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The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Martha Frayde Barraqué Papers consist of letters from the Cuban painter Wifredo Lam (1902-1982) to Frayde dating between 1962 and 1966.  The collection also includes a group photograph of Lam and Frayde in Mexico in 1957.

The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.

The Laura Zarrabeitia Papers consist of four scrapbooks documenting her career as an actress in Cuba in the 1960s and 1970s.  The scrapbooks include photographs, theater programs, contracts, scripts, and clippings.

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.

Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá.  His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.

Elizabeth Erickson was an instructor in the University of Miami's physical education program during 1928 and 1931. Her collection contains black and white photographs of students and colleagues in the program, other UM-related subjects, and Miami.

There is also a 2-page essay titled "Physical Education Program, University of Miami, 1928-1931, Elizabeth (Betty) Erickson, Instructor" in the collection.  It was written especially for the UM Archives and received on March 31, 1975.

A collection of material from acclaimed theater director, Henry Fonte, who served as the producing artistic director at the Jerry Herman Ring Theatre and the Director of Conservatory Programs in University of Miami for five years. He received his initial education from the University of Florida, earning both a Bachelor of Arts in 1973 and a Master of Arts in teaching in 1976. His acting career began in New York City where he was a founding member of the Pearl Theatre Company. He later founded the New Works Development Program at the Hartt School at the University of Hartford in Connecticut.

The collection is primarily comprised of playscripts, production notes, playbills, and programs but also contains audio-visual materials, posters, photographs, clippings, correspondence, theater set models, and various related items and ephemera from Henry Fonte.

The Scott Carver Housing History collection includes photographs, clippings, reports, ephemera, and digitized files of oral history interviews that document the advocacy work of Scott Carver Miami residents and activists for the restitution of the demolished Scott Carver homes.

The Olga Espejo photograph collection consists of photo reproductions of rare maps held by the Special Collections of Otto G. Richter Library used for her 1995 publication "The West Indies and Florida to 1900: An annotated carto-bibliography." 

The Pablo F. Lavín papers contain documents pertaining to Lavín’s legal and academic career. Included are essays, conference lectures, notes, and personal works written by Lavín and others. There is also correspondence addressed to and written by him, diplomas that were awarded to Lavín, and personal travel documents. There are clippings on a variety of topics as well as books not written by him. Lastly, there are photographs and magazines.

Collection consists of author files, press photos and other photographs, organizational records, financial records, audio recordings, video recordings, and promotional materials.

Author files (8 cubic feet): manila folders containing materials related to authors who appeared or were considered as panelists.

Press photos (1 cubic foot): biographical material, handwritten and typewritten correspondence.

Photographs: candid photos of KWLS authors and attendees; some studio/posed portraits.

Organizational records (6 cubic feet): 3-ring binders containing board agendas, minutes, related correspondence, and press clippings. Financial records (3 cubic feet) tax and accounting records, grant records.

Audio recordings: approximately 75 unique audio cassettes, 20 unique DAT (digital audio tape) recordings; 100+ unique CD (compact disc) recordings 1999-2008; 85 GB unique audio stored on digital drives, 2009-2014.

Video recordings: 7 VHS cassettes.

Ephemera and other promotional materials: posters, programs, postcards, and publications.

Books received with the donation will be cataloged separately.

The María Martínez-Cañas collection includes 1 portfolio of Páginas del Viaje, including : Chine CollePhotogravures, 20 x 20 inches, in 1 complete portfolio of the Páginas del Viaje 1996 edition of 14 prints with 2 artists proofs, 2 printer proofs, 1 studio proof, 1 plate maker proof, and 1 BAT set. Each one of the 5 photogravures copper plates were mounted to aluminum, cancelled and presented in handmade portfolio cases with the first 5 edition sets.

Una Austin Week, whose maiden name was Una Austin, was a professional concert mezzo-soprano singer performed in London, England in the 1910s.  The collection contains professional portrait photographs, concert programs, and press clippings of her performance appeared in newspapers and telegraphs.