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No. 269. Subjects are marijuana, reggae.

Vol. 1, No. 1. Subtitled, "The World's Reggae Read." "Seminal publication, generally credited as being the world's first reggae fanzine, and spawning a host of similar publications throughout the U.K. Nick Kimberly and Penny Reel wrote dynamic, 'serious' reggae reportage during a time when precious little was being written about the genre -- articles on the history of reggae and ska music, aspects of 'Rudie' culture and dance, discography, and feature articles on Toots and the Maytals, Topper Zukie, Glenmore Lloyd Brown, and others." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, ska, Caribbean & Latin American.

Vol. 1, No. 2. Subtitled, "The World's Reggae Read." "Seminal publication, generally credited as being the world's first reggae fanzine, and spawning a host of similar publications throughout the U.K. Nick Kimberly and Penny Reel wrote dynamic, 'serious' reggae reportage during a time when precious little was being written about the genre -- articles on the history of reggae and ska music, aspects of 'Rudie' culture and dance, discography, and feature articles on Toots and the Maytals, Topper Zukie, Glenmore Lloyd Brown, and others." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, ska, Caribbean & Latin American.

No. 7. "Ray Hurford's hugely-influential reggae fanzine. His interest in reggae, the people behind the music and the fact that no one wrote about reggae made him start the legendary publication in the late 70's. 'People had been writing about reggae before, but magazines were not interested in covering the topic anymore. There were a lot of amazing artists coming out in the mid 70's, but no one wrote about them and I wanted to change that.' After getting a decent tax return one year, he started Small Axe, printing issues in a small London xerox shop. The first issue was a success (he received 30-40 orders!), and seven subsequent issues were producted. Content is more approachable than that of 'Pressure Drop,' focusing heavily on artists, with plenty of album reviews, reportage on the reggae scene in the U.S., concerts, and reggae culture as a whole." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American.

Vol. 1, No. 2. "Scarce reggae fanzine, a bi-monthly publication that was the predecessor to the later magazine using the same name (founded in 1993). A superb female-edited fanzine helmed by Shari Lee, who in addition to coverage of the reggae scene, interviews and album reviews, included content on race and gender." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American.

Vol. 1, No. 3. "Scarce reggae fanzine, a bi-monthly publication that was the predecessor to the later magazine using the same name (founded in 1993). A superb female-edited fanzine helmed by Shari Lee, who in addition to coverage of the reggae scene, interviews and album reviews, included content on race and gender." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American.

Vol. 1, No. 4. "Scarce reggae fanzine, a bi-monthly publication that was the predecessor to the later magazine using the same name (founded in 1993). A superb female-edited fanzine helmed by Shari Lee, who in addition to coverage of the reggae scene, interviews and album reviews, included content on race and gender." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American.

Vol. 2, No. 2. "Scarce reggae fanzine, a bi-monthly publication that was the predecessor to the later magazine using the same name (founded in 1993). A superb female-edited fanzine helmed by Shari Lee, who in addition to coverage of the reggae scene, interviews and album reviews, included content on race and gender." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American.

"Long running magazine covering the reggae, soca, hip-hop and African music scene in south Florida and throughout the Caribbean." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, South Florida, Caribbean & Latin American. Published in Hallandale, Florida.

Vol. 15, No. 5. "Long running magazine covering the reggae, soca, hip-hop and African music scene in south Florida and throughout the Caribbean." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, South Florida, Caribbean & Latin American. Published in Hallandale, Florida.

Vol. 15, No. 6. "Long running magazine covering the reggae, soca, hip-hop and African music scene in south Florida and throughout the Caribbean." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, South Florida, Caribbean & Latin American. Published in Hallandale, Florida.

Vol. 15, No. 7. "Long running magazine covering the reggae, soca, hip-hop and African music scene in south Florida and throughout the Caribbean." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, South Florida, Caribbean & Latin American. Published in Hallandale, Florida.

Vol. 15, No. 8. "Long running magazine covering the reggae, soca, hip-hop and African music scene in south Florida and throughout the Caribbean." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, South Florida, Caribbean & Latin American. Published in Hallandale, Florida.

Vol. 4, No. 1. "A cheaply-produced-turned-glossy magazine, covering the roots and reggae scene in south Florida. Contents include articles, interviews, and coverage of new release albums and club events." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, South Florida, Caribbean & Latin American. Published in Fort Lauderdale, Florida.

Vol. 1, Nos. 2-6. "Arguably the most influential and longest running reggae publication produced in the U.S. 'Reggae Beat' was born as a photocopied broadsheet in 1982. At the time, a handful of radio jocks were pushing the sounds of Jamaican reggae on the airwaves and 'Reggae Beat' was published as a freebie for the roughly 200 listeners of KCRW's reggae program. It developed into a short zine through 1983, after which the format switched to a large quarto -- the earliest of these published in colors on newsprint. The title changed to 'The Reggae & African Beat,' and from its humble roots it developed into a 100+ page glossy magazine, running for 28 years and eventually ceasing publication in 2010." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American, Africa.

Vol. 2, No. 5. "Arguably the most influential and longest running reggae publication produced in the U.S. 'Reggae Beat' was born as a photocopied broadsheet in 1982. At the time, a handful of radio jocks were pushing the sounds of Jamaican reggae on the airwaves and 'Reggae Beat' was published as a freebie for the roughly 200 listeners of KCRW's reggae program. It developed into a short zine through 1983, after which the format switched to a large quarto -- the earliest of these published in colors on newsprint. The title changed to 'The Reggae & African Beat,' and from its humble roots it developed into a 100+ page glossy magazine, running for 28 years and eventually ceasing publication in 2010." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American, Africa.

Vol. 4, No. 3. "Arguably the most influential and longest running reggae publication produced in the U.S. 'Reggae Beat' was born as a photocopied broadsheet in 1982. At the time, a handful of radio jocks were pushing the sounds of Jamaican reggae on the airwaves and 'Reggae Beat' was published as a freebie for the roughly 200 listeners of KCRW's reggae program. It developed into a short zine through 1983, after which the format switched to a large quarto -- the earliest of these published in colors on newsprint. The title changed to 'The Reggae & African Beat,' and from its humble roots it developed into a 100+ page glossy magazine, running for 28 years and eventually ceasing publication in 2010." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American, Africa.

Vol. 5, No. 3. "Arguably the most influential and longest running reggae publication produced in the U.S. 'Reggae Beat' was born as a photocopied broadsheet in 1982. At the time, a handful of radio jocks were pushing the sounds of Jamaican reggae on the airwaves and 'Reggae Beat' was published as a freebie for the roughly 200 listeners of KCRW's reggae program. It developed into a short zine through 1983, after which the format switched to a large quarto -- the earliest of these published in colors on newsprint. The title changed to 'The Reggae & African Beat,' and from its humble roots it developed into a 100+ page glossy magazine, running for 28 years and eventually ceasing publication in 2010." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American, Africa.

Vol. 5, No. 4. "Arguably the most influential and longest running reggae publication produced in the U.S. 'Reggae Beat' was born as a photocopied broadsheet in 1982. At the time, a handful of radio jocks were pushing the sounds of Jamaican reggae on the airwaves and 'Reggae Beat' was published as a freebie for the roughly 200 listeners of KCRW's reggae program. It developed into a short zine through 1983, after which the format switched to a large quarto -- the earliest of these published in colors on newsprint. The title changed to 'The Reggae & African Beat,' and from its humble roots it developed into a 100+ page glossy magazine, running for 28 years and eventually ceasing publication in 2010." -- Descriptions from Captain Ahab's Rare Books, bookseller. Subjects are reggae, Caribbean & Latin American, Africa.