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Juan Cueto Roig Ballet Collection
The bulk of materials consist of magazines with articles about ballet in Cuba and Alicia Alonso, Cuba's prima ballerina whose ballet company became the Ballet Nacional de Cuba in 1955. Materials also include theatre programs and clippings.
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This collection documents the activities of Teresa María Rojas in her capacity as a theater actress, theater professor at Miami-Dade College (MDC, also formerly known as Miami-Dade Community College) for more than 30 years and the founder of the Prometeo Student Theater Group.
The majority of the materials document Rojas' role as artistic director of the Prometeo Theater and the success of the students who performed in it. Portfolios and reviews contain information regarding her teaching at MDC, in the capacity of the director of the Prometeo Theater and an instructor. The papers contain scrapbooks chronicling her work as the director of the Prometeo Theater from 1985. The collection also documents her professsional work as an actress in Miami, Cuba and other Latin American countries. Her performances in various acclaimed productions are documented by clippings and photographs. Rojas measured her own success as a professor and artistic director of Prometeo by the success of her students. She played the engaging and lighthearted role of Ofelia in "Ana in the Tropics". As Ofelia, Rojas took on a similar matronly role as the one she had among her students at MDC.
Selected photographs, playbills, programs, letters, and clippings from the collection are available on the University of Miami Digital Collections portal under the CHC Theater Collections tab.
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The Héctor Santiago Papers collection includes only part of his literary anthology, with future additions expected. The Papers include scripts, essays, short stories, reviews, clippings, and theater programs. Additionally, the collection contains personal and professional correspondence, interviews, awards, and financial records. Some scripts and stories written by Santiago in 1960s were excavated from the ground beneath a tree in Cuba where they had been buried for more than 20 years. In order to preserve these original typescripts, photocopies have been made for perusal. Also of interest is a group of letters written by Santiago’s fellow prisoners in UMAP.
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Pedro Monge Rafuls is a playwright and the founder of the Ollantay Center for the Arts in Queens, New York and Ollantay Theater Magazine. His papers include records of the Ollantay Center for the Arts in Queens, New York along with a collection of ephemera documenting Hispanic and primarily Cuban theater, literary, and other arts in the area.
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