The Andrew Kaufman Photography collection includes a box set of two hand made books created by the photographer that document the graffiti and street art in the Wynwood neighborhood of Miami. Also included in the collection is a folder of ephemera advertising Kaufman's photography business.

Advisors: Jacob Brilhart, Juhong Park, Elizabeth Plater-Zyberk, Ehsan Sheikholharam, Allan Shulman, Veruska Vasconez, Li Yi.

This thesis studies how an infrastructure con have multiple dimensions of functionally adatively added to its physical structure to give it usefulness beyond its, usually singular, intended purpose.
Case study: Miami's Metrorail.

Larry Thompson was a humorist and columnist who wrote and reported for the Miami Herald for 28 years. His column, "Life with Larry," tackled topics such as politics, daily life, local history, and events. This collection contains clippings of his work written by him from 1956-1973, all arranged chronologically.

Photographs of post-hurricane damage after The Great Labor Day Hurricane of 1935.

This collection currently contains advertisements, ephemera, pamphlets, scrapbooks, and graphic materials from National Airlines, mostly dating to the 1970s.

The collection contains minutes, bylaws, and documentation of conferences and programs held by the Cuban diaspora association Conciencia Cubana, Inc. The group's mission was to engage Cuban-American youth in discussions related to a post-Castro Cuba.

The collection consists of 340 photographs of Miami including the celebration of Carnival Miami at Calle 8. The photographs were taken by Gustavo Roca.

The Art in Miami collection contains brochures, flyers, exhibit catalogs, pamphlets, handouts, and other ephemera documenting art and art-related activities in Miami, with material going as far back as 1996. Included are items from galleries, such as the Alejandra von Hartz Gallery, the Miami International Airport Gallery, and Lowe Art Museum Gallery, as well as various other local museums, art fairs, shows, and the Wynwood Arts District. The collection also includes brochures, programs, maps, handouts, and ephemera from the Art Basel show in Miami Beach, beginning with Art Basel 2009.

The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

Photographs and negatives of Hurricane Andrew created by the students of Southwood Middle School.

Contains Arthur Cervenka's acceptance letter to the University of Miami, an event invitation, a small UM flag, a UM campus information booklet from 1936, Cervenka's Fall 1936-1937 schedule, and one check for Fall tuition.

Original drawings of house for Mr & Mrs Perry Dring in Miami, FL

Original drawings of proposed alterations for Mr & Mrs Morton Lefkowitz

Built projects by Gordon Gilbert including preliminary sketches, construction drawings, construction photos, final photos, and models of the Bridge House, the Lake House, the Light House, the Memorial proposal, the Rock House, the Split House, the Stilt House, the Transparent Cottage, and the Tree House projects.

This collection contains exhibit catalogs, booklets, fliers, ephemera, news clippings, brochures, correspondence, and pamphlets, largely related to art, events around Miami, religion, culture, and Betsy Kaplan's other interests.

Market analysis.

"Archive of letters between members of the Michelsen and Havens family, including correspondence from Kate C. Havens, a prominent female theosophist from Miami, Florida and Cloudland, Geogia. Approximately 75 letters plus newspaper clippings, ephemera, and a sketch book containing costume designs by Cleo Michelsen. The majority of these letters are addressed to Cleo Michelsen, a young lady, who is interested in the arts and would eventually marry Auriel Bessemer, a noted muralist of the New Deal. Cleo came from a well-established family from Miami. The letters are written from her brothers, sisters, parents, and grandparents. The family is well-educated, and the letters are articulate and well-written.

However, with the Depression looming over the country, her family is is in the midst of a crisis. Cleo's father has seen his business fortunes plummet, and he and Cleo's mother have separated. Her father eventually moves to Cuba where he attempts to revive his holding company. Her mother stays in Florida but is in terrible financial straits. One of Cleo's sisters writes regarding the lack of money and her mother's impoverished state - one which forces her to go days without eating.

In addition, as mentioned above, Cleo has been courted by Auriel Bessemer, who she meets in art school. A promising artist himself, they go on to marry in 1935. During the New Deal, Auriel was commissioned by the Treasury Department to create seven murals - "Historical and Industrial Scenes - Sketches of Virginia," for the first federal building in Arlington. The murals were conserved in 2007, and today, they remain in their permanent home in the U.S. Post Office Building in Arlington.

Most importantly, in this collection are a series of letters from Cleo's grandmother, Kate C. Havens, who splits her time between her home in Miami, Florida and a mountain retreat in Cloudland, Georgia. Mrs. Havens originally hailed from Chicago and was a prominent voice in the Theosophy movement of the time, delivering lectures, writing articles and becoming acquainted other notable theorists, including Anne Besant and Max Heindel. In Miami, she continued her involvement with Theosophy becoming the president of the newly formed Theosophical Society there in 1919. She was a free and very liberal thinker and also became heavily involved in the Women's suffrage movement, eventually becoming an officer on the legal status of women in the Florida State League of Women Voters.

Havens has a great affection for Cleo and writes her interesting heartfelt letters, which are mostly always infused with a Theosophical bent, injecting her views on spirituality and orientalism, providing her opinions on important theosophical readings, reporting upon her lectures given to the Theosophical Society in Miami, and giving accounts of two fascinating meetings with Pearl Buck and Dr. Alvin Kuhns." -Denning House Antiquarian Books & Manuscripts