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This collection contains architectural drawings in color of the Richter library renovation proposed in 1999-2003, including the Dauer Clock Tower. The University undertook major renovations from 1999 to 2003, which saw the addition of the Dr. Maxwell and Reva B. Dauer Clock Tower in 2000. The Roberto C. Goizueta Pavilion then opened in 2003 and now serves as the home of the Cuban Heritage Collection. The new design also added classrooms, conference rooms, and student group study rooms.

This collection contains the original printed catalog cards, along with photocopies, which describe the older items kept in the Special Collections unit of the Richter Library.

The collection consists of photographic reproductions of magazine covers and popular Cuban product advertisements, taken from the periodicals holdings of the Cuban Heritage Collection.

The records document the treatment of political prisoners by the communist regime within Cuban prisons.  The materials consist of 3 CDs: "Presidio Isla de Pinos." (Compiled by Raúl Pérez-Coloma) on February 10, 2010; "La Montaña. Canciones de lucha y esperanzas," by political prisoner, Manuel Villanueva.  Graphic design by Alejandro Deoliveira. Miami 2007; "La Verdadera República de Cuba" by Dr. Andrés Cao Mendiguren, 2009.  The first CD  contains names of more than 10,000 Cuban political  prisoners, case numbers and the place where they were imprisoned. The materials also include manuscripts of letters written in Cuban political prisons in small letter, typescript of "La etica en el camino de revolucion," and post cards created by political prisoners in prison.

Ofelia González was an actress performing in theatre, mostly in Havana's Palacio de Bellas Artes and New York's Repertorio Español.  She also acted in film and TV. The materials document her acting career especially her portrayals of Bernarda in The House of Bernarda Alba in New York, Nurse in Romeo and Juliet in New York, Serafina in The Rose Tattoo in Havana, Medea in Medea in New York, Amanda in The Glass Menagerie in New York, Celestina in Celestina in New York, Clara in The Visit in New York and Mother in The Guns of Mother Carrar in Havana. 

The bulk of the material consists of photographs from performances and newspaper clippings with reviews of performances.  The papers also include correspondence and memorabilia.

This collection documents the activities of Teresa María Rojas in her capacity as a theater actress, theater professor at Miami-Dade College (MDC, also formerly known as Miami-Dade Community College) for more than 30 years and the founder of the Prometeo Student Theater Group.

The majority of the materials document Rojas' role as artistic director of the Prometeo Theater and the success of the students who performed in it.  Portfolios and reviews contain information regarding her teaching at MDC, in the capacity of the director of the Prometeo Theater and an instructor.  The papers contain scrapbooks chronicling her work as the director of the Prometeo Theater from 1985.  The collection also documents her professsional work as an actress in Miami, Cuba and other Latin American countries. Her performances in various acclaimed productions are documented by clippings and photographs.  Rojas measured her own success as a professor and artistic director of Prometeo by the success of her students.  She played the engaging and lighthearted role of Ofelia in "Ana in the Tropics".  As Ofelia, Rojas took on a similar matronly role as the one she had among her students at MDC.

Selected photographs, playbills, programs, letters, and clippings from the collection are available on the University of Miami Digital Collections portal under the CHC Theater Collections tab.

The papers document professional activities of Andrés Nóbregas, theater director and playwright staging his plays in New York Theater of The Americas and at the Hispanic Theater Festival in Miami. He also wrote for television. The bulk of material includes manuscripts of plays and libretti either written or directed or acted by Andrés Nóbregas. Materials also include some invitations and clippings regarding Hispanic Heritage Week.

The Cuban Historical and Literary Manuscript Collection is comprised of original manuscripts from the 17th to the 20th centuries. Acquired as individual pieces or in small groups, this collection includes literary manuscripts, slavery sales and property documents, wills, and correspondence.

This collection contains an array of materials, including correspondence, broadsides, pamphlets, periodicals, newsletters, and other ephemera, pertaining to the occult, paranormal, UFOs, supernatural entities, and spiritualism. Of particular note is a letter from Sir Arthur Conan Doyle, dated 1914.

Andrew Giel visited Cuba as a tourist 10 times between September 1955 and December 1959, traveling as far as Trinidad in Santi Spíritus. Fifty years later, Mr. Giel printed 8 x 10 enlargements from the original transparencies. Those prints are found in this collection. They include views from across the island, including Havana, Trinidad, and Santiago de Cuba. The collection also includes color prints of the black and white photography and photographic reproductions of Cuban postcards from the 1950s.

The 1955 slides were made with an Argus C4 camera and the later slides with a Leica IIIF.

The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

The Cutler Ridge Woman’s Club records document the club’s founding and history, in addition to its civic, community, and social activities from 1956-2010. The records include minutes for 1956-2008; annual reports for 1956-2005; club histories for 1956-2010;  financial records for 1956-2009; charter and by-laws; newsletters; yearbooks; and guest books, as well as clippings, certificates, letters, and other documentation relating to club activities. Also included is one folder of materials relating to the club’s predecessor, the Welcome Wagon Club. Oversize materials include proclamations and a map of Cutler Ridge used for a street light campaign in 1970.

The Dulce Beatriz papers contain photographs and other documents related to Cuban painter Dulce Beatriz (b. 1931) and her husband, Spanish flamenco guitarist Leonardo Beatriz. The papers consist of two scrapbooks and other materials. The first scrapbook documents professional activities of Dulce Beatriz, and contains photographs and other documents. The second scrapbook documents her husband's professional activities. It includes programs, a patent for a fabric stretching device, photographs and a biographical note on Mr. Beatriz. The collection also includes a box of clippings.

The papers document Helio Nardo's activities as a writer. The bulk of materials includes correspondence to Nardo from Cuban prominent exiled figures. The materials also consist of extracts from some published articles, and clippings. Some letters discuss the topics of Castro's regime in Cuba and political situation in Chile.

The Theater Scripts Collection primarily includes typescripts of plays authored by Cuban writers, active either in Cuba or in the diaspora from 1927 to the present.

This collection consists of the papers of H. E. Kilmer, Secretary of the San Jose Fruit Company of Alliance, Ohio, which was formed in April 1903 to establish fruit growing operations in Camagüey, Cuba.  The Company built Palm City on the north coast of that province.  The collection includes approximately 160 items, principally letters to Reverend Kilmer but also maps and incorporation documents.

William J. McEvoy worked as a government liaison for Pan American Airlines for over thirty years.  The William McEvoy Papers include his unpublished memoir, Presidents Who Have Flown with Me, which focuses on President Truman’s trip to Wake Island in 1950. The collection also contains photographs from President Roosevelt’s trip to South America in 1936 and Vice President Henry Wallace’s trip to South America in 1943, as well as approximately 1200 slides from McEvoy’s travels around the world in the 1950s.

This collection contains fragmentary texts and images documenting cultural expressions from the Caribbean and South America. Many of the transitory materials grouped under ephemera include posters, postcards, leaflets, tracts, special editions, programs and menus published in countries such as the Bahamas, Brazil, Cuba, Curaçao Grenada, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago.