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The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

This collection documents the initiatives and issues surrounding local farmworkers in the United States, who are often comprised of migrant workers from the Caribbean, Mexico, Central, and South America. One of the topics covered within includes the ¡Que Calor! campaign organized by WeCount, which fights for the rights and health concerns of farmworkers who are often subject to dangerous heat levels in Florida.

Materials include periodicals, fliers, programs, pamphlets, buttons, clothing, and other ephemera pertaining to various local organizations, such as the aforementioned WeCount, the Coalition of Immokalee Workers, the Farmworker Association of Florida, and the Student/Farmworker Alliance.

The University of Miami Iron Arrow Honor Society collection contains the official records of the Society dating from 1926 to the present. Items in the collection include organizational records, member directories, programs, bulletins, event ephemera, resumes, periodicals, awards, correspondence, financial records, press releases, photographs, photograph albums, flags, clippings, and jackets worn by the members. 

This collection contains documents related to the SAVE History Project, which documents the operations and activism efforts of Safeguarding American Values for Everyone (SAVE), a grassroots nonprofit political advocacy organization located in Miami, Florida. Founded in 1993, the organization's stated mission is to "promote, protect and defend equality for people in South Florida who are lesbian, gay, bisexual and transgender."

This collection contains photographs, audiovisual materials, documents, meeting minutes, training materials, ephemera, and other records which document the evolution and activism of SAVE, including its predecessor organization, the SAVE Action PAC.

A collection of periodicals, pamphlets, brochures, tracts, leaflets, broadsides, and assorted materials, focusing on social movements across the globe. The collection presently includes materials from various organizations, mostly French, Iranian, African-American groups fighting for social rights and liberties, pro-environmentalist/anti-capitalist groups, and socialist groups, and will continue to expand as materials are collected.

"Archive of letters between members of the Michelsen and Havens family, including correspondence from Kate C. Havens, a prominent female theosophist from Miami, Florida and Cloudland, Geogia. Approximately 75 letters plus newspaper clippings, ephemera, and a sketch book containing costume designs by Cleo Michelsen. The majority of these letters are addressed to Cleo Michelsen, a young lady, who is interested in the arts and would eventually marry Auriel Bessemer, a noted muralist of the New Deal. Cleo came from a well-established family from Miami. The letters are written from her brothers, sisters, parents, and grandparents. The family is well-educated, and the letters are articulate and well-written.

However, with the Depression looming over the country, her family is is in the midst of a crisis. Cleo's father has seen his business fortunes plummet, and he and Cleo's mother have separated. Her father eventually moves to Cuba where he attempts to revive his holding company. Her mother stays in Florida but is in terrible financial straits. One of Cleo's sisters writes regarding the lack of money and her mother's impoverished state - one which forces her to go days without eating.

In addition, as mentioned above, Cleo has been courted by Auriel Bessemer, who she meets in art school. A promising artist himself, they go on to marry in 1935. During the New Deal, Auriel was commissioned by the Treasury Department to create seven murals - "Historical and Industrial Scenes - Sketches of Virginia," for the first federal building in Arlington. The murals were conserved in 2007, and today, they remain in their permanent home in the U.S. Post Office Building in Arlington.

Most importantly, in this collection are a series of letters from Cleo's grandmother, Kate C. Havens, who splits her time between her home in Miami, Florida and a mountain retreat in Cloudland, Georgia. Mrs. Havens originally hailed from Chicago and was a prominent voice in the Theosophy movement of the time, delivering lectures, writing articles and becoming acquainted other notable theorists, including Anne Besant and Max Heindel. In Miami, she continued her involvement with Theosophy becoming the president of the newly formed Theosophical Society there in 1919. She was a free and very liberal thinker and also became heavily involved in the Women's suffrage movement, eventually becoming an officer on the legal status of women in the Florida State League of Women Voters.

Havens has a great affection for Cleo and writes her interesting heartfelt letters, which are mostly always infused with a Theosophical bent, injecting her views on spirituality and orientalism, providing her opinions on important theosophical readings, reporting upon her lectures given to the Theosophical Society in Miami, and giving accounts of two fascinating meetings with Pearl Buck and Dr. Alvin Kuhns." -Denning House Antiquarian Books & Manuscripts

Research material from noted author and historian, Arva Moore Parks McCabe (1939-2020). Born in Miami, Florida, Arva had written countless books on Florida's eclectic history, including The Forgotten Frontier: Florida through the Lens of Ralph Middleton Munroe, Miami, the Magic City, and George Merrick, Son of the South Wind: Visionary Creator of Coral Gables. She also served as chief curator, interim director, and chair of the Coral Gables Museum.

This collection focuses heavily on George E. Merrick, Coral Gables, and other research topics used in her writings. It also features a large assortment of archival material: booklets, books, magazines, posters, photographs, negatives, pamphlets, postcards, maps, ephemera, newspapers, and guides about Miami and other notable cities and famous people related to South Florida.

This collection consists of correspondence, manuals, personal papers, photographs, ephemera, and other records concerning Pan American World Airways.

Born in Puerto Rico, Arnaldo J. López serves as the Development Officer at Pregones/Puerto Rican Traveling Theater (PRTT). He holds a Ph.D. in Latin American Literatures and Cultures from New York University and is an avid advocate of the arts. This collection features an array of zines, ephemera, comic books, and other archival material he collected in his lifetime.

The Plymouth Congregational Church records contains historical records created and maintained by the church from around the 1910s through 2010s. The collection contains (but is not limited to) church records on baptisms, weddings, and funerals; architectural drawings of the building and grounds (including the Little Schoolhouse); church bulletins; educational materials; organizational records, including minister files, records maintained by church organizations (eg. Music Committee, Women's Fellowship Circles), and information on governance; ephemera related to events; press clippings; scrapbooks, photographs; and sermons and memorial tapes.

The Frost Museum of Science had originally opened in 1950 under the name the Junior Museum of Miami and has since underwent several renovations and relocations. It had also been renamed in 1952 as the Museum of Science and Natural History and once again renamed in 2011 after Phillip and Patricia, two wealthy and influential Miami philanthropists who have donated and supported various educational institutes and museums throughout South Florida, including the University of Miami. In its current inception, the Frost Museum of Science is located in Downtown Miami's waterfront Museum Park and offers a variety of STEM (Science Technology Engineering and Math)-based exhibits, lectures, and shows. It is particularly well-known for hosting the show Star Gazers with Jack Horheimer (formerly Jack Horheimer: Star Hustlers and Jack Horheimer: Star Gazer).

This collection includes typescripts for the Star Gazers (Star Hustler) planetarium show, research files, exhibit files, exhibit prints, convention proceedings, pamphlets, historical news clippings, ephemera, periodicals, scrapbooks, photographs, event files, administrative records, and other archival documents pertaining to the Frost Museum of Science's day-to-day operations.

From 1926 to 1991, Eastern Airlines had endured as one of the major and more well known airlines in the Americas. This collection captures important fragments of its long history and its influence on the airline industry through the eyes of its former employees and passengers. The materials contained within include: ephemera, 3D objects, uniforms, manuals, administrative files, photographs, albums, and other types of documents pertaining to Eastern Airlines.

Almost all items contained in this collection have been generously donated to the University of Miami by individuals donating on behalf of the Eastern Airlines Retiree Association [EARA], or former employees who have contributed to the collection on an individual basis.

Conceived in 1932 by the original Orange Bowl Committee, the Orange Bowl was created as a popular tourism attraction for the New Year's Festival in Miami that would attract national publicity and bring more businesses and money to South Florida. This venture proved successful as the Orange Bowl celebration grew in both size and popularity, becoming a national extravaganza with their lavish parades, annual football games, and beauty pageants, all in an effort to create the "world's greatest half-time spectacle."

The first football game ever put on by the committee was in 1932 between the University of Miami Hurricanes and Manhattan College from New York City in what was then called the Festival of Palms Bowl. In 1935, the festival was renamed as the Orange Bowl and started featuring college football teams to participate based on their national rankings rather than offering a guaranteed position, and it was recognized by the NCAA as the first "official" Orange Bowl. The Orange Bowl stadium was created in 1937 to accommodate the game as well as the Miami Dolphins home games and several Super Bowls up until it was demolished in 2008, but it gained a prolific reputation as a local attraction during its lifespan in south Florida.

The Orange Bowl Records contains documents, financial and administrative files, scrapbooks, photographs, ephemera, pamphlets, newsclippings, audiovisual material, and 3D objects pertaining to the Orange Bowl Committee and their archives.

The O, Miami collection holds memorabilia associated with the literary organization and their events and publications. The materials document many of the inventive techniques used to promote poetry during their annual O, Miami Poetry Festival, including poetry parking tickets and poems in the form of lottery scratch off tickets. Other events documented include the organization's visiting writers series, and their collaborations with Pages and Spreads, another local literary organization. The collection also includes chapbooks/zines that collect poems and writings from local Miami writers.

Born Linnea Eleanor Yeager in March 13, 1929, in Wilkinsburg, Pennsylvania, "Bunny" gained international fame as both a model and a photographer. She moved to Miami at a young age and first attracted local interest as a model, winning several pageants and gracing the pages of popular magazines. While she was modeling, she developed a knack for designing and sewing together her own bikinis, and her style became rather prolific in the fashion circuit for many years after.

Since creating portfolios was rather expensive while Bunny was trying to break out into the modeling industry, she was motivated to learn photography and took several night classes to hone her abilities and create her own portfolios. She eventually developed her signature method of photography that allowed her to take pictures of models using natural light through the "fill flash" method. Her style helped to reinvent the genre of nude and pin-up photography, taking it from its roots of overt raunchiness and elevating it into an art form that centered around playful sensuality and provocativeness. Her photos have been featured in Playboy, Redbook, Cosmopolitan, Esquire and many other big-name magazines, and she was also credited in helping to make Bettie Page into a household name as well as other famous pin-up models such as Lisa Winters. Her career also includes several self-penned books, including such titles as How I Photograph Myself, How to take Figure Photos, Photographing the Female Figure, and How I Photograph Nudes.

Bunny Yeager eventually passed away in May 25, 2014 in North Miami, but her legacy as one of the leading pioneers of pin-up photography remains. Her collection captures her eclectic history with an array of scrapbooks, correspondence, ephemera, photographs and clippings, all which illustrate her passion for her work.

In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.

In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.

This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.

The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.

The Lowe Art Museum collection contains records, reports, correspondence, cookbooks, publications, and other documents pertaining to the museum's publicity, administration, and events.