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Original blueprints for foundation and footing plan, floor plan, roof plan, and North elevation designed by Marion I. Manley in 1941. Addition added in 1958 when it became the residence of Mr. and Mrs. Flinlay Matheson. Earl M. Starnes & Joseph G. Kenscher, Architects. (24 February 1958)

The Restaurant Ephemera collection contains food industry ephemera including restaurant, bakery and cafeteria menus, brochures, flyers, clippings and miscellaneous objects from eating establishments in Cuba and its diaspora.

The collection also contains souvenir items produced by restaurants in Cuba including group portraits from restaurants and nightclubs such as Rancho Luna and Sans Soucí, coasters from La Bodeguita del Medio and Tropicana napkins (reproduced in exile).

The Revista Cubana records contain personal papers of Cuban historian Carlos Ripoll, as well as documents pertaining to the publication of the Revista Cubana. Included are correspondence, both personal and professional, subscription lists, publication content, scholarly essays and reports, library material, articles on Cuban library practices, and a plaque of earth from Dos Rios, Cuba, gifted to Ripoll from Luis Garcia Pascual.

The Reynaldo Rey collection consists of programs, a poster and a music album of a Cuban singer, Reynaldo Rey, who has received several awards for his performances in Cuba, Latin America and in Miami.

The Ricardo Arregui Papers contain materials documenting the advertising career of Ricardo Arregui (b. 1919), including scrapbooks, photographs, clippings, advertisement flyers, brochures, coupons and signs, as well as posters for Bacardí, Galletas Gilda, Ocean Bank, Iberia Air Lines, Ron Castillo, Polar and Recal Beer and many other products for which Arregui headed advertising campaigns with his ad agencies in Cuba and Miami, Florida. The collection also contains examples of audiovisual materials and LP jingles with recordings for Galletas Gilda, Líneas Aéreas Iberia, Cinturones Century,  Ron Castillo, Desodorante Leo-Nor, Partagás, Vino Seco Edmundo, etc., and awards, diplomas and certificates that Arregui's agency won for their ad campaigns.

The papers document activities of Dr. Ricardo Bofill Pagés in capacity of the President of Cuban Committee for Human Rights.  The materials include papers written about Bofill's work, clippings of Bofill's writings about human rights and reports.

A collection of photographs taken by Richard Charles Veit II over the course of his photography career. The collection features 1,357 photographs, 1,283 negatives, and 2 self-published books, including images and prints of various sights and destinations scattered throughout North America, Central America, South America, the Caribbean islands, Europe, and Asia.

A collection of 151 photographs kept on 35mm slides. Most were taken in 1979 with outlying dates as early as 1978 and as late as 1987. Includes multiple pictures taken of buildings and landscapes around the University of Miami Coral Gables campus. Other pictures are of various buildings and street views around south Florida including Palm Beach, Downtown Miami, Port of Miami, Opa-Locka, Hialeah, Coconut Grove, Miami Beach, Vizcaya, and Cape Florida.

The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."

Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.

This collection contains 27 maquettes (two-dimensional often colored sketches) produced by the American muralist Richard Haas (1936-) from the 1970s through the 1990s. Depicted on the maquettes are detailed sketches of murals that were showcased in the Norton Museum in West Palm Beach, Florida; the Home Savings Bank in Vero Beach, Naples, Aventura, and Bradenton, Florida; the Fontainebleau in Miami Beach, Florida; and the State Offices in Jacksonville, Florida.

Photographs, negatives, sides, sketches, drawings, etchings, watercolor and oil works, correspondence, clippings, exhibition programs and catalogs, and other related materials created and collected by artist Richard Merrick (1903-1986) and the Merrick family.

The collection consists of over 100 images taken in the early 1960s by Richard Riker, who was a photographer for Ibis when he studied at the University of Miami.

This collection contains materials created and collected by the Otto G. Richter Library's Administrative Office, including past position descriptions, search committee records, documents on past library faculty appointments, letters of commendation, curriculum vitae, evaluations, and correspondence.

This collection contains donor files and gift accession records for items given to the Richter Library.  Access is restricted.

This collection contains reports from Otto G. Richter Library's Collection Development and Resource Management unit, including minutes of committee meetings and plans for the library's long-term goals.

This collection contains photographs of various faculty, staff, students, and visitors involved with Richter Library.

This collection contains architectural drawings in color of the Richter library renovation proposed in 1999-2003, including the Dauer Clock Tower. The University undertook major renovations from 1999 to 2003, which saw the addition of the Dr. Maxwell and Reva B. Dauer Clock Tower in 2000. The Roberto C. Goizueta Pavilion then opened in 2003 and now serves as the home of the Cuban Heritage Collection. The new design also added classrooms, conference rooms, and student group study rooms.