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Leila Miccolis Brazilian Alternative Press collection

  • ASM0654
  • Collection
  • 1960-2002

The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.

As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.

The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.

Míccolis, Leila

Zine Collection

  • ASM0333
  • Collection
  • 1939-2024

An ongoing collection of zines added to the holdings of the University of Miami Libraries Special Collections. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.