Established in 1951, the Coconut Grove Garden Club is a nonprofit organization dedicated to the study, practice, and appreciation of horticulture. This collection contains photograph albums, Plymouth Congregational Church registers, and other records held by the Coconut Grove Garden Club.
Founded in 1912, the Coco Plum Woman's Club is one of the oldest community service organizations in Dade County and a long-standing member of the General Federation of Women's Clubs (GFWC), and this collection documents their commitment over the past century to making improvements and enriching local neighborhoods through vigorous fundraising and other various projects, such as implementing a library that remained open for 56 years and aiding war efforts during World War I and World War II . Their clubhouse on Sunset Road is now a government-designated historical landmark in order to preserve the rich history of the club and to honor their dedication to improving the community at large. Contents within the collection include newspaper clippings, photographs, legal documents, ephemera, scrapbooks, and other miscellaneous documents pertaining to the club's activities since its inception.
Clipper Pioneers is an organization of former Pan Am pilots and flight crew. This collection includes Pan Am records such as memoranda, flight manuals, and accident reports as well as clippings, log books, pilot files, scrapbooks and photographs.
Cleveland's baking powder was manufactured originally by the Cleveland brothers in Albany, New York and was used as a common household cooking aid in the late 19th century and onwards. This collection contains a set of typed out recipe cards related to the company.
The Claudio Castillo video collection contains video footage during the early 1990s from Cuba transmitted by Russian satellites as recorded by US-based Spanish-language television company Telemundo.
This collection consists of an undated, unpublished typescript by Clark Daniel Stearns, U.S. Naval Officer and former Governor of the American Samoa. The typescript is titled "American Samoa."
The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).
A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.
Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.
The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.
The Civil War photograph album collection contains one photographic album with portraits of famous Confederate and Union statesmen and army officials from the Civil War era, including President Abraham Lincoln, Union Army General and President Ulysses Grant, Confederate President Jefferson Davis, W. F. Cody or "Buffalo Bill," Whig Party politician Edward Everett, Confederate Army General A. P. Hill, Confederate Army General J. E. B. Stuart, Union Army General and Senator Ambrose Everett Burnside, Union General George Meade, and Union General John McClernand.
The CINTAS Foundation, Inc. records contain artist files, applicant files, administrative files, and audiovisual materials created as part of the CINTAS Fellowship program.
The CID (Cuba Independiente y Democrática) Collection contains typescripts, pamphlets, brochures and reprints of materials from the exile nonprofit Cuba Independiente y Democrática, founded by Huber Matos in 1980.
The Charles W. White Collection contains music scores by the 20th century Cuban composer Alejandro Garcia Caturla, as well as pamphlets, posters, audiovisual material and concert programs related to his work. It also includes notes and correspondence produced by Mr. Charles White while he was writing Caturla’s biography.
Other contents in the collection include music scores and documents related to Cuban composers who were Caturla’s contemporaries. Collection is arranged in three series, series 1 includes all music scores, series 2 includes all documents, and series 3 includes all audiovisual material.
The Charles T. Simpson collection contains photographs, account statements, letters, minutes, contracts, typescripts, articles, certificates, membership cards, manuscripts, notes, photocopies, and a plant specimen, which document the lengthy botanical and zoological career of the early 20th century naturalist.
The Charles Lewis Morgan papers consist of one box of materials and total one-half cubic foot of files. The papers contain copies of several poems, as well as "In Memorium," and correspondence dated 1969 to 1970. "In Memorium" includes addresses given by faculty during a memorial service for Morgan in addition to a selection of Morgan's poems. Correspondence discusses the possible publication of Morgan's works and contributions to the memorial service.
This collection contains the records of the Charles Ives Centennial Festival that took place in Miami in 1974, celebrating the composer's 100th birthday. The collection includes correspondence that documents the planning process, programs for events celebrating Ives in Miami and elsewhere, articles and reviews, photographs, and official documentation.
Charles Ives Centennial Festival (1974-1975 : Miami, Fla.)
Charles E. Feinberg was an editor Emeritus of the Walt Whitman Quarterly Review. The collection consists of Walt Whitman related materials; predominantly framed and unframed prints, but also leaves from periodicals and leaves advertising Whitman reissues, a Whitman poetry broadside, a Romanian Institute of Cultural Relations with Foreign Countries catalog for a Walt Whitman Exhibit, and other Whitman memorabilia.
Charles Deering was a collector of art and a friend to many notable artists including John Sargeant and Augustus St. Gaudens. Painting, scrulpture, prints, rugs and many other items combined to decorate and furnish the Deering Estate in Florida. He collected a wide range of artwork, and the Print Department of the Art Institute of Chicago received his fine collection.
The Charles Creighton Collection contains an illuminated manuscript on parchment, signed by Charles VI, last of the house of Habsburg, Holy Roman Emperor and King of Bohemia and Hungary-Croatia. It was the property of Prince Max of Baden until the end of the first World War.
The 33-page manuscript measures 8 by 11 inches, with illuminated borders in red, blue, and gold, and an artistically designed title in black and gold of royal insignia surrounded by implements of war and the crown of the king. The manuscript is bound in a gilded hand-embroidered binding of decorative design with ornamental ribbon ties and tinsel fringes. It is attached with a gold braided cord is the Royal Seal of Charles VI, measuring 4 1/4 inches in diameter with the inscription "Carolus VI Romanorum Imperator S. A. Hispaniarum et utriusque Siciliae Rex." The seal is enclosed in a decorated silver case which is intended to rest in a circular compartment in the center of a tooled Viennese leather binding in which the manuscript reposes. The manuscript is written entirely in Latin and confers the title of Marquis on Honuphrium Ianno Ernandes Arias for "Militiaque multa suae Fides, Constantia Sapienta, ac Fortitudinis Specima edidissent..." (translation: In long military service he displayed Faith, Constancy, Prudence, and Courage...) To legalize the document, it is signed in the autograph of King Charles VI "Yo el Rey," below which are the signatures of noblemen and dignitaries of state.
Included also are 15 separate pages of manuscript written in Latin. These pages also refer to the Marquis and are dated in May of 1731. An unsigned manuscript by one of the Ianno family consists of 5 lines and is written in French.
The Charles Creighton Collection also contains high quality facsimiles of several historical predominantly French documents from the 17th and 18th century. These are: a letter pleading for a 3 day postponement of Louis XIV's execution by Louis XIV dated January 20, 1793; two letters informing French generals of the Waterloo victory by the Duke of Wellington, dated June 14 and June 20, 1815; Vice Admiral Horatio Nelson's unfinished letter to Lady Hamilton, dated October 19, 1805; Napoleon's appeal to England for protection after his defeat at Waterloo, dated July 13, 1815; a note written by Marie Antoinette written just before her execution in 1793; and the last letter written by Robespierre, unfinished due to his being shot, with bloodstains at the bottom of the letter, dated July 27, 1794.