This collection features several posters documenting the AIDS awareness movement from the 80's to the present to educate people about the HIV/AIDS epidemic and prevent its spread in various countries of the world. Nations currently represente...
This collection documents the works of noted Haitian Vodou priest, healer, educator, and performance artist of “electro-Vodou music,” Erol Josué. He has spent much of his career passionately practicing the Vodou religion and advocating to keep it ...
A collection of papers, photographs, scrapbooks, ephemera and other objects that document various cultural scenes in Miami from the 1980s to the present, with an emphasis on the art, nightclub and drag subcultures.
The papers include 1 diploma for Alfredo Rodríguez Estévez from Escuela Profesional de Comercio, Habana; 1 diploma for Rodríguez Estévez from Universidad de la Habana; 1 photo album from Casino de Capri, Havana; documents (1961) certifying the con...
The María Martínez-Cañas collection includes 1 portfolio of Páginas del Viaje, including : Chine CollePhotogravures, 20 x 20 inches, in 1 complete portfolio of the Páginas del Viaje 1996 edition of 14 prints with 2 artists proofs, 2 printer proofs...
The papers includes 5 binders chronicalling the work and career of writer, actor and theater worker Carlos Irigoyen Sierra. The collection contains manuscripts for articles, essays, stage and screen plays and other writtings.
Roberto Estopiñan (1921-2015) was a Cuban born sculptor who emigrated to the United States and lived in New York from 1960 to 2002. He subsequently retired in Miami until his passing in 2015. His papers at the Cuban Heritage Collection include 47 ...
Ramón Font Saumell was a member of the anti-Castro paramilitary organization "Commandos L." His papers includes 30 binders with clippings, photographs, articles, notes, typescripts, and research files related to Font's book project,...
The collection includes pamphlets, brochures, menus and entertainment ephemera and photographs relating to tourism and popular culture in Cuba during the 1950s. The narrative is geared towards a U.S. audience.