The J. Carlton Barnette Papers include two book-length manuscripts, two notebooks with research material, five short manuscripts with accompanying photographs, the contents of a photo album, and various other loose photographs, all related to Peru. The photographs in the manuscripts and those found loose in the collection are appendixed at the end. Those photographs in the photo album were not appendixed due to their organization in the album.
This collection contains a 1900-1901 daily travel diary written by Dr. J. Garner. In the diary, J. Garner describes his experiences with British army Major H. H. (Herbert Henry) Austin's expedition that traveled from Cairo, Egypt to Zeila, Somalia via Lake Rudolf. In Major Austin's "Through the Sudan to Mombasa via Lake Rudolf" (published in Scottish Geographical Magazine, Vol. XVIII, 1902), Austin notes that a Dr. J. Garner joined the expedition in Cairo around the 7th of December - a few days prior to the beginning entry of Garner's travel diary - and mentions Garner throughout.
Garner's diary begins on December 14, 1900 and ends on September 6, 1901. At the end of the diary, Garner kept a list of deaths of members of the expedition, the reasons for which include "exhaustion," "shot for killing donkey," "heat apoplexy," and "speared by natives." Throughout the entries, Garner describes the condition of the men's health, the reasons why they fell ill and died, his own illnesses, the geography and climate of the land, and the social life and customs of the people that were encountered. There are several illustrations of the camp set-up as well.
The J. Lipscomb photograph collection contains photographic reproductions of paintings of the city and harbor of Havana by famed artist Frédéric Mialhe, 1810-1881.
The papers document activities of J. M. Portuondo in capacity of a professor of Internal Medicine at the University of Havana, a writer and a faculty member of the University of Miami School of Medicine. The materials include books, pamphlets, periodicals, clippings, circular letters, typescripts of anti-communist writings by Portuondo, reports, a poem by Portuondo, speeches by him, copies of his medical diplomas, a historical map of Havana, and photostats of a photograph and of a letter from José Martí to José Portuondo.
This collection features the personal papers, theses, research, teaching materials, and writings of former University of Miami Spanish Language and History Professor, Jacob Riis Owre, who was an integral part of forming the University of Miami's Hispanic-American Studies program in 1937.
A copy of American composer Jack Beeson's sheet music with corrections for the opera, "Hello out there" (1953). The papers also include a letter from the composer.
The Jamaica Manuscripts Collection contains 20 documents, most of which concern Jamaica in a variety of ways (others are regarding the British West Indies at large). Included, among other things, are plantation records, correspondence, journals, official documents such as power of attorney documents and affidavits, notes on the climate of Jamaica, and Spanish reports on English possessions. Some of these are originals, where others are later 20th century documents about Jamaica or typescripts of letters.
The James A. Michener Papers consist of correspondence, notes, research materials and drafts of manuscripts created and compiled by best-selling author James A. Michener (1907-1997) in the course of his work on the novel Caribbean (1989).
Correspondence and memoranda found within the files provides information concerning the intellectual preparation required to compose an historical novel that spans more than four hundred years. Michener chose to preserve the results of his research and editorial efforts "... so that aspiring writers can see what work lies ahead for them if they finally succeed. Stated better, what work they will have to do if they want to succeed." Exchanges with editorial staff members throughout the stages of manuscript preparation, and the concurrent suggestions, recommendations and revisions to the manuscript noted on various "copies" of the manuscript illuminate the internal aspects of the modern publishing industry.
The author includes notes and correspondence concerning the logistical, financial and personal decisions that influence the creative process. The pervasive degree of experimentation, discovery and change inherent in the process of creative writing appears throughout the stages of this manuscript. The very title of the novel, Caribbean, is a reflection of this evolutionary process, for the author first conceived on calling the volume Lost in the Sun.
The James Baxter collection contains Florida related materials. Included are a deed of sale and title of a house in Flagler; theater publications from the Coconut Grove Playhouse, the Miami Summer Star Theater, and the Dade County Auditorium Playgoer; postcards from Key West, Ft. Lauderdale, Port Everglades, Fort Myers, Palm Beach, and Miami Beach; a series of photographs of historic sites in Florida, largely lighthouses; a 1903 periodical titled "Liberty Boys of '76: The Liberty Boys in Florida, 1903"; an 1883 Vol XIX issue of Dime Beadle's New York Library, subtitled "Alligator Ike; or The Secret of the Everglade. A Tale of the Outlaws of the Okeechobee"; and a photocopy of the latter periodical.
The James F. O'Boyle Papers contains two manuscripts, one titled "The Coke Twins" and dated 1985, and other titled "Black Night, Black Dawn" and dated 1995.
James Horace Alderman (circa 1882-1929) was a Prohibition-era smuggler and rum runner who in 1927 killed three Coast Guard agents and was hanged two years later in Fort Lauderdale. This collection consists the typescript "The Life Story of James Horace Alderman," a memoir he wrote in the days leading up to his execution.
The James Hutchinson Exhibition Catalog collection includes catalogs for an exhibition of Seminole Indian paintings by James Hutchinson at the Lowe Art Museum.
The Carson papers contain correspondence, newspaper clippings, outlines and drafts of campaign speeches. The materials, dated 1915-16, document Carson's efforts to enlist a candidate in support of drainage of the Everglades, his efforts on behalf of the Farris campaign, and his views on the drainage issue. Correspondence also provides information on the activities of other groups supporting the Farris campaign, including the Everglade Drainage and Development League, "the Commercial Bodies of Miami and Ft. Lauderdale" and the Boards of Trade of Dania and Pompano. Additional letters and newspaper clippings provide supporting documentation on the role of the drainage issue in the 1916 gubernatorial campaign.
The James Merrick Smith and Hal F. B. Birchfield collection contains images, letters, news articles, DVDs and a CDs highlighting the stellar lives, careers and involvement of James Merrick Smith and Hal Birchfield in their personal, professional and civic activities.
With his vision of design becoming much more than the up-market selling of merchandise, James Merrick Smith set about the machinery of change that would make interior design a legitimate and accredited profession. This progression would require the development of education, testing, administration and implementation and then onward to governmental accreditation. James Merrick Smith was the person that not only had the vision but the guts and the charisma and good fortune to find others to help fulfill this dream of professionalization of the field of interior design. Life partner Hal Birchfield would also be a part of this much involved process. And among other facets of their lives was the matter of the highly respected professional work the office of James Merrick Smith and Hal Birchfield achieved, setting high professional standards for interior design excellence.
The James S. Penny photograph collection contains 36 black and white photographs taken by University of Miami Journalism Professor James S. Penny and his students depicting University of Miami and other Miami-related subjects from 1948 to 1952.
There are two folders in this collection, the first of which is titled "33 Photographs taken by James Penny (Prof of Journalism at U of M) and his students from 1948-1952." The second folder is titled "U of M students of Journalism - 1 photograph; and Exhibition at the U of Missouri of the Annual Photography Contest Winners - 2 photographs."