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A collection of ephemera, promotional materials, posters, signs, and correspondence pertaining to the Women's March event, which celebrates the struggle of the Women's Suffrage Movement in the United States and promotes education and initiatives in expanding voting rights to all women, regardless of age, race, income, and so on.

Photographs, posters, books, and other archival materials that belonged to James William Hipp (1934-), Dean of the Frost School of Music.

The William Calhoun “Bill” Baggs Papers includes thirty-one boxes of correspondence, memoranda, clippings, photographs, diaries and other materials relating to the professional career of Baggs, a newspaper journalist, editor, and political commentator from the 1940s until his death in 1969. As a columnist and editor for the Miami Daily News, Baggs developed relationships with many prominent figures. The Baggs Papers, arranged in six series, totals thirteen cubic feet of materials. In addition to incoming correspondence, the files include hundreds of carbon copies of outgoing correspondence from Baggs to a variety of local, regional, state, national, and international politicians, journalists, and others.

The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

A collection of vintage greeting cards, which currently features a unique selection of cards acquired by an unknown collector over thirty years. Thematically, the greeting cards showcase the ubiquitous view of traditional gender roles that permeated different eras, with the earliest cards dating to the 1920s. Though the cards are meant to be colorful, playful, and sentimental, they highlight the evolution of the depiction of both genders and their interactions as a couple over time, and in some cases, even prove to be subversive of traditional gender norms.

This collection contains annual reports, memorabilia, news articles, reports, certificates, meeting minutes, photographs, legislative documents, signs, and materials from the Undergraduate Student Body Government (USBG), which had been collected and maintained by the former Vice President for Student Affairs of University of Miami, William R. Butler. This collection also contains the series of interviews, captured on VHS and U-matic, that he conducted while working at University of Miami.

The University of Puerto Rico Student Movement collection (2010-2011) documents through digital photographs and ephemera (30,061 KB) the student led strike to protest austerity and tuition measures announced by University of Puerto Rico administrators.

This collection contains materials from the University of Miami's 75th Anniversary celebration. The materials in this collection include news clippings, memorabilia, posters, t-shirts, correspondence, general ephemera, reports, photographs, pamphlets, programs, invitations, announcements, and other materials related to the event planning among the different schools, colleges, and divisions.

The collection consists of memorabilia commemorating anniversaries and special events by the University of Miami, its schools and departments, athletic programs, student groups, and affiliated organizations. Included among the objects are medallions, cups, bags, hats, gowns, golf balls, t-shirts, parking decals, signs, logos, blankets, plush toys, collecting cards, footballs, and other assorted items.

The Lowe Art Museum collection contains records, reports, correspondence, cookbooks, publications, and other documents pertaining to the museum's publicity, administration, and events.

The University of Miami celebrated its first annual Giving Day on April 8, 2019, which was a 24-hour online and social media extravaganza that brought together students, faculty, staff, alumni, and the UM community in an effort to support, celebrate, and give back to the University. This particular day was chosen because the University of Miami was officially incorporated on April 8, 1925.

The collection contains a cardboard "giving box," filled with promotional posters, flyers, postcards, and other memorabilia, such as a luggage tag, balloons, an acrylic standee, and a t-shirt.

This collection contains documents, signage materials, and decals regarding the University of Miami's response to COVID-19.

This collection contains materials donated by members of the University of Miami Black Alumni Society. Contained within are photographs, event announcements, calendars, certificates, memorabilia, programs, plaques, and publications.

The Tom Austin papers include the published articles, research notes, manuscripts, drafts, correspondence, photographs, ephemera, clippings, and other materials collected and produced by the prolific Miami/South Beach writer, editor, and columnist, Tom Austin (1955-2022).

Sweat Records began as a local independent music store in Miami in 2005, conceived by DJ and club promoter, Lauren (Lolo) Reskin, and by former WVUM DJ and public defense attorney, Sara Yousuf. It served as not only a record store but a public event space and coffee shop, catering to the eclectic music scene in South Florida. The store was forced to temporarily relocate to the back of Churchill's pub in 2005 after the destruction caused from Hurricane Wilma and eventually moved to its new permanent location near Little Haiti. Sara Yousuf also left her role as co-owner to pursue a full-time career as a public defense attorney in 2006 and was replaced by Jason Jimenez who came onboard as Lolo's new partner in 2007. Sweat Records continues to this day to offer a wide variety of performances and events, featuring both budding local artists and veteran rock bands, and to contribute heavily to Miami's thriving music culture.

The Sweat Records collection contains archival material documenting the history of the record store, including newspaper articles, magazines, ephemera, pamphlets, company records, administrative files, personal papers from Lolo Reskin, and audio-visual material. Items are arranged categorically by series and material type.

This collection contains promotional materials, club guidelines, news clippings relating to Students Toward a New Democracy, and newspapers with articles relevant to Overtown and labor campaigns.

A collection of periodicals, pamphlets, brochures, tracts, leaflets, broadsides, and assorted materials, focusing on social movements across the globe. The collection presently includes materials from various organizations, mostly French, Iranian, African-American groups fighting for social rights and liberties, pro-environmentalist/anti-capitalist groups, and socialist groups, and will continue to expand as materials are collected.

The Senour Family collection contains photographs and postcards from Havana, Cuba.

"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.

These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'

Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.

An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books

The Scott Carver Housing History collection includes photographs, clippings, reports, ephemera, and digitized files of oral history interviews that document the advocacy work of Scott Carver Miami residents and activists for the restitution of the demolished Scott Carver homes.