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Alfred Reed was a composer and conductor who later became a professor and music director at the University of Miami. The Alfred Reed Papers contains condensed scores, full scores, conductor and scores of J. S. Bach's music, all by Alfred Reed. Also included is an autographed score by Brazilian composer Hector Villa-Lobos.

The Arnold Volpe papers contains sheet music and scores composed by University of Miami professor Arnold Volpe.

The Carlos Surinach collection contains a bound, autographed photocopy of the score to Symphonic Melismas by composer Carlos Surinach. Symphonic Melismas had its world premiere at the Festival Miami of 1993, sponsored by the University of Miami School of Music. Also included is a photograph of Surinach, two copies of the 1993 program, and a photocopy of a biography of Surinach.

The Dr. John Bitter collection contains materials documenting Bitter's career as a conductor and composer. The collection includes sheet music for several compositions by Bitter, as well as publications about the Frost School of Music at the University of Miami and a 1953 photograph of the University of Miami Orchestra at the Miami Beach Auditorium. Also included are numerous programs from the 1940s-1960s, including ones from the UM Symphony Orchestra, the Greater Miami Philharmonic, and the Berlin Philharmonic.

Frederic H. Ashe was the nephew of the first University of Miami President Bowman Foster Ashe. Frederic H. Ashe was a composer and student of the school of music at the University of Miami. The Frederic H. Ashe collection consists of sheet music written by Frederic H. Ashe.

Dr. Lee Kjelson, a longtime Coral Gables resident, was director of choral activities at the University of Miami from 1967 until 1993, when he became professor emeritus. He also founded the Civic Chorale of Greater Miami in 1970, and served twice as its conductor.

The collection contains one phonographic record titled "Miami Beach Rhumba," assorted sheet music and lyrics, a document titled "Decreto Supremo No. 21060" by Victor Paz Estenssoro, former president of Bolivia, and an article titled "Les Marranes Espagnols et Portugais Les Communautes Juives Issues du Marranisme dans L'Historiographie Recente (1960-1975)" from Revue des Etudes Juives, vol. 136, regarding Jews in Latin America.

Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."

The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.

The 28-page book was written by Rex T. Hall and published in January 1959 by the Instrumental Music Center in Detroit, Michigan.  The author is an alumnus (class of 1938) of the University of Miami.

Una Austin Week, whose maiden name was Una Austin, was a professional concert mezzo-soprano singer performed in London, England in the 1910s.  The collection contains professional portrait photographs, concert programs, and press clippings of her performance appeared in newspapers and telegraphs.

This collection contains black and white photographs of the members of the UM Symphony Orchestra during the early 1950s.

Dr. William F. Lee was Dean of the School of Music at the University of Miami. The William F. Lee papers consists manuscripts of sheet music by Dean Lee.