The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.
Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.
This collection contains exhibit catalogs, booklets, fliers, ephemera, news clippings, brochures, correspondence, and pamphlets, largely related to art, events around Miami, religion, culture, and Betsy Kaplan's other interests.
This collection contains zines created by University of Miami graduate students for Professor Marina Magloire's ENG655 "Find Your Mother: An Introduction to Black Feminism" class held in the fall semester of 2020.
Marsha Matson is a council member of the city of Palmetto Bay and a former professor of the University of Miami who retired after teaching American government, local government, and public administration for 22 years. This collection consists of reports, correspondence, audio-visual materials, newsclippings, financial records and other documents pertaining to district and municipal zoning in Miami-Dade County and the incorporation of Doral.
Born in Puerto Rico, Arnaldo J. López serves as the Development Officer at Pregones/Puerto Rican Traveling Theater (PRTT). He holds a Ph.D. in Latin American Literatures and Cultures from New York University and is an avid advocate of the arts. This collection features an array of zines, ephemera, comic books, and other archival material he collected in his lifetime.
The bulk of this collection consists of photographs taken and developed by W.R. Peters between 1942 and 1955 while working for Pan Am. It also includes: a Miami and Latin American Division pilot and cabin service personnel directory, a pilot seniority list, a grievance conciliation and agreement list, and some photographs that were not taken by Mr. Peters that were acquired at antique stores.
The collection candidly depicts the working lives of Pan Am flight attendants and pilots, including excellent images of insignia, aircraft, and architecture. Photographs not by Peters include images taken during the 747SP “New Horizons” speed record breaking around the world flight in 1977, the Orange Bowl Parade, and flight attendant class photos from the 36th Street flight academy.
This collection includes documents, photographs, correspondence, clippings and other materials related to Toomey's employment with the New York, Rio and Buenos Aires Airline, Panair do Brasil, and Pan American World Airways from 1929-1961.
This collection consists of the papers of Althea “Gerry” Lister from 1935 to 1997. It contains: biographical information pertaining to Lister’s 45 year career at Pan American World Airways; “Along Air Avenues,” an unpublished manuscript that provides a detailed account of Pan Am’s maintenance and safety operations; a list of survey and inaugural flights created by Lister; a list of McCoy print purchasers and prices created by Lister; and a chronology of Pan Am’s aircraft fleet created by Lister. The papers include certificates, correspondence, photographs, and press clippings.
Donald W. Thomson worked for Pan American World Airways from 1932 to 1976 when he retired as the company's treasurer. His papers include corporate records, memoranda, reports, memorabilia and photographs. Bound volumes of annual reports and books were separated from the collection for cataloging.
The F. Charles Ruegg Papers consists primarily of correspondence, photographs, and notes from Ruegg’s employment with Pan American World Airways from 1940 to 1951. These materials primarily document his experience with Pan Am in Africa (PAA Africa) during World War II.
The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.
Correspondence, forms, questionnaires, brochures, posters, and other administrative documents pertaining to the Florida nurses who were assigned to look after the wounded during World War II.
The Michael L. Carlebach photography collection consists primarily of black and white photographic prints taken and personally hand developed by Professor Michael L. Carlebach. In general, the images are thematically grouped around journalistic pieces published in newspapers, or artistic topics such as portraits and landscapes. The collection also includes pieces shown in various exhibits as well as photographs made for special assignments like the George McGovern 1972 presidential campaign and the exclusive insider’s look at the Krome Avenue Detention Center for refugees in South Florida. Another highlight of the collection includes photographs dealing with the medical profession, especially children in hospital settings. In addition to photographing using 35mm black and white film, Carlebach shot color slides, vividly portraying the flora and fauna of the Everglades, historic structures such as Vizcaya Museum and Gardens, and news stories dealing with the environment. The entire collection consists of over 5,000 silver prints, color slides, and publications. Currently over 2,000 items are digitized and made available online.
An ongoing collection of zines added to the holdings of the University of Miami Libraries Special Collections. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.
The Guillermo Rosales Papers contain writings and personal effects of Guillermo Rosales (1946-1993), late 20th century Cuban writer and journalist.
The collection contains manuscripts for various novels written by Rosales, including Júralo por Stalin, El Bunker Fantasmaand El juego de la viola(1968), as well as articles and clippings written by and about him, respectively. The collection also contains correspondence; certificates and awards, including Rosales' first prize honor in the University of Miami's Letras de Oro literary competition; and an accompanying scrapbook with photographs of the event.
This collection includes various types of documents pertaining to the historical and cultural production taking place in the Caribbean. Materials include correspondence, diaries, ledgers, property transactions including slave registers, reports, typescripts, from the various islands of the Caribbean such as Antigua, the Dominican Republic, Haiti, Jamaica, Puerto Rico, St. Kitts, St. Christopher, Trinidad and Tobago from the 16th to the present. The collection is further enhanced by the acquisition of antique maps from cartographers such as Linschoten and Sanson.
This collection brings together a variety of historical documents that are topically related to Latin America, including manuscripts, correspondence, and illustrations. The documents range from 1420 to 1994 in date, and originate from Mexico, New Granada, Panama, Peru, Colombia, Ecuador, and other parts of Latin America.
The Julia P. Herzberg, Ph.D. collection contains artist portfolios, clippings, and visual arts files.
The collection also contains an interview between Julia P. Herzberg and Helena (Holzer) Benitez, former wife of artist Wifredo Lam from 1944 to 1950. The interview took place on February 7, 1990, at 1125 Park Avenue, New York, NY, then home of Julia P. Herzberg. The discussion centers on Helena's memories of Wifredo’s paintings, his practice, their cultural life in Havana, the artist’s family, his relationship with Lydia Cabrera, and his relationship to Afro-Cubanism.
The Leonor Ferreira Collection documents professional and political activities. It contains photographs, documents, correspondence, and periodicals related to various medical endeavors and community and political organizations. These include but are not limited to the American Red Cross, Junta Patriótica Cubana, Partido Revolucionario Cubano, and Leones Cubanos en el Exilio, as well as community and familial events.
