The papers document professional activities of Osvaldo Farrés as a composer who composed both songs and lyrics. The bulk of papers consists of the scores of the songs that were translated into many languages and recorded by top singing stars e.g., "Quizás, Quizás, Quizás" (Perhaps, Perhaps, Perhaps) and "Toda Una Vida"(Until Tomorrow). The materials also include photographs, clippings, diplomas honoring Farrés' musical achievements, magazines, programs and a multicultural school calendar for year 1980 featuring Hispanic role models for children.
The bulk of material consists of bonds of Cuban Railroad Company and the Republic of Cuba National Bank, and money printed in Cuba before 1959. The material also includes Havana Yacht Club magazine from February 1955 .
The Rosario Hirart Collection contains documents related to Cuban anthropologist Lydia Cabrera.
It includes photographs, illustrations, correspondence, and handwritten notes by Lydia Cabrera and Teresa de la Carra. It also includes published articles and a copy of Vanguardia magazine.
This collection is comprised of articles, clippings, genealogical charts, pamphlets, the biography of José Valdés-Fauli, and the last will and testament of José de la Luz y Caballero.
Records document official activities of Count of Gálvez Historical Society established in Miami in 1988 by Cuban exiles and Spanish personalities living in Miami. Its purpose is to make people of the United States and Florida know the role of Spain and Spanish speaking countries, their peoples, culture and civilization, as well as to provide information on discovery and settlement of Florida. In addition, its purpose is promoting Spanish traditions, history and culture. The materials consist of official correspondence, Public Acts, information about Spanish and Cuban History presented on various conferences, clippings and folders discussing Spanish castles, museums, cities and achievements of King Carlos III, as well as clippings about historical research of Dr. Carlos Fernandes-Shaw, the information about conferences, which took place at Koubek Center, Articles of Incorporation, by-laws, corporate and tax documents, financial records including budgets, minutes of meetings of directors, treasury correspondence, membership forms and materials with historical research for speeches.
The Manuel Pereiras García playscripts collection consists of playscripts authored or translated by Cuban-born playwright Manuel Pereiras García between 1977 and 1991.
A typescript of : "Carl Ruggles: a Memoir by a Former Student, Ralph Nelson." The collection also includes a copy of "Carl Ruggles: Composer, Painter and Storyteller." by Marilyn J. Ziffrin.
Two fragile codices. One is written in English and the other in Latin. The English codex is labled "MS Codex 47" and is missing the front cover. The Latin codex is labeled "MS Codex 48" and "MS Codex 40" with "Bernard Lourner" inscribed on the inside front cover.
The Magali O. Acosta Collection contains parts and scores for arrangements by the Cuban composer Rodrigo Prats, written between 1956 and 1960. Acosta and Prats collaborated on a series of dance performances called "Ballet Español", which included works of Ernesto Lecuona and Agustín Lara, among others, when they both worked for the Sylvia M. Goudie dance studio in Havana.
An important supplement to this collection is the 10-year retrospective of the Studio Sylvia M. Goudie, "Memoria: 1949-1959", in which Acosta writes about her collaborations with Prats.
The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.
The American Association of University Women records contains the records of the Florida Division from the years 1928 to 1991, in the form of minutes, reports, correspondence, press releases, charters, scrapbooks, and other documentation.
This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.
Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.
Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.
The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.
The John W. Bennett collection contains two audiocassettes titled "Alistair Cook speaks of H. L. Mencken from the tape of Mrs. R. R. Bennett, 6/15/80" and "Conversation - H. L. Mencken and Dr. Donald Kirkley. June 30, 1948," two newspaper clippings on H. L. Mencken, and a photocopy of a book titled "Roosevelt and the Republic" by John W. Bennett.
The Dr. John Bitter collection contains materials documenting Bitter's career as a conductor and composer. The collection includes sheet music for several compositions by Bitter, as well as publications about the Frost School of Music at the University of Miami and a 1953 photograph of the University of Miami Orchestra at the Miami Beach Auditorium. Also included are numerous programs from the 1940s-1960s, including ones from the UM Symphony Orchestra, the Greater Miami Philharmonic, and the Berlin Philharmonic.
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
