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A collection of periodicals, pamphlets, brochures, tracts, leaflets, broadsides, and assorted materials, focusing on social movements across the globe. The collection presently includes materials from various organizations, mostly French, Iranian, African-American groups fighting for social rights and liberties, pro-environmentalist/anti-capitalist groups, and socialist groups, and will continue to expand as materials are collected.

The Rene Jordan papers contain manuscripts and clippings of film critiques by Cuban-born, New York City-based film critic Rene Jordan (d. 2013) published primarily in the Miami, Florida-based El Nuevo Herald.

The majority of the collection consists of clippings of the final versions of film critiques the Jordan wrote for his column in the Miami Heraldand El Nuevo Herald. Most of the reviews are written in Spanish. A small portion of the materials includes original typescript draft manuscripts of Jordan's film critiques.

The Juan Jose Remos Papers contain the personal documents of Cuban journalist and politician Juan Jose Remos. They include clippings, correspondence, books on Cuban literature and poetry, booklets, scrapbooks, photographs, posters, and unpublished manuscripts. The clippings and written material are mostly collected from Remos' time in exile, written by him and others, detailing Cuban exile culture and political sentiment in Miami. Some material from Remos' time in the Cuban government, mostly photos and correspondence, is also available.

The Rafael Baserva Soler Papers contain the personal materials of Cuban pianist, bandleader and composer Rafael Baserva Soler. They include CDs, vinyl, and cassette tapes of Soler’s music and performances, photographs of Soler and musical figures he worked with, sheet music, concert programs, pamphlets, and newspaper reviews.

This collection contains annual reports, memorabilia, news articles, reports, certificates, meeting minutes, photographs, legislative documents, signs, and materials from the Undergraduate Student Body Government (USBG), which had been collected and maintained by the former Vice President for Student Affairs of University of Miami, William R. Butler. This collection also contains the series of interviews, captured on VHS and U-matic, that he conducted while working at University of Miami.

The Enrique Caravia Montenegro Papers contain correspondence, receipts and photographs and memorabilia collected by Enrique Caravia Montenegro (1905-1992), a Cuban artist active in the mid-1900s.

The collection contains letters written to and collected by Caravia from international and Cuban artists; receipts from the Patronato de Artes Plásticas in Havana for artworks commissioned by the organization; and photographs of artists and artworks.

The Guillermo González collection contains materials documenting the engineering career and personal life of Cuban engineer Guillermo González (1932-2013), including slides, photographs and images, memorabilia, personal papers, and audiovisual materials.

These materials include slide collections, photographs, postcards, advertisements, tourist brochures, and ceramic plates from famous Cuban locales. The collection also contains materials documenting González's career as an engineer, such as awards, engineering essays, and blueprints, most from his time in Miami, but some materials do date from his time in Cuba. While most of this collection’s slides, photographs, audiovisual materials, and memorabilia document life in Cuba, the personal papers document González’s life in both Cuba and in Miami. Other materials include play scripts and videotapes on subjects that were of personal interest to González.

González's extensive collection of slides have been maintained in the original order that they were created. Most of the slides are organized into slide books and each binder is further divided into thematic tabs, which are identified in the container list in this finding aid. A small amount of slides were in slide projector decks, which have been kept together in folders accompanied by the slideshow notes. Box 10 contains photographic prints from slide negatives that González donated to the Cuban Heritage Collection previously.

The approximately 3,000 playbills and programs in the collection include those published by Playbill magazine, souvenir brochures from Broadway, off-Broadway, and international productions, and programs from lesser-known professional theaters as well as amateur performances. The majority of these date from the 1960s through the early 2000s.

The Luis Casero Guillén Collection contains scrapbook albums relating to the life and work of Cuban politician Luis Casero Guillén (1902-1998) during his time in Cuba.

The scrapbooks contain photographs that detail his early life and later political accomplishments as Mayor of Santiago de Cuba and Minister of Public Works during the presidency of Carlos Prío Socarrás (1948-1952). The collection also contains correspondence, awards, certificates and clippings from Cuba and in exile.

The collection consists of film and videos depicting the history and development of the University of Miami from its establishment in 1925 to present. These visual works were created by various schools and departments of the University, such as the University Communications, the School of Communication and the University of Miami Athletics.

Most of the titles in the collection are recorded in formats currently unplayable at the UM libraries, such as Umatic and Betacam. They have been gradually digitized by a reputable digital preservation company. Please contact the Archivist for further questions about future digitization of the collection.

The Mildred Merrick collection consists of administrative documents, organization reports, ephemera, correspondence, postcards, travel photos, audio tapes, and other items collected by Mrs. Merrick, who was a former reference and acquisition librarian at the University of Miami Libraries.

Jason Handelsman is a writer/journalist based in Miami. This collection consists of zines and zine originals for his project, "Untitled Rough Manuscript for the President's Reality Show," his journals, personal notes, and other writings.

The Alberto Baeza Flores Collection contains material by Chilean poet and journalist Alberto Baeza Flores, including several poetry booklets and academic papers.

This collection contains various materials documenting the rich history of LGBTQ+ (lesbian, gay, bisexual, transgender, questioning, queer, intersex, pansexual, two-spirit (2S), and asexual) culture in Florida and its many decades of political and social activism. Included within are periodicals, ephemera, political tracts, general documents, and advertisements pertaining to the LGBTQ+ lifestyle and hailing from both earlier and contemporary eras. The contents of this collection will continue to grow as more materials are purchased and collected.

The StoryCorps Historias Interview collection contains 152 interviews recorded from 2009-2010 as part of the StoryCorps Historias project. The interviews held by the Cuban Heritage Collection represent all interviews recorded in Miami and of participants who self-identify as Cuban or of Cuban descent, regardless of place of interview.

In 2009, the Cuban Heritage Collection became a community partner of the StoryCorps Historias project, “an initiative to record the diverse stories and life experiences of Latinos in the United States.” As part of this partnership, the Cuban Heritage Collection received all oral histories recorded in Miami and all interviews in which participants self-identified as Cuban or of Cuban descent. The StoryCorps Historias interviews held at the Cuban Heritage Collection are available for online viewing at the Cuban Heritage Collection’s reading room.

Phoenix was a literary magazine published by the University of Miami's Honors Students Association.  The first issue was published in the academic year 1986-1987.  University Archives holds 1 copy of volume 1 (1986-1987).

"Collection of 208 Koreshan Unity Periodicals - The Guiding Star: Expositor of the Divine Science[together with] The Plowshare and Pruning Hook: Indicator of Commercial Equation[together with] The Flaming Sword[bound together with] The Salvator and Scientist: Evangel of Koreshanity, the Religion of Science and Life.

A substantial group of periodicals and newsletters edited and written by Dr. Cyrus R. Teed, a Utica, NY native and founder of the Koreshan Unity. 'Koreshanity,' as it was also known, was born in the wake of two related western movements: the millenial fervor that swept early-to-mid 19th century central and western New York State, and the utopian communalism that began attracting increasing numbers of adherents during the same period and into the later 19th century.' A graduate of Eclecitc Medical College of the City of New York, Teed's inerests went beyond medicine to encompass alchemy, botany, physics, and metaphysics, and he would regularly conduct experiments in these areas inside what would become known as Koreshanity after experiencing a late-night religious vision. During what he called his 'illumination,' he saw a beautiful woman who revealed to him a series of universal truths which formed foundamental principles of Koreshan belief. 'Among Teed's most interesting beliefs was cellular cosmogony, or the hollow earth - the notion that the earth was not a convex sphere but instead a hollow, concave cell, containing the entire universe with the sun at its center.

After failed attempts at founding communal settlements in Moravia, Syracuse, and New York City, Teed moved to Chicago, IL, where his persuasive oratory enabled him to assemble a firm core of followers in the late 1880's and form the commune called Beth-Ophra. Teed incorporated his organization there as the College of Life in 1886, and established a printing house that began producing three major publications: The Guiding Star, The Flaming Sword, The Plowshare and Pruning Hook. 'These publications began a long legacy of Koreshan publishing aimed at the public as well as their own members, intending to explain and promote their beliefs, relate and preserve their story, and discuss political, social, scientific, and religious ideas and issues.' The Salvator and Scientist, a short-lived publication publsihed concurrently with The Flaming Sword, focused primarily on aspects of Koreshan science, astronomy, and geodesy.

Believing himself to be a messiah who would lead his people in establishing a New Jerusalem, Teed assumed the name Koresh in 1891 (after Cyrus the Great, King of Persia). As with his previous locations, Teed's beliefs did not endear him or his followers to the general public, forcing him to relocate from Chicago to the quiet beach town of estero, FL. in 1894, the final home of the Koreshan Unity where Teed would establish his New Jerusalem. It was here that the Koreshan Unity established a growing, self-sustaining community, though at the height of the movement, their membership numbered no more than 250. Apparently, there were an additional 4,000 members scattered throught the country, including a small contingent who formed a short-lived Koreshan community in San Francisco, CA. Teed died in Florida in December 1908, nearly two years after a brawl with citizens of nearby Ft. Myers, during which he was struck in the head and face several times. " -Lorne Bair / http://www.lornebair.com/

The StoryCorps-Warmamas Community Archive (2013-2015) is a collection of interviews with enlisted men and women, veterans, their family and friends. The collaboration between StoryCorps and Warmamasis part of StoryCorps' Military Voices Initiative which serves as a platform to allow military families to share their experiences.  Warmamas also places a special emphasis on interviewing women whose children were deployed  to serve in the Iraq and Afghanistan wars. As a repository for personal reflections on the ramifications  of war, the collection includes individual testimonies and helps to document American history.

The Robert Huff collection contains exhibit catalogs, postcards, flyers, gallery guides, other ephemera documenting South Florida artists and art-related events in Miami, and materials from the Gloria Luria Gallery, the National Gallery of Sciences, the Gallery of 24, and the Miami Book Fair. The collection also includes materials documenting South Florida sculpture and sculptors, along with many items relating to the work of South-Florida artist Robert Huff and an oversized Rauschenberg Tropic cover, signed "Bob."