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A collection of books, photographs, scrapbooks, audio-visual and printed materials about the American novelist Carson McCullers. The research files were compiled by McCullers biographer and literary critic Virginia Spencer Carr.

The Carmen Puig papers document Carmen Puig's family ties to Jennings Cox, Puig's step-grandfather and the American credited with inventing the daiquiri cocktail. Cox was an engineer with Bethlehem Iron Works in charge of mines in Daiquirí, a town in Cuba's southeast region. Cox reportedly invented the famous daiquiri cocktail in 1898 by mixing together white Bacardi rum, mineral water, sugar, lemon juice, and crushed ice.

The Carmen Puig Papers include an original recipe for the daiquiri, while the bulk of the materials consist of family photographs. The papers also include some correspondence, clippings, and memorabilia; and materials related to Puig's career with the Bacardi company from 1965 to 1986.

The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.

The Carlos Surinach collection contains a bound, autographed photocopy of the score to Symphonic Melismas by composer Carlos Surinach. Symphonic Melismas had its world premiere at the Festival Miami of 1993, sponsored by the University of Miami School of Music. Also included is a photograph of Surinach, two copies of the 1993 program, and a photocopy of a biography of Surinach.

The papers consist of albums with photographs, clippings and memorabilia related to the 25th anniversary celebration of Spanish newspaper "La Tribuna de North Jersey". Carlos G. Bidot and his wife Lydia were the founders of this publication.

The papers include correspondence with important Cuban, Spanish and Latin American writers, photographs, manuscripts, programs, pamphlets with printed poems and programs.  The writers discuss exile experience, existential topics and the solitude of a poet.

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The collection contains digital photography created by Carl Moore on various trips to Cuba, including contemporary Cuban street scenes and portraits of dancers. Many of the photographs feature dancers from Compañía Codanza in Holguín. Other topics photographed include agriculture, nature and country life; baseball and sports; street vendors and the sugar industry; and transportation. Moore traveled throughout the island and photographed in the following cities and towns:
• Baracoa
• Bayamo
• Boca de Yumurí
• Camagüey
• Cienfuegos
• Gibara
• Guantánamo
• Guardalavaca
• Havana
• Holguín
• Isla de Juventud
• Las Tunas
• Manzanillo
• Matanzas and Varadero
• Moa
• Niquero
• Pinar del Río
• Remedios
• Río Cauto
• Santa Clara
• Santa Lucía
• Santiago
• Santo Domingo
• Sierra Maestra
• Trinidad
• Viñales

The collection contains correspondence, photos, performance fliers, a plaque, and posters of dancer Caridad "Pitucha" Vega.

Born Linnea Eleanor Yeager in March 13, 1929, in Wilkinsburg, Pennsylvania, "Bunny" gained international fame as both a model and a photographer. She moved to Miami at a young age and first attracted local interest as a model, winning several pageants and gracing the pages of popular magazines. While she was modeling, she developed a knack for designing and sewing together her own bikinis, and her style became rather prolific in the fashion circuit for many years after.

Since creating portfolios was rather expensive while Bunny was trying to break out into the modeling industry, she was motivated to learn photography and took several night classes to hone her abilities and create her own portfolios. She eventually developed her signature method of photography that allowed her to take pictures of models using natural light through the "fill flash" method. Her style helped to reinvent the genre of nude and pin-up photography, taking it from its roots of overt raunchiness and elevating it into an art form that centered around playful sensuality and provocativeness. Her photos have been featured in Playboy, Redbook, Cosmopolitan, Esquire and many other big-name magazines, and she was also credited in helping to make Bettie Page into a household name as well as other famous pin-up models such as Lisa Winters. Her career also includes several self-penned books, including such titles as How I Photograph Myself, How to take Figure Photos, Photographing the Female Figure, and How I Photograph Nudes.

Bunny Yeager eventually passed away in May 25, 2014 in North Miami, but her legacy as one of the leading pioneers of pin-up photography remains. Her collection captures her eclectic history with an array of scrapbooks, correspondence, ephemera, photographs and clippings, all which illustrate her passion for her work.

This photograph collection includes portraits and group photographs by Bernard Iglesias of Cuban exile personalities primarily from Miami.

The Beaux Arts collection consists of scrapbooks, newspaper clippings, brochures, photographs, and magazines related to the Beaux Arts Organization and the annual Beaux Arts Festival that takes place in South Florida, which is usually co-hosted by University of Miami.

This collection contains records from the Bascom Palmer Eye Institute Department of Ophthalmology, administrative documents, development documents, materials from the Eye bank, Allied papers, Edward W. D. Norton's papers, general files, architectural designs and planning documents, papers from other notable faculty and administrators, newsletters, promotional materials, photographs, awards, plaques, ephemera, and audio-visual materials.

The Band of the Hour collection contains photograph albums, photographs, programs, certificates, sheet music, cards, newspaper clippings, memorabilia, plaque, posters, and other ephemera pertaining to University of Miami Frost School of Music's Band of the Hour.

The collection documents activities of Atalá Carranza Duarte in capacity of a teacher.  The materials consist of predominantly photographs of Atalá Carranza Duarte during her school years in Cuba, her professional career as a teacher in Distrito Escolar de Guanabacoa in the Provincia de la Habana, as well as, of her friends and family.

The papers document the activities of the employees of El Encanto, an upscale department store in Havana before Castro's regime.  The materials include photographs, newspaper clippings, documents, correspondence, diplomas, advertising, tear sheets, store bags and envelopes and memorabilia, such as, albums of "El Encanto" and a DVD of photographs of "El Encanto".

The records document activities of Asociación Cubana de Mujeres Universitarias.  The materials include minutes, financial reports, by-laws, correspondence, election advertisements, newspaper clippings, invitations and photographs.

The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.