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Frank Martinez is an Associate Professor at the University of Miami, School of Architecture, with a secondary appointment in the Department of Epidemiology and Public Health, Miller School of Medicine. He holds an undergraduate degree from the University of Miami and a graduate degree from Princeton University. He teaches design, drawing and theory in the core of both undergraduate and graduate programs in the School of Architecture. In the past five years he has lectured and led tours in the Graduate Rome program on Roman Villas and Gardens, with primary interest in Renaissance & Baroque Architecture and Urban Design, as well as the summer traveling course: The Grand Tour. Professor Martinez is a member of the Built Environment and Health Research Group, an interdisciplinary research team led by José Szapocznik, chair of Epidemiology and Public Health at UM’s Miller School of Medicine, and is co-author of numerous articles on the impact of the built environment on health. The team, investigates the impact of the built environment on Hispanic elders’ health (funded by the National Institute on Aging, National Institutes of Health), children’s conduct and Hispanic immigrants’ risk for metabolic syndrome, The first results of this work were published in the September 2006 issue of the American Journal of Community Psychology with subsequent publications in journals in public health and architecture, most recently, the 2009 Journal of Gerontology: Social Sciences. Professor Martinez is also is a founder and design partner in Martinez & Alvarez Architecture, Inc. in which he works collaboratively with his partner and wife, Ana Alvarez. The work has focused primarily on architectural and urban projects that contribute to the art of making cities. Underlying the teaching and research is an exploration of drawing as a method for acquiring and developing architectural knowledge.

Manuel Martin, Jr. was born December 16, 1934, in Artemisa, Province of Pinar del Río, Cuba. He attended La Inmaculada Concepción Grammar School and the Escuela Pública No. 1 in Artemisa and later finished three years in the Escuela Profesional de Comercio. He left Cuba for the United States on October 27, 1956 and graduated from Hunter College in New York with a B.A. in theater and film.

With Magaly Alabau, Manuel Martín founded Teatro Duo in New York in 1969. This theater was dedicated to producing works in both English and Spanish, and Martín directed many plays for this theater. In addition to his theatrical direction, Martín is best known for his plays Rita and Bessie, Swallows and Union City Thanksgiving, the latter of which was published in an anthology of Cuban theater by the Department of Cultural Affairs, Madrid, Spain (1992). He received a Cintas fellowship for literature in 1985, the New York Foundation Award for playwriting in 1986, 1987, and 1991, and a Fulbright Fellowship for playwriting in 1987. His plays have been produced at the Latino Festival, New York Shakespeare Festival, INTAR and La Mama Experimental Theater. His play with music for children, The Legend of the Golden Coffee Bean, was included in ¡Aplauso!, an anthology of Hispanic children's theater (Arte Público Press, 1995). Martin was a member of the INTAR Playwrights in Residence Laboratory, New York.

In New York and in Puerto Rico he was instructor of drama workshops and gave many conferences in New York, Miami, and Paris. In 1992, he acted as translator and adapter for the program “Dr. Goodmouth” for Colgate-Palmolive, through the UnWorld Group, Inc.

Martín directed plays and musicals in New York, Argentina, and many other places. Until his death on September 28, 2000, he resided in New York.

Eduardo Martín Sansaricq was born in Yaguajay, Province of Las Villas, Cuba, on July 22, 1875. He was involved in the Cuban Independence War since its beginning. Later, he joined the Mambi Army on October 7, 1895. He was wounded and imprisoned by the guerrilla of Yaguajay. Later, he escaped and rejoined the Ejercito Libertador in the same Brigada de Remedios.

Martín Sansaricq had an active role in the seizure of the heliograph of Arroyo Blanco, the last combat of importance of the Cuban armed forces under the command of Generalísimo Máximo Gómez. He had the rank of captain and was promoted to the rank of commander in chief of Yaguajay by Máximo Gómez, who entrusted Martín Sansaricq the task of forming police force to maintain order in the region.

At the end of the Cuban Independence War, Martín Sansaricq enlisted in the Guardia Rural in the towns of Trinidad, Cruces and Yaguajay. In 1931, he was appointed captain of the Leoncio Vidal Regiment in Santa Clara, Las Villas, and later in Yaguajay. Martín Sansaricq retired from the army in February 1934.

After his retirement he was very active in the Asociación de Veteranos de la Independencia and the Asociación de Caballeros Católicos de Cuba. He died in Yaguajay on October 24, 1959.

Dolores Martí de Cid, Cuban professor and expert on Latin American literature, was born in Madrid, Spain, on September 6, 1916. As the daughter of a Cuban diplomat, she studied in many countries and became fluent in several languages. Dolores received her doctorate in “Filosofía y Letras” in 1943, from the University of Havana.

Dolores married José Cid Pérez, a prominent Cuban playwright, in 1939 and worked with him for the rest of her life on their studies of Latin American theatre. Dolores and José left Cuba in 1960, due to Fidel Castro’s Communist revolution, and came to the United States, where she became an American citizen in 1970. Dolores began teaching at the University of Kansas and then was a professor at Purdue University. After they left Cuba, Castro burned their 25,000-volume personal library, which included some priceless and irreplaceable material and which was said to be “the best library in the world on Latin American theatre.” Fortunately, their files, accumulated over 25 years, on Latin American Indian theatre, were saved through the friendship of a foreign diplomat in Havana.

She lectured in several countries, wrote many articles and books on Latin American theatre, as well as textbooks, and received many awards and honors as a result. One of her published books is Tres Mujeres de América. Teatro Indio Precolombino and Poesías Completas de Gertrudis Gómez de Avellaneda were also published by Dolores with José Cid as co-author. Dolores Martí de Cid, who devoted her life to the study of Latin American literature and culture, died in New York City, in May 1993.