Affichage de 50 résultats

This growing collection consists of cassettes, vinyl records, and documents pertaining to the Miami underground music community. The music in this collection was assembled by the WVUM staff and mostly dates to the 1990s.

The records contain legal cases, research files, correspondence, audio-visual materials (VHS, CD-ROM, audiocassettes, microcassettes), and trial notes from the Miami Community Justice Project. Topics covered include development for low income housing, gentrification, public housing, and privately run detention centers. In particular, the materials discuss the Scott Homes/Hope VI housing revitalization plan and the Reese v. Miami-Dade County court case; the Sawyer's Walk (Overtown) and Crosswinds (Overtown) redevelopment projects; the Manuel et al. v. city of Lake Worth court case; and the Miami Workers Centers Transit HUB. Other organizations mentioned in the files include Power U Center for Social Change and Florida Immigrant Coalition (FLIC).

Professor Gregory Bush (History Department) and the Institute for Public History (IPH) have recorded a series of interviews around the issue of public spaces in South Florida. Participants, who are representative of the diverse cultural milieu of the region, reflect and provide insights on migration, gentrification, the history of individual neighborhoods, housing, and community services.

These voices help to articulate the ongoing discourse on public space as it applies to South Florida’s History of development. The recordings and accompanying transcripts of the oral history collection document the unique experiences of the region’s inhabitants. In addition, the collection serves as a repository of primary source materials for students, faculty and the general public.

A collection of papers, photographs, scrapbooks, ephemera and other objects that document various cultural scenes in Miami from the 1980s to the present, with an emphasis on the art, nightclub and drag subcultures.

The Fort Chaffee Collection brings together two sources of materials relating to Cubans who arrived in the U.S. during the 1980 Mariel Boatlift and were detained at refugee camps at Fort Chaffee, Arkansas.

Barbara Lawson was director of the Cuban-Haitian Task Force from 1980 to 1981, and she donated reports, correspondence, memoranda, artwork by Cuban refugees, and recordings of news interviews she gave during her tenure with the Task Force. These materials document the operations and policies of Fort Chaffee from 1980 to 1981, discussing, among other topics, security issues in Fort Chaffee and difficulties in placing entrants who were considered not suitable for sponsorship. Lawson donated additional materials in 2018, including correspondence, postcards, newspaper clippings, greeting cards with artwork by Cubans held in Fort Chaffee, and press and Army Public Information photographs related to the Boatlift.

Gastón A. Fernández donated the research materials he collected and used for his book The Mariel Exodus Twenty Years Later: A Study on the Politics of Stigma and a Research Bibliography (Miami: Ediciones Universal, 2002).  These materials consists primarily of photocopies of reports and interagency correspondence of the various U.S. government agencies responsible for the processing and settlement of Mariel refugees and for administering Fort Chaffee and other camps.  The Fernández donation also includes photographs by the U.S. Army and snapshots of refugee activities at Fort Chaffee. The photocopied documents seem to have been obtained by Fernández primarily from the Jimmy Carter Presidential Library, although they are not clearly identified as such.

Issues of La Vida Nueva, a newsletter published by the Cubans detained at Fort Chaffee with the support of the 1st Psychological Operations Battalion of the U.S. Army, and Crossroads, a newspaper published for Fort Chaffee personnel were transferred to the CHC Exile Journals collection.

This collection contains six stereographs (stereo-view photographs) of the construction of the Panama Canal dated 1912-1913, and three cassette tapes of news commentary regarding the 1977 Panama Canal Treaty between Panama and the United States of America.

The Jill Flanders-Crosby papers contain photographs, cassettes, DV tapes, and DVDs related to Flanders-Crosby's fieldwork related to Afro-Cuban religious dance practices.

The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.

The collection contains audiovisual recordings in VHS and cassette format of television and radio appearances and performances by Cuban comedian Pablo Garí, also known as "El Pible."

Dr. Peggy A. Phillips was a history professor at the University of Miami. Her collection contains materials from three of her history courses, two undergraduate and one graduate, where students were asked to interview a World War II veteran and compose an oral history report based on that interview. The materials include essays, transcripts, audio recordings, and videocassettes.

Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.

Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.

The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.

This collection contains audio cassettes and sound reels with transcripts of interviews of South Florida personalities by Polly Redford for her book The Billion-Dollar Sandbar: A Biography of Miami Beach (1970).

This collection consists of archival materials acquired that relate back to Marjory Stoneman Douglas, the well known environmentalist who was a major force in the fight to preserve the Everglades.

Sweat Records began as a local independent music store in Miami in 2005, conceived by DJ and club promoter, Lauren (Lolo) Reskin, and by former WVUM DJ and public defense attorney, Sara Yousuf. It served as not only a record store but a public event space and coffee shop, catering to the eclectic music scene in South Florida. The store was forced to temporarily relocate to the back of Churchill's pub in 2005 after the destruction caused from Hurricane Wilma and eventually moved to its new permanent location near Little Haiti. Sara Yousuf also left her role as co-owner to pursue a full-time career as a public defense attorney in 2006 and was replaced by Jason Jimenez who came onboard as Lolo's new partner in 2007. Sweat Records continues to this day to offer a wide variety of performances and events, featuring both budding local artists and veteran rock bands, and to contribute heavily to Miami's thriving music culture.

The Sweat Records collection contains archival material documenting the history of the record store, including newspaper articles, magazines, ephemera, pamphlets, company records, administrative files, personal papers from Lolo Reskin, and audio-visual material. Items are arranged categorically by series and material type.