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The Fundación Padre Santana records contain correspondence sent to the Fundación Padre Santana from people in Cuba, primarily during the country's Special Period from the early 1900s to 2000s. Founded in 1993 by the Reverend Francisco Santana, the foundation provided medical aid to Cubans on the island, communicating its services through radio programs.

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service regarding the June 2019 changes to travel policy toward Cuba imposed by the Trump administration.

From June 4 to 13, 2019, the Cuban Heritage Collection collected tweets relating to the following hashtags and phrases: Cuba cruises, Cuba travel ban, Cuba travel restrictions, Cuba sanctions, Cuba policy, #SomosContinuidad, #CubavsHelmsBurton, #HelmsBurton, and #SomosCuba.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restritions on tweet volume accessed via the Twitter API.

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service regarding the spread of COVID-19 in Cuba and the country's response to the coronavirus pandemic, including its involvement in global medical relief efforts.

Beginning in March 2020 and throughout the duration of the pandemic, the Cuban Heritage Collection is collecting tweets relating to the following phrases and hashtags: Cuba and COVID-19, Cuba and coronavirus, #CubaSalvaVidas, #SomosCuba, and #SomosContinuidad.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restrictions on tweet volume accessed via the Twitter API.

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service documenting Cuban and Cuban diaspora responses to the 2020 US presidential election.

From October 23 to November 9, 2020, the Cuban Heritage Collection collected tweets relating to the following phrases and hashtags: Cuban and Trump, Cuban and Biden, Otaola and Trump, Otaola and Biden, #TodosConBiden, #CubanosConBiden, #CubansforBiden, #CubanosConTrump, #CubansforTrump, and #LatinosforTrump.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restritions on tweet volume accessed via the Twitter API.

The collection contains documents, correspondence, newspaper clippings, and photographs collected by Raúl Chibás. Topics include political prisoners, the Junta Obrera Revolucionaria, Junta Revolucionaria Cubana, and Movimiento Revolucionario del Pueblo.

The collection consists of two groupings of materials. The first is a donation of photographs, ephemeral documents, correspondence, and clippings related to Jewish organizations and synagogues in Cuba given by Ramón Cernuda in 2013. The second grouping contains documents, broadsides, and correspondence related to the Jewish diaspora in Cuba during the 20th century, including advertisements for Zionist gatherings and immigration and religious documentation, acquired from Libros Latinos in 2019.

The collection contains 140 binders/scrapbooks documents the life and career of Carlos Arboleya in banking. The binders were primarily assembled by Arboleya and his wife. Also included in the donation are binders which contain materials related to the Boy Scouts of America.

The collection contains clippings from the 1960s related to homosexuality in Cuba and its place in the Cuban Revolution from publications such as Mella and Juventud Rebelde; political and cultural pamphlets; theater and art exposition programs; 60 posters from the Consejo Nacional de Cultura, ICAIC, and the Comisión de Orientación Revolucionaria; political posters from OSPAAAL; postage stamps from 1963 to 1978; and LP records.

The collection contains five scrapbooks with clippings, designs and photographs of finished buildings with examples of architectural works created by the firm Gelabert-Navia Arquitectos in Puerto Rico, Venezuela and Cuba, as well as a binder with diplomas and awards and four wooden plaque diplomas for the José Alfredo Gilbert (1927-2017) and Rosa Navia Gelabert (1929-2017). The husband and wife team were active professionally in Cuba from 1952 to 1960.

The collection contains manuscripts, correspondence, photographs, audiovisual materials, programs, clippings, and other materials related to her life and career.

The collection consists of photographic reproductions of magazine covers and popular Cuban product advertisements, taken from the periodicals holdings of the Cuban Heritage Collection.

The records document the treatment of political prisoners by the communist regime within Cuban prisons.  The materials consist of 3 CDs: "Presidio Isla de Pinos." (Compiled by Raúl Pérez-Coloma) on February 10, 2010; "La Montaña. Canciones de lucha y esperanzas," by political prisoner, Manuel Villanueva.  Graphic design by Alejandro Deoliveira. Miami 2007; "La Verdadera República de Cuba" by Dr. Andrés Cao Mendiguren, 2009.  The first CD  contains names of more than 10,000 Cuban political  prisoners, case numbers and the place where they were imprisoned. The materials also include manuscripts of letters written in Cuban political prisons in small letter, typescript of "La etica en el camino de revolucion," and post cards created by political prisoners in prison.

Ofelia González was an actress performing in theatre, mostly in Havana's Palacio de Bellas Artes and New York's Repertorio Español.  She also acted in film and TV. The materials document her acting career especially her portrayals of Bernarda in The House of Bernarda Alba in New York, Nurse in Romeo and Juliet in New York, Serafina in The Rose Tattoo in Havana, Medea in Medea in New York, Amanda in The Glass Menagerie in New York, Celestina in Celestina in New York, Clara in The Visit in New York and Mother in The Guns of Mother Carrar in Havana. 

The bulk of the material consists of photographs from performances and newspaper clippings with reviews of performances.  The papers also include correspondence and memorabilia.

This collection documents the activities of Teresa María Rojas in her capacity as a theater actress, theater professor at Miami-Dade College (MDC, also formerly known as Miami-Dade Community College) for more than 30 years and the founder of the Prometeo Student Theater Group.

The majority of the materials document Rojas' role as artistic director of the Prometeo Theater and the success of the students who performed in it.  Portfolios and reviews contain information regarding her teaching at MDC, in the capacity of the director of the Prometeo Theater and an instructor.  The papers contain scrapbooks chronicling her work as the director of the Prometeo Theater from 1985.  The collection also documents her professsional work as an actress in Miami, Cuba and other Latin American countries. Her performances in various acclaimed productions are documented by clippings and photographs.  Rojas measured her own success as a professor and artistic director of Prometeo by the success of her students.  She played the engaging and lighthearted role of Ofelia in "Ana in the Tropics".  As Ofelia, Rojas took on a similar matronly role as the one she had among her students at MDC.

Selected photographs, playbills, programs, letters, and clippings from the collection are available on the University of Miami Digital Collections portal under the CHC Theater Collections tab.

The papers document professional activities of Andrés Nóbregas, theater director and playwright staging his plays in New York Theater of The Americas and at the Hispanic Theater Festival in Miami. He also wrote for television. The bulk of material includes manuscripts of plays and libretti either written or directed or acted by Andrés Nóbregas. Materials also include some invitations and clippings regarding Hispanic Heritage Week.

The Cuban Historical and Literary Manuscript Collection is comprised of original manuscripts from the 17th to the 20th centuries. Acquired as individual pieces or in small groups, this collection includes literary manuscripts, slavery sales and property documents, wills, and correspondence.

Andrew Giel visited Cuba as a tourist 10 times between September 1955 and December 1959, traveling as far as Trinidad in Santi Spíritus. Fifty years later, Mr. Giel printed 8 x 10 enlargements from the original transparencies. Those prints are found in this collection. They include views from across the island, including Havana, Trinidad, and Santiago de Cuba. The collection also includes color prints of the black and white photography and photographic reproductions of Cuban postcards from the 1950s.

The 1955 slides were made with an Argus C4 camera and the later slides with a Leica IIIF.

The Dulce Beatriz papers contain photographs and other documents related to Cuban painter Dulce Beatriz (b. 1931) and her husband, Spanish flamenco guitarist Leonardo Beatriz. The papers consist of two scrapbooks and other materials. The first scrapbook documents professional activities of Dulce Beatriz, and contains photographs and other documents. The second scrapbook documents her husband's professional activities. It includes programs, a patent for a fabric stretching device, photographs and a biographical note on Mr. Beatriz. The collection also includes a box of clippings.