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The Eduardo Hernández "Guayo" Film Collection consists of professional work by Eduardo Hernández. It includes eight boxes of 35mm film reels.

The Gabriel García Galán Collection contains correspondence, clippings, photographs, manuscripts, musical scores, awards and other documents related to Dr. Gabriel García Galán.

Most notably the collection contains a 1929 letter to Dr. García Galán from Enrique José Varona and three manuscripts of Gobierno Superior Civil de la Isla de Cuba from 1869.

The collection consists of 340 photographs of Miami including the celebration of Carnival Miami at Calle 8. The photographs were taken by Gustavo Roca.

The Ileana Ros-Lehtinen Collection contains clippings, brochures, and campaign material from U.S. Congresswoman Ileana Ros-Lehtinen.

The Caridad Sola Collection contains photographs and documents about artist Caridad Sola's "Perdida" art installation on the Cuban exile experience.

The papers document professional activities of Osvaldo Farrés as a composer who composed both songs and lyrics. The bulk of papers consists of the scores of the songs that were translated into many languages and recorded by top singing stars e.g., "Quizás, Quizás, Quizás" (Perhaps, Perhaps, Perhaps) and "Toda Una Vida"(Until Tomorrow). The materials also include photographs, clippings, diplomas honoring Farrés' musical achievements, magazines, programs and a multicultural school calendar for year 1980 featuring Hispanic role models for children.

The bulk of material consists of bonds of Cuban Railroad Company and the Republic of Cuba National Bank, and money printed in Cuba before 1959.  The material also includes Havana Yacht Club magazine from February 1955 .

The Rosario Hirart Collection contains documents related to Cuban anthropologist Lydia Cabrera.

It includes photographs, illustrations, correspondence, and handwritten notes by Lydia Cabrera and Teresa de la Carra. It also includes published articles and a copy of Vanguardia magazine.

This collection is comprised of articles, clippings, genealogical charts, pamphlets, the biography of José Valdés-Fauli, and the last will and testament of José de la Luz y Caballero.

Records document official activities of Count of Gálvez Historical Society established in Miami in 1988 by Cuban exiles and Spanish personalities living in Miami. Its purpose is to make people of the United States and Florida know the role of Spain and Spanish speaking countries, their peoples, culture and civilization, as well as to provide information on discovery and settlement of Florida. In addition, its purpose is promoting Spanish traditions, history and culture. The materials consist of official correspondence, Public Acts, information about Spanish and Cuban History presented on various conferences, clippings and folders discussing Spanish castles, museums, cities and achievements of King Carlos III, as well as clippings about historical research of Dr. Carlos Fernandes-Shaw, the information about conferences, which took place at Koubek Center, Articles of Incorporation, by-laws, corporate and tax documents, financial records including budgets, minutes of meetings of directors, treasury correspondence, membership forms and materials with historical research for speeches.

The Manuel Pereiras García playscripts collection consists of playscripts authored or translated by Cuban-born playwright Manuel Pereiras García between 1977 and 1991.

A typescript of : "Carl Ruggles: a Memoir by a Former Student, Ralph Nelson." The collection also includes a copy of "Carl Ruggles: Composer, Painter and Storyteller." by Marilyn J. Ziffrin.

Two fragile codices. One is written in English and the other in Latin. The English codex is labled "MS Codex 47" and is missing the front cover. The Latin codex is labeled "MS Codex 48" and "MS Codex 40" with "Bernard Lourner" inscribed on the inside front cover.

Correspondence between the Burrows family of Key West and Charleston.

The Magali O. Acosta Collection contains parts and scores for arrangements by the Cuban composer Rodrigo Prats, written between 1956 and 1960.  Acosta and Prats collaborated on a series of dance performances called "Ballet Español", which included works of Ernesto Lecuona and Agustín Lara, among others, when they both worked for the Sylvia M. Goudie dance studio in Havana.

An important supplement to this collection is the 10-year retrospective of the Studio Sylvia M. Goudie, "Memoria: 1949-1959", in which Acosta writes about her collaborations with Prats.

This collection contains one audiotape of a lecture given by Herbert Aptheker on April 20, 1966 at the University of Miami Student Union.

The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical  Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.