Gareth and Janet Dunleavy were historians of Irish literature and culture. The Gareth and Janet Dunleavy Collection was donated by Gareth and Janet Dunleavy in memory of Bernard Benstock, a colleague who served the University of Miami in many capacities.
The collection contains typescripts and articles by Gareth and Janet Dunleavy, as well as research materials for projects by both authors. Prominently featured are research materials on Mary Lavin, an Irish short story and novella writer who died in 1996. Of special interest among these research materials are copies of Lavin's working manuscripts, obtained by Professor Janet Dunleavy in the 1970s with the permission of Mary Lavin. Janet Dunleavy had planned a critical study of Lavin's work based on these materials, but had abandoned the idea. The collection also contains notes, letters, and other documents assembled during Gareth and Janet Dunleavy's preparation of their Douglas Hyde: A Maker of Modern Ireland (1991) and O'Connor Papers (1977).
The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.
Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.
Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.
The American Association of University Women records contains the records of the Florida Division from the years 1928 to 1991, in the form of minutes, reports, correspondence, press releases, charters, scrapbooks, and other documentation.
The personal papers of Frederick H. Koch, dramatist and educator, were donated to the University of Miami Archives by his son Fred H. Koch Jr., a Professor in Drama here at the University of Miami from 1939 to 1977. The collection was received in the early 1950's. Frederick H. Koch was a famous dramatist and gained fame from the founding of two major college theatre troupes as well as through his involvement in the production of native American folk drama.
The Frederick H. Koch Collection contains the personal papers of Frederick H. Koch and material he collected throughout his lifetime. The material extends from 1823 to 1947, with the bulk of the material concentrated in the period of time between 1905 and 1944. The bulk of the collection is composed of theatre programs collected by Koch. These come mainly from New York but there is a good selection of theatre programs from other parts of the United States. Many of these programs date prior to Koch's birth.
The personal papers are composed mainly of material from Koch's work as an English and drama professor at the University of North Dakota (1905-1918) and the University of North Carolina (1918-1944), including a large number of folk plays written by his students.
The correspondence in the collection is mainly correspondence within the Koch family, including many letters between Koch and his four sons: Robert, Fred Jr., Bill, and George.
Of special interest to the University of Miami is a folder containing material related to the University and the University of Miami Playmakers founded by Fred H. Koch Jr. in the 1940's.
Joseph L. Herndon (1948-2021) was a historical preservationist who aided in several global restoration projects, including the Old Spanish Fort (1730) in Pascagoula, Mississippi; Qasr Ibrihim (1600's) in Hoffuf, Saudi Arabia; the Old Post Office (1897) in Washington, D.C.; The Rugby Colony (1880's) in Rugby, Tennessee; Union Station (1900) in Nashville, Tennessee; The Germantown neighborhood revitalization (1840's) in Nashville, Tennessee; The Biltmore Hotel (1926) in Miami, Florida. His papers include a large breadth of information and research pertaining to the Biltmore Hotel, the Panama Canal, Turkey, the Deering Estate, resorts, and other areas of interest to Joseph Herndon. Material types represented within include audio-visual materials (CD-ROMS, VHS, photographs, slides), print-outs, administrative files, financial files, travel brochures, ephemera, architectural plans, interior design samples, research files, reports, proposals, periodicals, and 3D objects.
This collection currently contains several exhibit catalogs, mainly from the Sofía Ímber Contemporary Art Museum of Caracas (Museo de Arte Contemporáneo de Caracas Sofía Ímber), DVDs featuring interviews with Sofía Ímber and covering famous Venezuelan and international artists, politicians, and writers, CD-Rs, a collection of fliers from local photography exhibitions in Coral Gables, newspaper clippings of articles either about or by Sofía Ímber or Guillermo Meneses, oversized exhibit posters, and digital correspondence and photographs stored in external hard-drives.
There will be further ongoing accruals to this collection.
This collection contains research materials on Panama collection during Oscar De Soto's time working for the Department of State, including handwritten notes, negatives, medica clippings, transcripts, essays, photocopies of articles and publications, reports, and periodicals.
The Carlos Surinach collection contains a bound, autographed photocopy of the score to Symphonic Melismas by composer Carlos Surinach. Symphonic Melismas had its world premiere at the Festival Miami of 1993, sponsored by the University of Miami School of Music. Also included is a photograph of Surinach, two copies of the 1993 program, and a photocopy of a biography of Surinach.
The Kenneth Close Collection contains a number of prints from the Metropolitan Museum of Art and elsewhere, sheet music for "The Death of Minnehaha" by Longfellow and Ch. C. Converse, and several insurance policies from the 19th century (some which are photocopied).
The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.
Research material from noted author and historian, Arva Moore Parks McCabe (1939-2020). Born in Miami, Florida, Arva had written countless books on Florida's eclectic history, including The Forgotten Frontier: Florida through the Lens of Ralph Middleton Munroe, Miami, the Magic City, and George Merrick, Son of the South Wind: Visionary Creator of Coral Gables. She also served as chief curator, interim director, and chair of the Coral Gables Museum.
This collection focuses heavily on George E. Merrick, Coral Gables, and other research topics used in her writings. It also features a large assortment of archival material: booklets, books, magazines, posters, photographs, negatives, pamphlets, postcards, maps, ephemera, newspapers, and guides about Miami and other notable cities and famous people related to South Florida.
The H. Franklin Williams Papers provide an extensive record of the activities of the Economic Opportunity Program, Inc. (EOPI), a non-profit corporation established to provide "through governmental or private means economic opportunity for the citizens and residents of Dade County, Florida and to further assist in the war against poverty...". The program coordinated governmental units and local agencies involved in implementing the Economic Opportunity Act of 1964. Williams was a professor of history and administrator at the University of Miami from 1939 to 1972.
Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.
Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.
Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.
Michael J. Maxwell was an architectural consultant whose firm, Michael Maxwell Associates, Inc., consulted the city of Opa-locka in the mid-80s on appraisal and restoration matters. This culminated in a Master Plan for the Restoration of Historic Opa-Locka City Hall, and a Nomination Proposal of several historical sites in Opa-Locka to the National Register of Historic Places. These two documents, as well as the planning materials, are held in the Michael J. Maxwell collection.
The collection also contains other Opa-locka related materials. Included are 1926-1927 Opa-locka price lists, a 1953 charter, copies of the Opa-locka Times from 1926 and 1927, letters including a 1926 letter petitioning for the establishment of a Post Office at Opa-locka, a history of Opa-locka brochure and preparation materials for the brochure, and other items.
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
This collection contains the papers of Dr. Roger W. and Frances S. Arnold. Dr. Roger W. Arnold was a doctor who practiced Naprapathy and massage, an active member of the First Presbyterian Church of Miami, and a World War II air warden. Frances S. Arnold was a soprano soloist in churches, programs, and music clubs, an editor of the Florida Teacher Magazine, member of the Florida Historical Society, and 1948 president of the Mothers of Sigma Chi Coral Gables Chapter. She was active in the research and development program of the University of Miami, and in local music clubs. The papers document their activity in all of the above, and also contain materials (i.e. brochures, directories, pamphlets, photographs) on the University of Miami, Coral Gables, Coconut Grove, and Miami at large.
Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.
The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.
Dr. Murray Sanders was a physician and medical researcher with the University of Miami and Variety Children's Hospital. He was the former chairman of the Department of Medical Research of the University of Miami. His papers consist of correspondence, periodicals, essays, photocopies of articles and essays, and newspaper clippings regarding medical research. Also included are photographs and prints of Dr. Sanders, as well as a biography and a curriculum vitae.
The Alan Crockwell Collection contains a variety of materials from different sources that document the history of Miami, Coconut Grove, Coral Gables, and greater Miami-Dade County. Much of the content is related to Ralph Middleton Munroe and his family. Topically, the papers also address criminal history in Miami-Dade County, historic buildings in Coconut Grove including the Barnacle and the Coconut Grove Library, the history of the University of Miami, and the early settling of Miami-Dade County. The dates of items range from 1873 into the 1970s.
The papers of the ALA (Agencia Latinoamericana) are divided in 3 major categories: the articles written by the contributors to the ALA (collected during almost 40 years), their correspondence, and the newspaper clippings of those articles.
The writers are mainly from Latin American countries and Spain, but with a few American and British writers also included, such as Waldo Frank and Hugh Thomas. The articles provide information on literature, journalism, sociology, economics and political history of the major powers of the world of that period, and in many cases relating to the Latin American countries.
The bulk of the collection is comprised of contributions from Víctor Alba, Marco A. Almazán, Luis Araquistain, Paul Andrade, Germán Arciniegas, Carlos Alberto Montaner, Ramón Gómez de la Serna, Julian Marias, Cristina Martin, Alberto Luis Sanchez, Salvador de Madariaga, Ramón Sender and Arturo Uslar Pietri. There are also articles by other distinguished authors, such as Miguel Angel Asturias, Alberto Baeza Flores, Alejandro Casona, Pablo Neruda and Alfonso Reyes.
Included among the ALA papers are articles written by Joaquín Maurín, who used the pen names of W.K. Mayo and Félix R. Anderson. He also wrote under the pen names of John Andersen and Julio A. Roy, but these articles ore not included in this collection. When signing correspondence, he used his own name, Joaquín Maurín, as well as J.M. Juliá and Ray Campbell. Joaquín Maurín's son, Mario, wrote some articles under the same pen name as his father, John Andersen.
