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The collection contains manuscripts written by Cuban fiction writer, publisher, and translator Zilia L. Lage.

The collection contains scrapbooks created by Anita Arroyo, a journalist, professor, and historian.

The collection contains original architectural renderings, working drawings, specifications, and photographs, as well as architectural plans and records of buildings such as Bacardi LTD.

This collection contains data reports that are collected on an annual basis and included in the University of Miami fact books.

This collection contains manuals and documents on University of Miami's benefits and policies put together by the Office of Administration and Finance.

This collection contains photographs taken by Joe and Emily Lowe.

This collection contains drawings, sketches, photographs, research materials, clippings, audio-visual materials (CDs and audiocassette tapes), periodicals, ephemera, and other archival materials created and collected by the noted Miami and New York artist Naomi Fisher (1976-).

A collection of slides (approximately 18,000) from the travels of the Geographer Hilgard O'Reilly, featuring Brazil, Latin America, and Asia.

The Leonor Ferreira Collection documents professional and political activities. It contains photographs, documents, correspondence, and periodicals related to various medical endeavors and community and political organizations. These include but are not limited to the American Red Cross, Junta Patriótica Cubana, Partido Revolucionario Cubano, and Leones Cubanos en el Exilio, as well as community and familial events.

This collection contain 5 poems written by Karl Dahlberg, who received an honorary degree in Science from the University of Miami.

Roy Keeler was a Miami-based long-term captain and pioneering flying boat pilot with the Pan American World Airways. The Roy Keeler Collection consists of documents from or pertaining to his time with the Pan American World Airways, in the form of correspondence, notes, telegrams, bulletins, passenger manifests, clippings, photos, receipts, handbooks, manuals, maps, charts, plans, certificates, and identification cards (including ones from Canada and Cuba).

The Bernhardt E. Muller collection is a compendium of newspapers, architectural drawings, renderings, and photographs related to the design and construction of Opa-locka, Florida, the nation’s largest concentration of Moorish Revival architecture. The city, incorporated in 1926, was the third Florida suburban real estate development of Glenn H. Curtiss, aviation pioneer and millionaire developer. Opa-Locka is the only known city in the United States that used Moorish Revival architecture as its original theme.

The contents of the Muller collection fall into two distinct groups: architectural materials related directly to buildings designed by Muller and his staff; and supporting materials presumably collected by Muller that pertain to his work and the city of Opa-Locka. The vast majority of these materials are directly concerned with Muller’s work in the Opa-Locka and Miami area between 1925 and 1928. Supporting materials, including magazine extracts, brochures, and newspapers, date mostly from 1926 and 1927, with a few items from 1928, 1930, 1959, and 1960.

The Muller collection’s importance concerns its detailed documentation of the progress of Opa-Locka from a developer’s dream to a constructed city. Opa-Locka was designed according to a specific theme: a combination of Arabic, Persian, and Moorish architectural styles. It is also the first known instance of a town developed from interpretations of a literary work, The One Thousand and One Tales of the Arabian Nights.

The collection contains construction documents, sketches, renderings, and photographs of Opa-Locka’s first buildings. Extensive material exists on the designs of the Opa-Locka Company’s administration building, now the City Hall, as well as plans for seventeen institutional and public projects, including the Archery Club, Bathing Casino, and Observation Tower, with unbuilt designs for a Golf Club, school, and Mid-Winter Southern States Exposition.

Eighteen commercial buildings are found in the Muller collection, including many stores and apartments, as well as an unbuilt Chinese hotel. Sixty-three private residences of various sizes and designs are included in these drawings. It is probably that most of the work Bernhardt Muller ever did for Opa-Locka is contained in the collection. The majority of these drawings and materials date from 1926 to 1927, with only three drawings dated later than 1927.

The Muller collection is significant for its documentation of the history and development of South Florida. The volume of work designed and media contents demonstrate and describe the magnitude of the Florida Land Boom, which peaked early in 1926, just as construction began on Opa-Locka.

The Muller collection contains newspaper articles describing the hurricane that struck South Florida on September 17 and 18, 1926. The storm’s direct effect was a loss of 372 lives and $159 million in property, but its long-term results included the onset of the land “bust” and an economic decline that preceded the Great Depression of the 1930’s.  There are numerous articles and photographs of the hurricane's destruction.

The collection consists primarily of draft agendas from the South Florida public policy agency.

The UM LGBTQ History Collection contains materials that document the activities of the university's LGBTQ student groups as well as the university's programs for LGBTQ students, such as the organizational records of the LGBTQ Student Center, newsletters, correspondence, press clippings, and audio-visual materials.

The Coconut Grove Playhouse records contain playbills, promotional/marketing material, posters, press releases, news clippings, financial files, grant files, personnel files, show and production files, play scripts, and audio-visual materials (photographs, CDs, vinyl records, floppy disks, VHS, film reels, betacam tapes, audiocassette tapes) pertaining to the theater's operation from the 1970s to its closing in 2006.

This collection contains 27 maquettes (two-dimensional often colored sketches) produced by the American muralist Richard Haas (1936-) from the 1970s through the 1990s. Depicted on the maquettes are detailed sketches of murals that were showcased in the Norton Museum in West Palm Beach, Florida; the Home Savings Bank in Vero Beach, Naples, Aventura, and Bradenton, Florida; the Fontainebleau in Miami Beach, Florida; and the State Offices in Jacksonville, Florida.