The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

"Archive of letters between members of the Michelsen and Havens family, including correspondence from Kate C. Havens, a prominent female theosophist from Miami, Florida and Cloudland, Geogia. Approximately 75 letters plus newspaper clippings, ephemera, and a sketch book containing costume designs by Cleo Michelsen. The majority of these letters are addressed to Cleo Michelsen, a young lady, who is interested in the arts and would eventually marry Auriel Bessemer, a noted muralist of the New Deal. Cleo came from a well-established family from Miami. The letters are written from her brothers, sisters, parents, and grandparents. The family is well-educated, and the letters are articulate and well-written.

However, with the Depression looming over the country, her family is is in the midst of a crisis. Cleo's father has seen his business fortunes plummet, and he and Cleo's mother have separated. Her father eventually moves to Cuba where he attempts to revive his holding company. Her mother stays in Florida but is in terrible financial straits. One of Cleo's sisters writes regarding the lack of money and her mother's impoverished state - one which forces her to go days without eating.

In addition, as mentioned above, Cleo has been courted by Auriel Bessemer, who she meets in art school. A promising artist himself, they go on to marry in 1935. During the New Deal, Auriel was commissioned by the Treasury Department to create seven murals - "Historical and Industrial Scenes - Sketches of Virginia," for the first federal building in Arlington. The murals were conserved in 2007, and today, they remain in their permanent home in the U.S. Post Office Building in Arlington.

Most importantly, in this collection are a series of letters from Cleo's grandmother, Kate C. Havens, who splits her time between her home in Miami, Florida and a mountain retreat in Cloudland, Georgia. Mrs. Havens originally hailed from Chicago and was a prominent voice in the Theosophy movement of the time, delivering lectures, writing articles and becoming acquainted other notable theorists, including Anne Besant and Max Heindel. In Miami, she continued her involvement with Theosophy becoming the president of the newly formed Theosophical Society there in 1919. She was a free and very liberal thinker and also became heavily involved in the Women's suffrage movement, eventually becoming an officer on the legal status of women in the Florida State League of Women Voters.

Havens has a great affection for Cleo and writes her interesting heartfelt letters, which are mostly always infused with a Theosophical bent, injecting her views on spirituality and orientalism, providing her opinions on important theosophical readings, reporting upon her lectures given to the Theosophical Society in Miami, and giving accounts of two fascinating meetings with Pearl Buck and Dr. Alvin Kuhns." -Denning House Antiquarian Books & Manuscripts

This collection currently contains advertisements, ephemera, pamphlets, scrapbooks, and graphic materials from National Airlines, mostly dating to the 1970s.

Conceived in 1932 by the original Orange Bowl Committee, the Orange Bowl was created as a popular tourism attraction for the New Year's Festival in Miami that would attract national publicity and bring more businesses and money to South Florida. This venture proved successful as the Orange Bowl celebration grew in both size and popularity, becoming a national extravaganza with their lavish parades, annual football games, and beauty pageants, all in an effort to create the "world's greatest half-time spectacle."

The first football game ever put on by the committee was in 1932 between the University of Miami Hurricanes and Manhattan College from New York City in what was then called the Festival of Palms Bowl. In 1935, the festival was renamed as the Orange Bowl and started featuring college football teams to participate based on their national rankings rather than offering a guaranteed position, and it was recognized by the NCAA as the first "official" Orange Bowl. The Orange Bowl stadium was created in 1937 to accommodate the game as well as the Miami Dolphins home games and several Super Bowls up until it was demolished in 2008, but it gained a prolific reputation as a local attraction during its lifespan in south Florida.

The Orange Bowl Records contains documents, financial and administrative files, scrapbooks, photographs, ephemera, pamphlets, newsclippings, audiovisual material, and 3D objects pertaining to the Orange Bowl Committee and their archives.

Originally established by W. L. Philbrick with Steve L. Stanfill, Jr., Philbrick Funeral Home served as an important landmark in the early 20th century, offering premium funeral services to the citizens of South Florida. It has since then been renamed to Philbrick-Stanfill Funeral Home and then Stanfill Funeral Home. This collection contains funerary records and burial information for those whose memorial services were performed under the original Phibrick Funeral Home leadership.

The Plymouth Congregational Church records contains historical records created and maintained by the church from around the 1910s through 2010s. The collection contains (but is not limited to) church records on baptisms, weddings, and funerals; architectural drawings of the building and grounds (including the Little Schoolhouse); church bulletins; educational materials; organizational records, including minister files, records maintained by church organizations (eg. Music Committee, Women's Fellowship Circles), and information on governance; ephemera related to events; press clippings; scrapbooks, photographs; and sermons and memorial tapes.

Thanks to a grant sponsored by UM Libraries as part of the CREATE Grant Fall 2019 grant Cycle Awards, students under the supervision of Professor Robin Bachin (Associate Professor/Assistant Provost for Civic and Community Engagement) conducted interviews with Miami community members in neighborhoods that have undergone significant transformations over the last several decades.

The Race, housing, and displacement oral history collection documents the complicated and significant interconnections among race, housing, and displacement in Miami during the twentieth century. The 6 interviewees are from various neighborhoods including Overtown, Liberty City, and Little Haiti. The interviews were conducted over Zoom during April 2020.

The following individuals were interviewed as part of this collection:

1. Adrian Madriz: Executive Director of the Struggle for Miami’s Affordable and Sustainable Housing (SMASH)
2. Alana Greer: Co-founder of the Community Justice Project
3. Mileyka Burgos: Executive Director of The Allapattah Collaborative, CDC
4. Nancy Metayer: Candidate for Coral Springs Commissioner; member on the Steering Committee of the Miami Climate Alliance; former member of the Broward County Soil and Water Conservation District; Co-Founder of the Florida Disaster Preparedness Plan; environmental scientist; community organizer
5. Shirley Plantin, Chief Executive Consultant for U-Turn Youth Consulting Firm and the author of The Backstory of a New Reality
6. Yanick Landess, Director of Homeownership Programs at Neighborhood Housing Services of South Florida

Interdisciplinary community / Samina Quraeshi -- History of Coconut Grove / Arva Moore Parks -- Oral histories / Greg Bush -- Knowledge building as community building: universties & civic engagement / Robin Bachin -- Bahamian promenade / Yvonne McDonald -- The tables are turned / Sanjeev Chatterjee -- Behind the scenes / Michael Carlebach -- Kebo: the rediscovery of a neighborhood / Lelen Bourgoignie -- Virrick Park / Will Johnson -- Celebrating children & the arts / Jennifer Jones (Interview with Thelma Gibson) -- The cityzens project / Hector Burga, Mathew Lister, Natalia Miyar -- Promoting social justice through healthy partnerships / Etiony Aldarondo -- A community organizer speaks / Daniella Levine -- Vision plan for Coconut Grove / Richard Shepard, Eric Vogt -- The building project / Richard Shepard (Interview with architecture students) -- Learning right from wrong / Andy Parrish -- Building healthy communities / Dr. Jose Szapocznik, Arnold Spokane & Collaborators -- The tie that binds / Anthony Alfieri, Kelly Spencer -- The individual & the community / Elizabeth Plater-Zyberk -- The spirit of place / Samina Quraeshi -- Next steps, the second wave of engagement: learning from West Coconut Grove / David Scobey.

Advisors: Jacob Brilhart, Juhong Park, Elizabeth Plater-Zyberk, Ehsan Sheikholharam, Allan Shulman, Veruska Vasconez, Li Yi.

Unbuilt/schematic projects by Gordon Gilbert including preliminary sketches, construction drawings, photographic materials of the Barn Addition, Boulder House, Cantilevered Structure, Farmland House, Folded Addition, Garden Addition, Glass Facet Structure, Glass House, Helsinki Harbor, Pedestrian Bridge, Perspective Drawing, Pool Cabana, Shadow House, Shaky Joe's, Triangle Studio, and Yankee Lake projects.

This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.

"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.

These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'

Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.

An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books

Color lithograph of Miami streets and highway system with street index

Photographs and negatives of Hurricane Andrew created by the students of Southwood Middle School.