The collection consists of the CDs donated by various donors. The topics on the CDs include Martí, poems by Lourdes Simón, Cuban music, afro-Cuban music recorded by Lydia Cabrera and Josefina Tarafa, the Legacy of Lydia Cabrera exhibit, 16 issues of Revista Hispano Cubana published in Madrid, performances of Bodas de Sangre and Fresa y Chocolate, photos of Havana and Vinales Cienfuegos, 169 photographs of Cuba from 2000-2006 taken by L. Edward Tillett, III, four books by Waldo Leyva, copies of one book and several periodicals from the Batista government, including: "El libro de la victoria, 1933-1935; Circulo Militar y Naval: Revista, 1956-1958; Anuario Sin estribos, 1935/1936, 1942; Memorias and Escuela de Cadetes, 1937-1954.
The bulk of materials consist of magazines with articles about ballet in Cuba and Alicia Alonso, Cuba's prima ballerina whose ballet company became the Ballet Nacional de Cuba in 1955. Materials also include theatre programs and clippings.
The Cuban Refugee Center Records include correspondence, reports, publications, photographs, and clippings created and collected by the Cuban Refugee Center (CRC), in Miami in 1960 as part of a federal program to assist Cubans arriving at the United States as political refugees.
The Atlanta Cuban Club collection documents activities of Atlanta Cuban Club, an exile community organization. The mandate of Atlanta Cuban Club is to preserve Cuban traditions and culture. The materials consist of invitations, programs, correspondence and other publications from Atlanta Cuban Club.
The collection consists of photographic reproductions of magazine covers and popular Cuban product advertisements, taken from the periodicals holdings of the Cuban Heritage Collection.
Ofelia González was an actress performing in theatre, mostly in Havana's Palacio de Bellas Artes and New York's Repertorio Español. She also acted in film and TV. The materials document her acting career especially her portrayals of Bernarda in The House of Bernarda Alba in New York, Nurse in Romeo and Juliet in New York, Serafina in The Rose Tattoo in Havana, Medea in Medea in New York, Amanda in The Glass Menagerie in New York, Celestina in Celestina in New York, Clara in The Visit in New York and Mother in The Guns of Mother Carrar in Havana.
The bulk of the material consists of photographs from performances and newspaper clippings with reviews of performances. The papers also include correspondence and memorabilia.
The papers document activities of Rufino E. González as a professional golf player and a golf instructor of the Country Club of Havana during the Republican era. The bulk of the materials consist of photographs of Rufino González playing golf in the Country Club of Havana, and of pamphlets from the Country Club of Havana featuring pro-amateur golf tournaments with photographs of golf players. The materials also include some correspondence regarding golf, golf score sheets, golf balls and biography of González.
