllabi, memos, lecture notes, book lists, lists of research topics, correspondence with students and student recommendations. Other correspondence and memos, relating to the Biology Department discuss such topics as the curriculum, course requirements, faculty meetings and building plans. University of Miami "faculty notices," and "university memoranda" cover announcements of library news, information on education, and the Science Department. The records also contain publications such as "Self Portrait of a University," and a program from the 1962 dedication of the Otto G. Richter Library. Correspondence with faculty of other universities discusses the merits of general introductory science courses versus more specialized instruction.
Several files contain manuscripts and correspondence dealing with publications. Other files include materials on the electron microscope and include photographs taken through the microscope, reprints of articles and news clippings relating to the microscope. "Field Check Lists," dated 1917-21, and field trip reports record observations on the sea coast at Georgetown University. Photographs document trips led by Corrington. Reprints and publications on various scientific topics as well as and bulletins, newsletters, and programs from various scientific and scholarly organizations are included in files. Additional files of particular interest contain newspaper clippings and literature from various organizations on eugenics, genetics and the teaching of evolution. Corrington collected these materials, dated 1920-44, for inclusion in class lectures.
Willard Hubbell was a South Florida architect and playwright. His collection contains several plays, clippings regarding and programs of the plays, architectural documents and correspondence, a blueprint titled "Cloth House No. 1," four issues of The American Eagle newspaper, a typescript titled "F. W. Munson - (Questionaire about Merritt Island)," a document titled "History of the Koreshan Unity" by A. H. Andrews, and other items.
This collection contains the records of the Charles Ives Centennial Festival that took place in Miami in 1974, celebrating the composer's 100th birthday. The collection includes correspondence that documents the planning process, programs for events celebrating Ives in Miami and elsewhere, articles and reviews, photographs, and official documentation.
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."
The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.
The Aviation ephemera collection contains posters, reports, postcards, brochures, programs, pamphlets, and other ephemera from all parts of the globe relating to the subject of aviation and its vast history.
The Fidelia Righi papers contains a notebook of poetry, a series of handwritten pages on architecture with accompanying architectural sketches, six photographs from the Intercollegiate Cosmopolitan Club of the City of New York, a 1922 address by Harry E. Edmonds to the club called "The Ideals of International House," and a 1922 program for "European Night" held at the club.
Dr. Melanie Rosborough was a language professor and administrator for the University of Miami from the time she joined the faculty as Professor of German in 1927. The Melanie Rosborough Papers document her academic career, activities with professional academic organizations, and University of Miami religious organizations and activities.
The Helen S. Sternfels Papers contains the following items:
A number of turn of the century programs and playbills from New York playhouses such as 14th Street Theatre, Academy of Music, American Theatre, Broadway Theatre, Criterion Theatre, Grand Opera House, Harlem Opera House, Manhattan Opera House, Manhattan Theatre, and others.
A series of issues from the Puck and Judge humor and satire magazines, from the late 19th century.
Several souvenir books and song books.
An issue of the New York Times Jubilee Number, September 18, 1901, an issue of the New York Daily Times, September 18, 1851, a souvenir issue of The World Paper, 1903, celebrating the construction of the Williamsburg Bridge, and an issue of Harper's Weekly Journal of Civilization, April 2, 1864, an April Fool's issue on the Civil War with cartoons by Thomas Nast .
The Louinès Louinis Haitian Dance Theatre collection contains photographs, pamphlets, programs, ephemera, audio-visual materials (VHS and DVDs), clippings, correspondence, and other archival materials documenting the history of the theater and its founder, Louinès Louinis.
Diaspora Vibe Cultural Arts Incubator was created to promote, nurture, and cultivate the visions and diverse talents of emerging artists from the Caribbean and the Latin American Diaspora through exhibitions, artists in residence programs, international exchanges, and education and outreach activities that celebrate Miami-Dade's rich cultural and social fabric. The Diaspora Vibe Cultural Arts Incubator records include the gallery's organizational records, administrative documents, artists' information, resumes, artists' profiles, programs, invitations, slides, catalogs, photographs, audio-visual materials (VHS tapes, CD-ROMs, CDs, audiocassettes), notes, and event ephemera.
The Elizabeth Wright collection predominantly contains materials relating to Richard Wagner and family members. The materials cover a wide range, including memorabilia, such as a Wagner-themed card game and a ceramic plaque of Richard Wagner, an original note by Siegfried Wagner and facsimiles of letters by Wagner, original photographs of Wagner family members as well as facsimiles and prints of Richard Wagner and others, original advertisements and programs of Wagner's operas, a radio transcript and a typescript about Wagner's composition and staging, and a series of prints depicting scenes from Wagner's operas.
There are also several items not related to Wagner. These are a letter from W. Somerset Maugham, an autographed print of mezzo-soprano Mariana Paunova, and prints of other composers such as Beethoven, Mozart, Liszt, and Richter.
The James Baxter collection contains Florida related materials. Included are a deed of sale and title of a house in Flagler; theater publications from the Coconut Grove Playhouse, the Miami Summer Star Theater, and the Dade County Auditorium Playgoer; postcards from Key West, Ft. Lauderdale, Port Everglades, Fort Myers, Palm Beach, and Miami Beach; a series of photographs of historic sites in Florida, largely lighthouses; a 1903 periodical titled "Liberty Boys of '76: The Liberty Boys in Florida, 1903"; an 1883 Vol XIX issue of Dime Beadle's New York Library, subtitled "Alligator Ike; or The Secret of the Everglade. A Tale of the Outlaws of the Okeechobee"; and a photocopy of the latter periodical.
