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Althea "Gerry" Lister was secretary to V.E. Chenea, general traffic manager of Pan American World Airways, Assistant to Mr. Harold W. Houston, passenger service manager, Historian and Curator of Clipper Hall (the Pan Am museum at John F Kennedy International Airport), and a charter member of the Ninety-Niners (99ers) (the female pilot’s group). She retired from Pan Am in 1974.
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Arturo Artalejo was a Cuban actor and radio personality. As one of the earliest popular radio figures to leave Cuba following the Cuban Revolution, he became a founding voice of Cuban exile radio in Miami. He became a political commentator on WMIE in Miami, where he was one of a very small number of early exiles who argued that the Castro regime would last more than a few years.
University of Miami. Department of Microbiology and Immunology
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The Department of Microbiology and Immunology is a basic science, research-oriented unit within the University of Miami School of Medicine. The department consists of 42 faculty members, approximately 45 postdoctoral fellows and graduate students, and a technical staff of 45. Departmental research efforts are supported by a number of core units including flow cytometry, transgenic/knockout, sequencing, imaging, and stem cell/hematopoiesis facilities. In addition to studying basic microbiological and immunological questions, the department also directs the Gene Transfer Immunotherapy Program together with physicians from the Division of Hematology and Oncology and maintains close ties with the Sylvester Comprehensive Cancer Center and the Diabetes Research Institute through collaborative projects. Members of the department share a common belief that complex biological and medical questions are best solved by integrating investigators with differing expertise and perspectives.
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Alvaro de Villa was a Cuban writer and journalist most notable for his work with the American sitcom ¿Qué pasa, U.S.A.? Before moving to Miami, he wrote for Cuban radio and television. He also wrote several novels, short stories, screenplays, nonfiction works, and radio scripts.
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Rosendo Rosell was a Cuban actor, writer, and entertainment journalist. He starred in a number of movies in pre-Revolutionary Cuba, as well as working in Cuban radio. He emigrated to Miami, where he became known for his talk show "El Show de Rosendo Rosell." He was also a producer, writer, and journalist who wrote about Cuban television and radio.
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Artifacts Artist Group was founded by Howard Davis in June, 1984. According to Davis, "Artifacts was conceived with four goals in mind:
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To provide a showcase for emerging as well as more established artists in Miami/South Florida
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To provide a framework for artistic collaboration
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To engage the various cultural communities in South Florida
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To promote the 'demystification of art, i.e. presenting multimedia art happenings and installations in unconventional settings and venues, e.g. nightclubs, etc.'"
To that end, Artifacts would set up art salons and events in galleries and nightclubs throughout Miami, in neighborhoods such as the Design District and Miami Beach, places that were just then beginning to experience the renaissance that would eventually bring them to the forefront of the global arts community with contemporary events such as Art Basel.
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The StoryCorps oral histories project began in 2003 as an effort to “provide people of all backgrounds and beliefs with the opportunity to record, share and preserve the stories of our lives.” As of 2015, the project has recorded more than 50,000 interviews with more than 90,000 participants. The work of StoryCorps provides an “invaluable archive for future generations,” and is housed at the American Folklife Center at the Library of Congress.
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Pablo F. Lavín (1905-1992) was a Cuban born lawyer and academic. He was professor of political science at the University of Havana from 1927-1960. Lavín was also the dean of the faculty of social science and public law at the University of Havana. Lavín served as the Attorney General of Cuba and as the Director General of the Department of American Affairs in Cuba. He was a published author of books, articles, and essays which covered a range of topics.
Marsh and Saxelbye, Architects, Jacksonville, Fla.
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Cret, Paul Philippe, 1876-1945
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Cuban-American Association of Cuban Engineers
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From the earliest moments of its colonial history, builders and engineers have been part of the Cuban landscape. [1]However, it was not until 1803 that a royal decree gave more weight to the presence of the engineering corps. The engineering corps attached to the island was very small and without sufficient support, thus forced to carry out its projects using regular enlisted men and civilians. Throughout the rest of the 19th century, personnel attached to the Spanish Royal Corps of Engineers would continue to increase in order to sustain the number of projects taking place, mainly in the capital city of Havana.
The arrival of the twentieth century saw a surge in the engineering field. With a new school formally attached to the University of Havana, which later became a department of the University, future Cuban engineers were able to obtain their education at home. These new educational opportunities were reflected in the surge in public works and feats of engineering that took place in the first half of the twentieth century.
Cuban engineers had long been affiliated with the Sociedad de Ingenieros Cubanos, an organization that dated to the end of the 19th century. However, relatively large changes in the educational process leading to a degree in Engineering led to the creation of societies or organizations that focused on individual engineering disciplines. Thus, the creation of the Colegio de Ingenieros Civiles de Cuba in 1945, whose membership was open to civil engineers throughout the island.
The official publication of the Colegio de Ingenieros Civiles de Cuba was titled Ingeniería Civil. It was published quarterly and highlighted not only the past work of notable engineers, but current projects involving the society’s members. The journal served as a chronicle of the work carried out by the island’s civil engineers.
The 1959 revolution that brought Fidel Castro to power led to the immediate exile of many of the association’s members. Many of them arrived to the United States in reduced circumstances, forced to begin their studies anew and to make their way in an unfamiliar environment. As early as 1961, the association began to establish its exilic identity, with meetings and bulletins that kept its members informed. In exile, the organization changed its name to the Cuban-American Association of Cuban Engineers (C-AACE), but kept its ethos of professional development.
One of the ways in which the new association provided support for its members was through the ratification of their Cuban engineering degrees. State and local governments from all over the United States wrote to the association to solicit their help in establishing the credentials of these newly arrived engineers.
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Jan Mapou (Jean-Marie Denis) is a Haitian author, playwright, director, and arts advocate. He was one of the founders of the Haitian Creole Movement, which began in Haiti in 1965. That same year he also created Sosyete Koukouy (The Fireflies Society), a multi-disciplinary arts company dedicated to preserving Haitian cultural traditions and rituals. In 1969, Mapou was arrested by the Duvalier government for his activities promoting Haitian Kreyol. He immigrated to New York in 1972, before settling in Miami in 1984. He helped found chapters of Sosyete Koukouy in both New York and Miami, and serves as the Society's artistic director. Mapou's writing legacy includes 2 poetry books,1 short story, and 8 plays. He has also directed more than 15 plays in Haiti, New York,and Miami. He owns Libreri Mapou (Mapou Bookstore) in Little Haiti, which has one of the largest inventories of titles on Haitian culture and history in the nation. He also hosts two radio programs on education and culture on WLRN Public Radio and has served on numerous boards, including the Miami Book Fair International. Finally, he is the co-founder of the Haitian Arts Alliance . In 2007, he was the recipient of the Folk Life Award from he State of Florida.
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