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The collection consists of 14 pencil drawings with text in ink by Lucila Madruga de Díaz Piferrer, a Cuban artist of international fame, made in 1938 and two note cards painted by Madruga in the 1960s and 1970s.

The Rafael Rubio Padilla Collection contains numerous news clippings on various subjects related to Cuba and the Cuban exile community, from 1985-1995.

The Grupo Cubano de Investigaciones Económicas Collection contains original studies done by the Cuban Economic Resarch Group at the University of Miami.

It includes a manuscript titled A Study on Cuba: The Colonial and Republican Periods, The Socialist Experiment. Economic structure, institutional development, socialism and collectivisation, as well as a study on Cuban agriculture.

The Ediciones Vigía Collection contains various formats of artistic publications including books, magazines, scrolls and loose papers of new and classic literary material.

All of the items in this collection have been cataloged in the University of Miami online catalog, available for browsing in the following catalog search: Ediciones Vigía.

The Antonio Molina Collection contains historical materials, pamphlets, photographs, manuscripts, correspondence, published materials, and ephemera from across the Cuban diaspora, as collected by the UNESCO cultural center in San Juan, Puerto Rico.

The Gustavo Godoy y Agostini Papers contain correspondence to Gustavo Godoy y Agostini, along with poems and clippings collected by him.

Notable correspondents include Agustín Acosta, José María Chacón y Calvo, Juan Fonseca, Eduardo Áviles Ramírez and Arturo Doreste.

The papers document activities of Cuban president Fulgencio Batista Zaldivar and his son Fulgencio Rubén Batista. The papers include records and rosters of Batista Zaldivar's army, speeches given by president Batista, and letters from Batista Zaldivar to his son and to other correspondents. Batista Zaldivar founded the Institutos Cívico-Militares in Cuba and the collection includes many accounts of rural military school teachers and their experiences.

The records also include speeches, programs, invitations, and photographs from the "10 de marzo" and the "4 de septiembre" annual celebrations. Included are also articles, poems, clippings, and publications about Batista Zaldivar's resignation, exile, death, and funeral. The materials also include Fulgencio Rubén Batista's funeral memorial programs and clippings and articles and letters of interest to F. Rubén Batista.

The Lalita Salazar collection contain musical scores and audiovisual material from Cuban stage singer Lalita Salazar.

The Mario Santi Collection contains works, papers and memorabilia related to Cuban sculptor Mario Santi (b. 1911). Included are clippings, slides, typescripts, photographs of his works, and awards given to him. Also included is a curriculum vitae and AV material.

Two photographs of the interior of artist Amelia Pélaez's residence in Havana, Cuba.

The Georgia Portuondo photograph collection consists of photographs of the construction and dedication of the Memorial bust of José Martí in Port Chester, New York.

The Herman Beller Photograph Collection contains photograph of metal works done by Herman Beller's (1899-1972) Havana, Cuba-based company, Industrias Unidas de Cuba. The photographs detail works in parks, schools, and public areas and buildings all installed during the 1920s to 1950s. Several small examples of metal pieces cast by Beller are also included in the collection.

The papers include correspondence mostly regarding homage to Lydia Cabrera, photographs of Giulio Blanc with Lydia Cabrera and a typescript of a poem by Virgilio Piñera.

The papers document activities of Pepe Delgado (1917-1990), a Cuban musician and composer of popular music. He left Cuba in the early 1960s and settled in the United States, dying in Miami in 1990. He was well known as a composer in Miami, New York, and throughout Latin America. The bulk of materials in this collection consist of manuscript and published music scores composed by Pepe Delgado. Various genres are represented in his compositions, such as waltzes, boleros, salsas, and merengues. The papers also include scrapbooks, photographs, correspondence, clippings and awards.

The Teatro Avante Collection contains documents from Teatro Avante, including show files, a talent directory, pictures and documents from the Hispanic Theater Festival, news clippings, and reviews.

The Lolita Berrio collection documents the life and career of Berrio and consists of photographs, audiovisual materials, posters, and awards, etc.

The Ediciones Universal Collection contains manuscripts of unpublished books by exile Cuban authors and a flyer from the book presentation El profesor y los hombres de Don Álvaro by Roberto Luque Escalona.

The papers document professional activities of Manuel Ochoa, Cuban exile musician and choral and orchestra conductor who founded the Miami Symphony Orchestra.  The materials consist of correspondence, published and unpublished musical scores, photographs, concert programs and pamphlets, clippings, writings about classical music, minutes of the meetings, concert papers, memorabilia, diplomas, magazines, scrapbooks and working papers of Miami Symphony Orchestra.

The Luis Felipe Mencía papers contain correspondence, clippings about medicine and hospitals, as well as the Cuban Medical Conventions in Exile etc., one illustration of the Hospital Mercedes in Cuba, a roster and invitations to various events of the Cuban Society of Surgery, and pamphlets about surgery in Cuba.  It also contains historical issues of periodical publications related to medicine in Cuba and Cuban physicians.  The most important materials of this collection are a lecture offered by Mencía at the special session of the Ninth International Cuban Medical Association Congress, Miami, 1987, and the manuscript of Dr. Mencía's book: Recuerdos de la Cirugía en Cuba,  published in Miami in 1990.  In this collection we also find a photocopy of one speech by Dr. D. González Marmol.