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The Jim Cason Photograph Collection contains photographs from former Principal Officer of the US Interests Section in Havana Jim Cason's (b. 1945) time in Cuba from 2002 to 2005.

The collection consists of digital photographs and a talking doll of Jim Cason that was distributed during his time as the Principal Officer of the US Interests Section in Havana, Cuba.

Francisco de la Vega Collection consists of the correspondence between Francisco de la Vega Company, settled in Santander, Spain, and his partners from Havana, Cuba. The correspondence is about the situation of the trasatlantic trade of sugarcane and flour between those companies (1829-1835).

This collection contains photographs, papers, clippings, manuscripts, and religious materials associated with Cuban diplomat, writer and lawyer José María Chacón y Calvo (1892-1969).

"The Fanny Kemble Playbill Collection is a collection of 28 playbills from 1829-1832, comprising of her years on the English stage and including her first performance on any stage. Fanny Kemble (Frances Ann Kemble, 1809-1893), the daughter of the actors Charles and Marie Kemble, was born in London on November 27, 1809. She made her first appearance on the stage when she appeared as Juliet in her father's production of "Romeo and Juliet" on October 5, 1829. Fanny was a great success, and this role was followed by several others in her father's Covent-Garden Theatre. She played all the principal women's parts, notably Portia, Beatrice, and Lady Teazle. Most of the performances were at Theatre Royal Covent-Garden with a few few performances at Theatre Royal Edinburgh where she performed with her brother on a tour in June of 1830." -Golden Legend, Inc.

The Alberto Cuartas Papers contain the photo albums, correspondence and other materials of Alberto Cuartas, counselor and house parent at Camp Matecumbe in West Dade, FL during Operation Pedro Pan and in other children’s homes under the auspice of the Catholic Welfare Bureau during the 1960s and 1970s.

The collection primarily consists of photo albums of Pedro Pan children in various children’s homes under the Catholic Welfare Bureau, including Camp Metecumbe. Also included are correspondence from Pedro Pans to Mr. Cuartas and other Pedro Pan memorabilia.

A collection of several informally published papers, reports, bulletins, directories, brochures, articles and other documents, surrounding the Haitian culture both in and outside of the United States. Topics of interest include reports on the Haitian diasporic communities in South Florida and their economic situations, the history of Haitian refugees and detainees, and documents discussing Haitian civil rights in the United States.

The collection also contains a selection of materials from the Sant La Haitian Neighborhood Center, located in Miami, Florida. Their organization is dedicated to providing a voice for the Haitian-American community in South Florida and assisting Haitian-Americans with any needs they may have in the following areas: social services, education, economic self-sufficiency, and access to health care.

The Association of Cuban Engineers collections includes DVD recordings of conference presentations, articles of incorporation of the Association of Cuban Engineers Scholarship Foundation, Inc., the bylaws of the Cuban-American Association of Civil Engineers, gala programs and ephemera.

This collection contains photograph albums and audio-visual materials documenting the various events Jan Mapou had taken part in and organized for Sosyete Koukouy (The Fireflies Society) and Libreri Mapou.

The Cuban Map Collection contains maps dating from the 16th century to the 21st century. The digital collection contains maps in the public domain dating from the colonial period to 1923 and includes general maps of the island, provincial maps, city and town maps, and other specialized map formats in a variety of scales, colors and artistic styles.

Larry Thompson was a humorist and columnist who wrote and reported for the Miami Herald for 28 years. His column, "Life with Larry," tackled topics such as politics, daily life, local history, and events. This collection contains clippings of his work written by him from 1956-1973, all arranged chronologically.

This collection contains a collection of writings and research from local historian, playwright, director, and teacher, Sandra Riley, and poet, teacher, and musician, Peggy C. Hall. The materials currently include manuscripts, research notes, journals, interviews, drafts, playscripts, ephemera, poetry, and other materials pertaining to their life's work and writings.

A collection of vintage greeting cards, which currently features a unique selection of cards acquired by an unknown collector over thirty years. Thematically, the greeting cards showcase the ubiquitous view of traditional gender roles that permeated different eras, with the earliest cards dating to the 1920s. Though the cards are meant to be colorful, playful, and sentimental, they highlight the evolution of the depiction of both genders and their interactions as a couple over time, and in some cases, even prove to be subversive of traditional gender norms.

This collection contains several contemporary exhibit catalogs from other universities around the United States with concentrations in their libraries and Special Collections departments.

A collection of contemporary zines created by Japanese women as part of an exhibit entitled "Feminine," which was curated by  Tokyo's Zine's Mate and presented at the 2011 New York Art Book Fair. This archive was once part of the personal collection of Matt Wobensmith, who created the zine Outpunk and is known for being an avid zine collector and zine show curator.

The zines in this collection represent a wide array of genres, often utilizing photography, art, writing, and ephemera to create unique art pieces that are produced in limited quantities and locally distributed. They primarily showcase the viewpoints of modern Asian and Asian-American underground artists with such noted topics as fashion, sexuality, gender, travel, social issues, education, and self-expression. Written in both Japanese and English, many of the zines exhibit a heavy array of western influence, referencing western folklore, cinema, and pop culture as well as adopting western-inspired punk and alternative fashion. There is a spirit of freedom and unrestrained creativity that pervades this selection, captured by many crude sketches, both black and white and colorful, think pieces, and abstract drawings, all which serve to produce an intriguing snapshot of the growing art and zine movement in Japan in the 21st century.