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The Juan Boza papers contain clippings, photographs, legal documents, press releases, correspondence, resumes and programs related to Cuban artist Juan Boza (1941-1991), mostly during his time in exile in New York City, New York.

Roberto Estopiñan (1921-2015) was a Cuban born sculptor who emigrated to the United States and lived in New York from 1960 to 2002. He subsequently retired in Miami until his passing in 2015. His papers at the Cuban Heritage Collection include 47 sketchbooks with original artwork from the 1980s to the 1990s, photographs, 1 maquette for a book titled: "En el Vientre del Tropico" by Alina Galliano (1991), slides and ephemera related to the artist's work and his travels, awards, as well as a plaster cast of the Estopiñan's hands.

The Caridad Sola Collection contains photographs and documents about artist Caridad Sola's "Perdida" art installation on the Cuban exile experience.

The Mario Torroella collection contains four original drawings on paper by Torroella.

The Carlos M. Luis papers contain the personal papers of Carlos M. Luis (1932-2013), a Cuban artist and director of the Cuban Museum of Arts and Culture in Miami.

The collection includes correspondence and clippings related to Luis' art and his leadership of the Museum. It also contains meeting minutes of the Cuban Museum board of directors, exhibit lists, and documents related to special events.

The collection consists of 14 pencil drawings with text in ink by Lucila Madruga de Díaz Piferrer, a Cuban artist of international fame, made in 1938 and two note cards painted by Madruga in the 1960s and 1970s.

The Mario Santi Collection contains works, papers and memorabilia related to Cuban sculptor Mario Santi (b. 1911). Included are clippings, slides, typescripts, photographs of his works, and awards given to him. Also included is a curriculum vitae and AV material.

Ephemera, exhibition catalogs, newsletters, and books related to Miami's contemporary art scene. Items featured in the collection document much of César Trasobares' personal life work as a local Cuban-American artist whose pieces often illustrate ties to his heritage as well as touching upon various topics, such as poverty, homosexuality, religion, social issues, and personal expression.

The Enrique Caravia Montenegro Papers contain correspondence, receipts and photographs and memorabilia collected by Enrique Caravia Montenegro (1905-1992), a Cuban artist active in the mid-1900s.

The collection contains letters written to and collected by Caravia from international and Cuban artists; receipts from the Patronato de Artes Plásticas in Havana for artworks commissioned by the organization; and photographs of artists and artworks.

The collection documents professional activities of Baruj Salinas, Cuban painter of international fame. The materials consist of imitations of Salinas' paintings, pamphlets and clippings.

The Enrico Mario Santí Collection contains works, papers and memorabilia related to Cuban sculptor Mario Santí (1911-1988). Included are clippings, slides, typescripts, photographs of his works, and awards given to him. Also included is a curriculum vitae and audiovisual material.

The Rolando Lopez Dirube Papers include Rolando Lopez Dirube's personal correspondence, a scrapbook made for his daughter Dorita, an original drawing done in pen, photographs that date from his childhood and span throughout his life, newspaper and magazine clippings, catalogs and brochures of his exhibitions, diplomas, passports, the blueprint of his house, and a VHS tape. The collection also contains a number of posters.