The Max Rameau papers (1992-2010) document his extensive activism for the homeless and the poor within the South Florida communities of the African diaspora. The collection will be of interest to scholars and students of movements such as the Umoja Village, the Scott-Carver Tenant Council, Miami Dade Election Reform and Take Back the Land. The materials document advocacy work on behalf of people displaced from their homes as a result of low income housing policies, gentrification, and the U.S. foreclosure crisis at the beginning of the 21st century. The Max Rameau papers also point to connections between activist groups promoting the economic rights of the diverse constituency of the African diaspora which reside in Liberty City and Little Haiti. Finally, the collection serves as a record of Mr. Rameau's work with organizations such as Brothers of the Same Mind, the Haitian American Grassroots Coalition and the Center for Pan African Development.
This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).
The Mildred Merrick collection consists of administrative documents, organization reports, ephemera, correspondence, postcards, travel photos, audio tapes, and other items collected by Mrs. Merrick, who was a former reference and acquisition librarian at the University of Miami Libraries.
This collection contains drawings, sketches, photographs, research materials, clippings, audio-visual materials (CDs and audiocassette tapes), periodicals, ephemera, and other archival materials created and collected by the noted Miami and New York artist Naomi Fisher (1976-).
The collection contains scrapbooks, clippings, photographs, negatives, programs, audio reels, 8mm and Super 8 film, and theater ephemera related to the career of actress and singer Nattacha Amador.
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
Dr. P. A. Phillips was a history professor at the University of Miami.
The P. A. Phillips Collection contains materials from three of his history courses - two undergraduate and one graduate - where students were asked to interview a World War II veteran and compose an oral history report based on that interview. The materials include essays, transcripts, audio recordings, and videocassettes.
The collection contains audiovisual recordings in VHS and cassette format of television and radio appearances and performances by Cuban comedian Pablo Garí, also known as "El Pible."
This collection contains six stereographs (stereo-view photographs) of the construction of the Panama Canal dated 1912-1913, and three cassette tapes of news commentary regarding the 1977 Panama Canal Treaty between Panama and the United States of America.
Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."
The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.
Originally born in West Virginia, Jefferson attended Washington & Jefferson College in Washington, Pennsylvania and studied architecture and industrial design at the University of Michigan. Afterwards, he worked with the Army Corps where he taught aerial photography then supported himself by working as a laborer on various construction sites. He eventually came to Miami in 1954 where he apprenticed under architects, Thomas Madden and Alfred Browning Parker. He ended up establishing his own private architecture firm in Miami in 1959 and dedicated himself to creating plans for residential, commercial, and public buildings. Later, he moved his firm to Stuart, Florida in 1968 and continued to provide the same services.
He also served as a Fellow in the American Institute of Architects and was certified by the National Council of Architectural Registration Boards and was registered with the National Trust for Historic Preservation. His accolades include several architecture awards and international exhibits as well as having his works featured in magazines, such as Architectural Record, House Beautiful, Better Homes and Gardens, Southern Living, Sports Illustrated, Palm Beach Life, American Homes, and L'Architecture d'Aujourd'hui.
This collection contains approximately 191 large format architectural plans and renderings from noted Florida architect, Peter Jefferson. The first 34 plans of his collection have been flattened and placed into map cases while the others remain in their original rolled up state.
The Philip Wylie Memorial Service Collection contains one audiotape for the service, dated 11/13/71. It notes that the service was held in Rushford, New York. Max Wylie officiated the service, Jonathan Edwards Slater was a reader, Susan Sydnor Wagner was a cellist, and James Rawlings Sydnor was a pianist and benedictor.
The Plymouth Congregational Church records contains historical records created and maintained by the church from around the 1910s through 2010s. The collection contains (but is not limited to) church records on baptisms, weddings, and funerals; architectural drawings of the building and grounds (including the Little Schoolhouse); church bulletins; educational materials; organizational records, including minister files, records maintained by church organizations (eg. Music Committee, Women's Fellowship Circles), and information on governance; ephemera related to events; press clippings; scrapbooks, photographs; and sermons and memorial tapes.
This collection contains audio cassettes and sound reels with transcripts of interviews of South Florida personalities by Polly Redford for her book The Billion-Dollar Sandbar: A Biography of Miami Beach (1970).
This collection consists of 128 vinyl phonograph records documenting mostly Cuban and Afro-Caribbean popular music, collected by Miami-born musician and composer Raúl Murciano (b.1957). Many of the records included in the collection were manufactured in Cuba. Other styles of music represented in the collection: Brazilian music, Latin American Folk music, and Jazz.
The collection contains audio recordings on 45 CDs, created from original recordings by Reinaldo Arenas and Roberto Valero. The recordings include dictations of Arenas' memoir Antes que anochezca (19 CDs), interviews between Valero and Arenas conducted in 1986 (10 CDs) and 1988 (13 CDs), Arenas' reading from his works (1982), and a joint lecture by Arenas and the poet Heberto Padilla titled "The Cuban Intellectual Today" (1980).
The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."
Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.
Dr. Robert M. Levine (1941-2003) was the Gabelli Senior Scholar in the Arts and Sciences, Director of Latin American Studies, and professor of history at the University of Miami. Throughout his career, Dr. Levine exhibited a strong interest in Brazilian cultural and political history, Jewish Diasporas in Latin America, Cuban history, and Latin American history in general. His papers, donated to the University of Miami, reflect all of these interests in the form of video cassettes, periodicals, clippings, photographs, photocopies, notebooks, microfilm, microfiche, articles, and other materials.
Included in the collection are photocopies of a collection of records from the Jewish community of Curaçao in the 18th century; production materials and photographs pertaining to Dr. Levine's "Hotel Cuba" documentary on the Jewish Diaspora in Cuba; a dozen reels of microfilms of Brazilian newspapers from the 1930s; notes, photographs, and documentation from Dr. Levine's research on the Vargas period in Brazil; and two large, hand-drawn maps indicating Jewish establishments in the major commercial district of Old Havana during the pre-1959 period.
Samuel Hirsch was a theater professor, producer, and theorist who produced a number of plays in the Miami area. The collection consists of many photographs, clippings, programs, and correspondence of various plays that Hirsch produced from the 1940s to 1960s. The collection also contains a scrapbook with clippings, cards, and programs regarding the Musicomedy Series of theater productions directed by Hirsch, which was held in Miami in 1957. Included is an issue of the English Leaflet, Winter 1964, Vol. LXIII, No. 4 which contains an article by Samuel Hirsch titled "The Theatre of the Absurd," and an audiotape titled "Prof Samuel Hirsch, 'Some Thoughts on the Theatre of the Absurd,' the English Lunch Club, 3/14/1964."
