The Ethel E. Murrell Papers document the activities of the National Woman's Party (NWP) under her leadership from 1952-53. The files include correspondence, newsletters and other materials with other women's organizations including the General Federation of Women's Clubs, the World Woman's Party, the American Woman's Foundation, and the American Woman's Council. The papers document the cooperative efforts of these groups in working for the passage of the Equal Rights Amendment, including articles written from 1938 to 1953 publicizing the Amendment.
Charters, minutes, speeches, press releases, resolutions, and correspondence dated 1946-53 detail Murrell's efforts as a lawyer, writer and political organizer. The files also highlight NWP attempts to promote its agenda. The papers are significant as a record of activity during the 1940's and 1950's, years considered by many as a period of decline between the two larger feminist movements of the early twentieth century and the 1960's. The records also include references to cold war anticommunism. One letter of resignation, for example, dated June 17, 1953 expressed a sentiment characteristic of several members: "...I wondered...if the 'pinkos' had not taken over. I certainly do not want to be connected with any organization that does not stand for good Americanism."
This collection contains drawings, sketches, photographs, research materials, clippings, audio-visual materials (CDs and audiocassette tapes), periodicals, ephemera, and other archival materials created and collected by the noted Miami and New York artist Naomi Fisher (1976-).
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
“In his adopted home of South Florida he imaged a cuisine that would wed the raw and rustic powers of the diverse immigrant cultures that comprise the population there to the classic techniques of gastronomy that have survived the test of time and trends. The revolution for a new style of cooking was born and Norman christened it a 'New World Cuisine.'” - Norman Van Aken, Correspondence, 1993 December 2.
A 2016 MenuMasters Hall of Fame Inductee, noted restauranteur, and the first chef to use the term "fusion cuisine" in its modern definition, Norman Van Aken (1951- ) is a celebrity chef primarily known for his "New World" fusion cuisine. Drawing from the flavors and culinary traditions of Latin America, the Caribbean, North America, Asia, and Africa, his impact on the culinary arts has been internationally recognized since the start of his career. His culinary influences on Florida's own local cuisine and restaurant culture are still observable to this day, especially to those who dine nightly at his Orlando restaurant.
This collection serves as a meaningful look into his career as a chef and culinary expert, and his personal life as a man with a deep interest in his family's past and present. The Norman Van Aken papers include documents, correspondence, photographs, manuscript drafts, menus, ephemera, recipes, and more, which showcase the personal life and professional career of one of South Florida's most celebrated chefs. Researchers with an interest in gastronomy, the history of South Florida's restaurant and food culture during the 1990s-2000s, or interpersonal relationships between celebrity chefs, may find this collection useful in their studies.
The O. J. Tanner collection contains the following items: a scrapbook with various portraits of historical figures, a diary with notes on wills, an autograph scrapbook (including an autograph from President Ulysses Grant), a photostat copy of a letter by George Washington, an 1822 watercolor sketchbook, two photographs, a catalog and receipt from the Coral Gables Godspeed Bookshop, a 1743 pamphlet titled "Relation de la victorie Remporteé sur les Imperiaux, par les troupes du Roy, & celles du Roy de Serdaigne, dans la Bataille donneé prés de Guastalla, le 19 du mois dernier," and other pamphlets, clippings, programs, and prints.
The collection contains a document titled "The O'Fallon Story," describing the history of the O'Fallon family in Santiago de Cuba from 1915 through the death of Esther O'Fallon in Los Angeles, California, in 1993. The collection also contains photographs, documents, and family ephemera, as well as a metal box that was used to collect money for the Cuban War of Independence in New York.
Ofelia González was an actress performing in theatre, mostly in Havana's Palacio de Bellas Artes and New York's Repertorio Español. She also acted in film and TV. The materials document her acting career especially her portrayals of Bernarda in The House of Bernarda Alba in New York, Nurse in Romeo and Juliet in New York, Serafina in The Rose Tattoo in Havana, Medea in Medea in New York, Amanda in The Glass Menagerie in New York, Celestina in Celestina in New York, Clara in The Visit in New York and Mother in The Guns of Mother Carrar in Havana.
The bulk of the material consists of photographs from performances and newspaper clippings with reviews of performances. The papers also include correspondence and memorabilia.
The Olga Espejo photograph collection consists of photo reproductions of rare maps held by the Special Collections of Otto G. Richter Library used for her 1995 publication "The West Indies and Florida to 1900: An annotated carto-bibliography."
This collection consists of one of the historical records of the University of Miami Beta Upsilon Circle of the Omicron Delta Kappa National Leadership Honor Society. It includes photographs, rosters, nomination forms and related materials collected by former advisor Dr. Ivan Hoy.
Orestes Ferrara (1876-1972) was Cuba's Ambassador to the United States and Secretary of State under the administration of Gerardo Machado. Materials in this collection include correspondence, manuscripts, photographs, newspaper clippings, drawing of Ferrara coat of arms, Curriculum Vitae and a photocopy of Ferrara's diplomatic passport.
The papers document professional activities of Osvaldo Farrés as a composer who composed both songs and lyrics. The bulk of papers consists of the scores of the songs that were translated into many languages and recorded by top singing stars e.g., "Quizás, Quizás, Quizás" (Perhaps, Perhaps, Perhaps) and "Toda Una Vida"(Until Tomorrow). The materials also include photographs, clippings, diplomas honoring Farrés' musical achievements, magazines, programs and a multicultural school calendar for year 1980 featuring Hispanic role models for children.
The Pablo F. Lavín papers contain documents pertaining to Lavín’s legal and academic career. Included are essays, conference lectures, notes, and personal works written by Lavín and others. There is also correspondence addressed to and written by him, diplomas that were awarded to Lavín, and personal travel documents. There are clippings on a variety of topics as well as books not written by him. Lastly, there are photographs and magazines.
This collection contains six stereographs (stereo-view photographs) of the construction of the Panama Canal dated 1912-1913, and three cassette tapes of news commentary regarding the 1977 Panama Canal Treaty between Panama and the United States of America.
This collection contains materials documenting Pope John Paul II's visit to Miami, September 10-11, 1987. It includes photographs, memorabilia, newspaper clippings, special edition periodicals, and posters. The collection was compiled with donations from various people working at the University of Miami's Otto G. Richter Library. The photographs in this collection were taken by members of the Otto G. Richter Library staff during the Papal visit. They were donated by Georgina Golik, Ana Rosa Núñez, and Blanca Herrera Torres.
Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."
The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.
Pedro Monge Rafuls is a playwright and the founder of the Ollantay Center for the Arts in Queens, New York and Ollantay Theater Magazine. His papers include records of the Ollantay Center for the Arts in Queens, New York along with a collection of ephemera documenting Hispanic and primarily Cuban theater, literary, and other arts in the area.
Originally born in West Virginia, Jefferson attended Washington & Jefferson College in Washington, Pennsylvania and studied architecture and industrial design at the University of Michigan. Afterwards, he worked with the Army Corps where he taught aerial photography then supported himself by working as a laborer on various construction sites. He eventually came to Miami in 1954 where he apprenticed under architects, Thomas Madden and Alfred Browning Parker. He ended up establishing his own private architecture firm in Miami in 1959 and dedicated himself to creating plans for residential, commercial, and public buildings. Later, he moved his firm to Stuart, Florida in 1968 and continued to provide the same services.
He also served as a Fellow in the American Institute of Architects and was certified by the National Council of Architectural Registration Boards and was registered with the National Trust for Historic Preservation. His accolades include several architecture awards and international exhibits as well as having his works featured in magazines, such as Architectural Record, House Beautiful, Better Homes and Gardens, Southern Living, Sports Illustrated, Palm Beach Life, American Homes, and L'Architecture d'Aujourd'hui.
This collection contains approximately 191 large format architectural plans and renderings from noted Florida architect, Peter Jefferson. The first 34 plans of his collection have been flattened and placed into map cases while the others remain in their original rolled up state.
