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Stock certificates of the Magic City Lumber Company in Miami, Florida.

The Maggie Steber Photography Collection contains thirty-three signed and dated 11x14 inch color prints on art paper and eleven large framed (33 1/4" x 43 3/4") prints. The collection documents photojournalist Maggie Steber's work in Haiti from 1986 to 2010.

The collection consists of slides of Cuban posters, which were presented at an exhibit of the American Institute of Graphic Arts in April 2001. The posters were created by various artists and published by various organizations in Cuba, including the Latin American Continental Student Organization (OCLAE).

The Magali O. Acosta Collection contains parts and scores for arrangements by the Cuban composer Rodrigo Prats, written between 1956 and 1960.  Acosta and Prats collaborated on a series of dance performances called "Ballet Español", which included works of Ernesto Lecuona and Agustín Lara, among others, when they both worked for the Sylvia M. Goudie dance studio in Havana.

An important supplement to this collection is the 10-year retrospective of the Studio Sylvia M. Goudie, "Memoria: 1949-1959", in which Acosta writes about her collaborations with Prats.

The collection contains a work file for Gloria M. Boix Arenal from the Ministerio de Cultura, Unidad Presupuestada Julio Antonio Mella.

The Lyn MacCorkle papers consists of research materials for two bibliographies that MacCorkle published in the 1980s: Cubans In The United States: A Bibliography For Research In The Social And Behavioral Sciences , 1960-1983 (1984) and Faculty Publications, University Of Miami (1986). The papers contain bibliographies, articles, drafts, resumes, essays, reports, and letters.

The Lydia Cabrera papers document the life and career of writer and ethnographer Lydia Cabrera, one of the 20th century’s leading writers on Cuban folklore and an internationally known chronicler of Afro-Cuban culture and religion. The materials include correspondence, manuscripts of her works, field notes, interviews, photographs, illustrations, and memorabilia. This collection also contains documentation about the restoration of several colonial buildings in Cuba.

A highlight of the collection are the libretas, or notebooks, collected by Cabrera from Santeria priests and priestesses that document rituals and religious practices of the Afro-Cuban faith. These are found in Series 3 along with her manuscripts and field notes.

Part of this collection has been digitized and is available in the University of Miami Digital Collections online repository.

The papers document professional activities of Luisa María Güell in capacity of an actress, singer and composer.

The bulk of material consists of clippings.  The materials also include photographs from concerts and films, covers of Guell's musical disks, Theatre programs, scrapbooks with photographs and clippings, awards, videotapes with "Homage to Edith Piaf" and "Papa Porque no Vuelves" and correspondence.

The collection contains scrapbook pages related to the Cuban Telephone Company, including a document, clipping and photographs; one document titled "Resolución No. 105" by the Empresa Nacional Telefónica "13 de Marzo," signed by Carlos Tejera Paz, 1964; and one issue of Unidad, the bulletin from Federación de Trabajadores Telefónicos de Cuba en el Exilio, Año XXXV, Nos. 419/423, Agosto/Diciembre 1997.

The Luis Zúñiga Records consist of copies of FBI documents of a human rights investigation regarding the involvement of Fidel Castro in the attack of "La Tablada" in Argentina.

The Luis V. Manrara Papers contain the personal and professional documents of Cuban activist Luis Manrara (1907-2001).

The collection contains the personal and professional documents of Cuban activist Luis Manrara. They include news clippings, opinion pieces, correspondence, lecture and speech transcripts, magazine copies, and scholarly articles.

The bulk of the collection consists of copies of articles written by various authors about the human rights violations in Cuba. The articles were published in The Miami Herald and compiled by Suárez-Villa, professor in the Department of Urban and Regional Planning in School of Social Ecology at the University of California. The materials also include copies of correspondence to Luis Suárez-Villa regarding the compilation of the articles.

This collection is comprised of approximately 22,000 items of mixed media (slides, silver gelatin prints, negatives, and color prints, among other formats).

The Luis Marcelino Gómez Collection contains original manuscripts of published and unpublished works of poetry, essays, short stories and a novel authored by Luis Marcelino Gómez.

The collection also contains notes on published works of poetry and correspondence.

The Luis J. Botifoll Oral History Project collection includes videos, outlines, and selected transcripts of oral history interviews conducted principally with members of the first generations of Cubans exiled since the Cuban Revolution. Interviews with political prisoners, visual artists, community activists, and others help to capture Cuba's undocumented history, culture, and people, as well as the exile experience.

The Botifoll Oral History Project was launched in April 2008 with the support of the AMIGOS of the Cuban Heritage Collection. The Project aims to record and provide access to these testimonies in support of the Cuban Heritage Collection's efforts to document the Cuban experience on the island and in the diaspora.

The interviews are made available online as they are completed and can be accessed from the Univeristy of Miami Digital Collections.

The Luis Felipe Mencía papers contain correspondence, clippings about medicine and hospitals, as well as the Cuban Medical Conventions in Exile etc., one illustration of the Hospital Mercedes in Cuba, a roster and invitations to various events of the Cuban Society of Surgery, and pamphlets about surgery in Cuba.  It also contains historical issues of periodical publications related to medicine in Cuba and Cuban physicians.  The most important materials of this collection are a lecture offered by Mencía at the special session of the Ninth International Cuban Medical Association Congress, Miami, 1987, and the manuscript of Dr. Mencía's book: Recuerdos de la Cirugía en Cuba,  published in Miami in 1990.  In this collection we also find a photocopy of one speech by Dr. D. González Marmol.