The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.
Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.
The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.
The Guillermo Rosales Papers contain writings and personal effects of Guillermo Rosales (1946-1993), late 20th century Cuban writer and journalist.
The collection contains manuscripts for various novels written by Rosales, including Júralo por Stalin, El Bunker Fantasmaand El juego de la viola(1968), as well as articles and clippings written by and about him, respectively. The collection also contains correspondence; certificates and awards, including Rosales' first prize honor in the University of Miami's Letras de Oro literary competition; and an accompanying scrapbook with photographs of the event.
The Julia P. Herzberg, Ph.D. collection contains artist portfolios, clippings, and visual arts files.
The collection also contains an interview between Julia P. Herzberg and Helena (Holzer) Benitez, former wife of artist Wifredo Lam from 1944 to 1950. The interview took place on February 7, 1990, at 1125 Park Avenue, New York, NY, then home of Julia P. Herzberg. The discussion centers on Helena's memories of Wifredo’s paintings, his practice, their cultural life in Havana, the artist’s family, his relationship with Lydia Cabrera, and his relationship to Afro-Cubanism.
The Leonor Ferreira Collection documents professional and political activities. It contains photographs, documents, correspondence, and periodicals related to various medical endeavors and community and political organizations. These include but are not limited to the American Red Cross, Junta Patriótica Cubana, Partido Revolucionario Cubano, and Leones Cubanos en el Exilio, as well as community and familial events.
The Rosa Lowinger and Todd Kessler collection contains three original watercolor drawings on paper by Los Carpinteros (Alexandre Arrechea, Marco Castillo, and Dagoberto Rodríguez).
The drawings include:
"Casa de rollos," proyecto para la VII Bienal de La Habana, 2000. A watercolor drawing proposal for a house made from rolls of canvas.
Public art project, 2001. A watercolor drawing of a four-shaped swimming pool on an asphalt road marked with broken yellow divider lines.
Teatro [prototype for the Transportable City Series], 2001. A watercolor drawing of a bivouac tent decorated with camouflage with four extension windowed wings and a fifth semi-circular wing in the rear.
The Jill Flanders-Crosby papers contain photographs, cassettes, DV tapes, and DVDs related to Flanders-Crosby's fieldwork related to Afro-Cuban religious dance practices.
The papers include correspondence mostly regarding homage to Lydia Cabrera, photographs of Giulio Blanc with Lydia Cabrera and a typescript of a poem by Virgilio Piñera.
The Agustín Acosta Papers contain the correspondence, writings and memorabilia of Agustín Acosta (1886-1979), named Cuba's National Poet in 1955.
The collection includes correspondence between Agustín Acosta and his literary and political contemporaries, as well as his wife, Consuelo Acosta.
Writings include published pamphlets from Acosta and other authors on topics ranging from poetry to politics and science; articles and clippings written by and about Acosta, as well as those collected by him and his wife; and manuscripts and galley proofs of Acosta's poetry books.
The collection also contains memorabilia related to Acosta's personal and professional life, including postcards; photographs; homages to the poet, both late in his career and posthumous; drawings and caricatures; and scrapbooks.
The Abel Sierra Madero collection comprises a selection of periodicals curated by Sierra Madero for his book "Fidel Castro: El Comandante Playboy: Sexo, Revolución y Guerra Fría."
This collection includes pulp fiction, Cold War print culture, and magazines on masculine culture and gossip. These periodicals document the portrayal of Fidel Castro as a significant figure in U.S. entertainment culture, reflecting the intersections of politics, sexuality, and media during the Cold War era.
The collection contains a letter, envelopes and a medallion relating to Cuban senator, mayor, and historian Manuel Martínez-Moles (1863-1951). The collection also includes a copy of "Manuel Martínez-Moles" written by Dr. Juan L. Riera for The Cuban Philatelist. Subsequent donations have included photographs of Cuban monuments in Miami, taken in 2020; restaurant and culinary ephemera; clippings and articles related to philately and Cuban historical figures such as José María Heredia, Félix Varela, León Primelles, and José Martí, authored by Dr. Riera; exhibition ephemera; political flyers; documents related to the Cuban communities in Ybor City and Key West; conference materials related to the InterAmerican Institute for Democracy, held in August 2022; and tourism ephemera. The collection also contains memorabilia such as matchbooks and cigarette ration coupons.
The Fort Chaffee Collection brings together two sources of materials relating to Cubans who arrived in the U.S. during the 1980 Mariel Boatlift and were detained at refugee camps at Fort Chaffee, Arkansas.
Barbara Lawson was director of the Cuban-Haitian Task Force from 1980 to 1981, and she donated reports, correspondence, memoranda, artwork by Cuban refugees, and recordings of news interviews she gave during her tenure with the Task Force. These materials document the operations and policies of Fort Chaffee from 1980 to 1981, discussing, among other topics, security issues in Fort Chaffee and difficulties in placing entrants who were considered not suitable for sponsorship. Lawson donated additional materials in 2018, including correspondence, postcards, newspaper clippings, greeting cards with artwork by Cubans held in Fort Chaffee, and press and Army Public Information photographs related to the Boatlift.
Gastón A. Fernández donated the research materials he collected and used for his book The Mariel Exodus Twenty Years Later: A Study on the Politics of Stigma and a Research Bibliography (Miami: Ediciones Universal, 2002). These materials consists primarily of photocopies of reports and interagency correspondence of the various U.S. government agencies responsible for the processing and settlement of Mariel refugees and for administering Fort Chaffee and other camps. The Fernández donation also includes photographs by the U.S. Army and snapshots of refugee activities at Fort Chaffee. The photocopied documents seem to have been obtained by Fernández primarily from the Jimmy Carter Presidential Library, although they are not clearly identified as such.
Issues of La Vida Nueva, a newsletter published by the Cubans detained at Fort Chaffee with the support of the 1st Psychological Operations Battalion of the U.S. Army, and Crossroads, a newspaper published for Fort Chaffee personnel were transferred to the CHC Exile Journals collection.
