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The Villalta Family Collection contains documents, clippings, and genealogical information about the Gaona family name and the Villalta family. This collection dates from 1624 to 1918. It is arranged into two series, Series I: Documents, 1678-1918 and Series II: Genealogy & Heraldry, 1624, in 21 folders in one box.

The papers consist of correspondence including two letters of Tomás Estrada Palma, the first president of the Republic of Cuba and one letter of Generalísimo Máximo Gómez. The materials also include a photograph of the Shrine of Our Lady of Charity in El Cobre, Oriente and a photograph of "El Salto del Hanabanilla", which are placed with Cuban Photograph Collection, as well as, clippings, an album with drawings and poetry, Don Miguel Alberti's family tree, genealogy documents and the drawings of coats of arms.

Collection consists of correspondence, clippings of articles by Luque Escalona, manuscripts of " Lorenzo y el cordero del diablo," of unpublished book by Luque Escalona titled "Yo, el mejor de todos," of essays: "La enfermedad visual del fidelismo," "Las iniciales del fidelismo" and "Paleontología política," as well as, a manuscript of his first novel titled "Los Funerales de Hector" and written in Cuba and presented at the contest, Casa de las Americas, in 1969. The materials also include a manuscript of the short story titled "Aquel no era mi día" which was published in "Antología de cuentos de cubanos de la diáspora," as well as, manuscripts of the following unpublished short stories: "Les crimenes de la calle M, "Una lección de odio," "El Macho," "Los últimos caidos," "Largo y tortuoso camino and "Entre cuatro paredes." A manuscript of the first article that Escalona wrote in exile and a miniature of his novel "Los Niños y el Tigre: Política y revolución en Cuba" published by Freedom House in New York are also included.

The Roberto Gacio Papers contain personal papers of Cuban actor, professor and theater critic Roberto Gacio (b. 1941), including theater ephemera, photos, a thesis, and other manuscripts.

The papers document activities of Dr. Ricardo Bofill Pagés in capacity of the President of Cuban Committee for Human Rights.  The materials include papers written about Bofill's work, clippings of Bofill's writings about human rights and reports.

The papers document professional activities of Raquel Fundora as a poet and a president of the Miami chapter of the Circle of the Pan-American Culture.  Fundora's poems express nostalgia for Cuba.  The materials also document the activities of the Circle of the Pan-American Culture, which was founded in 1963.  It reunites professors, writers, poets and persons interested in culture.  Materials include manuscripts of Fundora's poetry, correspondence, scrapbooks, clippings, photographs, programs, certificates, diplomas, memorabilia, typescripts of conference essays and audio tapes.

The Ramiro Casañas Collection is composed of historical materials documenting the history of Cuba during the nineteenth and twentieth centuries.  Included are correspondence and documentation from the Junta Revolucionaria Cubana (Series 1); military orders from Cuba and Puerto Rico; slavery documents; nominations written by Isabel II (Queen of Spain) and Alfonso XII (King of Spain); photographs of Cuba; letters and postcards; periodicals; music scores and memorabilia.

The Ralph Rewes papers consist of unpublished manuscripts of books written by Ralph Rewes, Cuban exile living in Hialeah, Florida. The manuscripts include "'America' Misunderstood", "The Opinionated Memoirs of a Cuban Youth" and "El Diario de Frank Rodríguez - Mi Primer Día.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The collection contains manuscripts and newspaper clippings related to the writings of author Rafael Esténger, active in Cuba in the 20th century.

Nicolás Guillén Papers cover a particular time and place in the life of one of Cuba's finest 20th century poet.  They all deal with a trip he made to Uruguay in the late 1940s.  There are two manuscript writing styles.  The smaller tighter script is probably Guillén's.  The looser more open script matches his signature but could be someone else's.  It is possible that this second script is a dictation or copying of a Guillén work.  Materials include correspondence, clippings and photographs.  Some documents are signed by Guillén and others are not signed.

The collection consists of research and financial papers for Lobo's film "Perú,"  as well as correspondence and financial statements of her company Arawak.  Materials also include clippings, theatre programs, manuscripts of screenplays, drawings of costumes, a few maps, copies of engravings and invitations.

The papers consist primarily of facsimilies and copies of documents relating to colonial Cuba.

The Manuel Rionda papers reflect activities of a sugar baron, Manuel Rionda, Spanish-born master of two important Cuban sugar mills and chair of the major U.S. sugar brokerage firm of Czarnikow-Rionda. Rionda was a businessman associated with Cuba, New York and Santo Domingo. The majority of materials include bills of ladings Rionda used to conduct his shipping business between New York and Cuba and Santo Domingo. Correspondence and other official documents are also included in this collection.

The papers consist of popular musical selections from Dominican Republic, including Fantasia by Manuel Emilio Garcia G. This score was based on works by various Dominican composers, and the principal theme came from the song "Maiba" by Diogenes Silva. The materials include four tapes, a manuscript of a score "Selecciones Populares Dominicanas" in 26 parts, Quartet for various instruments, a manuscript of a score titled "Marcha Triunfal" in 22 parts, and a manuscript of a score of Giselle Marie Vals.

The Luis Felipe Mencía papers contain correspondence, clippings about medicine and hospitals, as well as the Cuban Medical Conventions in Exile etc., one illustration of the Hospital Mercedes in Cuba, a roster and invitations to various events of the Cuban Society of Surgery, and pamphlets about surgery in Cuba.  It also contains historical issues of periodical publications related to medicine in Cuba and Cuban physicians.  The most important materials of this collection are a lecture offered by Mencía at the special session of the Ninth International Cuban Medical Association Congress, Miami, 1987, and the manuscript of Dr. Mencía's book: Recuerdos de la Cirugía en Cuba,  published in Miami in 1990.  In this collection we also find a photocopy of one speech by Dr. D. González Marmol.