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Roberto Behar has been a Professor in Practice at the University of Miami School of Architecture since 1986. He is a principal founder of R & R Studios, the collaborative office he shares with Rosario Marquardt. R&R Studios is a multidisciplinary practice weaving together visual arts, architecture, design and the city. Behar frequently lectures in the United States, Europe, Israel, and South America, and his work has been published in over 200 publications worldwide. Behar's work has been presented in galleries, museums, and events in America and abroad. Exhibitions venues include solo and group exhibitions at the Museum of Contemporary Art in Denver, the Miami Art Museum, and the Museum of Contemporary Art at the Madison, Miami International Airport, The Palm Beach Institute of Contemporary Art, the Neuberger Museum of Art in Purchase, the Centre International pour la Ville, I’Architecture, et le Paysage (CIVA) in Brussels and the Institute Francais d’ Architecture in Paris, as well as Coachella Valley Music and Arts Festival.

He was the Director of the Architectural Club of Miami from ADD DATES Cultural Director of the Centro de Arquitectos de Rosario.

Behar has a Diploma of Architecture from the Universidad Nacional de Rosario in Argentina, and later studied at The Institute for Architecture and Urban Studies in New York City.

The Beaux Arts organization promotes an interest in art and art appreciation and provides support in the form of improvements, equipment, and financial assistance to the Lowe Art Museum (formerly the Lowe Gallery).  It was founded in 1952 by fifty members under the direction of Ann Atkinson, then Assistant Director of the newly built Joe and Emily Lowe Art Gallery. The organization also presents a yearly outdoor juried art exhibit which attracts artists from around the entire country.

Dulce Beatriz (née Dulce Hernández Moreno de Ayala) is a painter and sculptor mainly known for her Impressionist-style painting. She was born in Havana, Cuba on March 17, 1931 to José María Hernández, the manager of a bakery, and Dulce Moreno Ayala, a teacher. Her maternal grandfather, Dr. Emilio Moreno de Ayala, was a well-published historian and university professor in Spain who was a recipient of the Orden de Isabel la Católica, which his granddaughter would also receive decades later.

Beatriz originally sought a career in music education, graduating from the teacher’s college in Havana Escuela de Maestros de Kindergarten in 1949 and completed further studies in piano, solfeggio, music theory, harmony, composition, orchestration, history of music, music education and orchestra conducting at the Carlos Alfredo Peyrellade Conservatory of music and graduated in 1953. She exhibited in 1954 at the National Exhibition and the Biennial International Exhibition in Havana, which she would go on to judge starting in 1956. She graduated from the Escuela Nacional de Bellas Artes "San Alejandro" in Havana in 1955 and received a prestigious grant called the Bolsa de Viaje (Scholarship for Study Abroad) to study outside of Cuba. She traveled to Spain to take classes at the Prado Museum. She also became an advisor and professor at the Fine Arts of the Havana City Hall. She taught classes in anatomical drawing, coloring, art history and art appreciation. She had her first solo exhibition at the Havana City Hall's Hall of Mirrors in 1959, for which she won the Noble Havana Gold Medal. In that same year she had another solo exhibition at The Spanish Casino.

She and her husband, Leonardo Beatriz, a musician with a specialty in Spanish Regional music and an art restorer and appraiser who patented a canvas stretching method, moved to the U.S. on February 8, 1960 to live in Florida where Beatriz continued her career as an artist. Throughout the 1970’s and ‘80’s, her art was displayed in galleries and she received awards and recognition for her work. and traveled frequently abroad. In October of 1963 she exhibited her work at the "Loft on the Mile" Gallery of Art, Coral Gables, Florida. In Managua, Nicaragua at the Rubén Darío National Theatre she exhibited a collection of her works in 1971. Additionally in 1971, she was the recipient of a Lincoln-Marti Award. In 1972, a collection of Beatriz’s works was displayed in “Gallerie Jean Tiroche” in Palm Beach, Florida. Jean Tiroche had always displayed Impressionist and post-Impressionist artists from the Paris School but reportedly made an exception for Beatriz, who was from the Spanish School. In 1975 she became an honorary Member of The Hispanic International Research Institute of the city of New York. In 1982, she received the Orden de Isabel la Católica. The Director of the San Fernando Royal Academy of Fine Arts Dr. Juan Contreras y López de Ayala the Marquis of Lozoya provided the recommendation that Beatriz be recipient of the award. In 1983, she was awarded the key of the City of Miami, and in 1997 she made a guest appearance in the T.V. documentary" Camino al Exito." She has been interviewed many times and she has been recognized and her work discussed in many magazines and other publications such as Marqui’s "Who's Who in the World," 1989-1990 and the book Raíces de Cubania by Dr. Ariel Remos .

During her career, Beatriz traveled extensively to paint at a variety of sites, including archaeological digs in Mexico, Italy, Portugal and Egypt as well as travels to Spain, Belgium, France, Austria, the West Coast of the State of Florida, and Venice. Art critic Jesús Hernández of Diario de las Americas notes that the works “reflect a strong presence in one of the main concepts of the Baroque, Romanticism and even Expressionism, mainly from Spanish streams.”

Her works are parts of permanent museum collections in Madrid, Spain at the Museo Español Reina Sofía and the Instituto de Cultura Hispánica, as well as in fine art museums in major cities in Venezuela, Nicaragua, Guatemala, Costa Rica, Panama, Chile, and Mexico as well as in the U.S. at Memorial Art Gallery in Rochester, New York and the Dayton Art Institute in Ohio. She also has produced two publications, A Quarter Century of My Life, which is an autobiography published by Dukane Press in 1972, and Dulce Beatriz: Oil paintings, drawings, silver point, sculptures, engravings, which is a collection of work edited by the Beatrizs with a foreword by Charles K. Szabo, published in 2009. In June 2007, she was interviewed by Rossi M., A, and Maurizio, G., for “La Isla Times” of Key Biscayne, Florida.